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More in tune now with the rhythm of the sun and moon, Xylouris White speak to each other across great distances with the intuition and fellowship that can only be found over years in each other’s company. With fewer distractions, appreciative of the freedom to play with new sounds and spaces, they carve The Forest In Me from unbelievably thin air.
Several decades young on the trap kit, Matt Espy makes his solo bow with an album of solo drums, in dialogic flight with birdsong. Restaging a seminal moment from his seismic early days in music (and inner life), Matt references places he’s been between then and now with hallucinatory evocation. Hawksworth is a new organic space where percussive meditations on a life in music create NEW life in music, a comment on the nurture of nature itself.
With 2020 hindsight (and magic mics), we spy Wand in their late Plum/Laughing Matter quintet style, rolling up the west coast and rolling out the magic carpet. These nights spent communing with the crowds and jamming toward infinity (fittingly) promise that we’ll meet again, on nights like these further down the Möbius strip. But you knew this!!!
*2022 stock.* To pour some out for one of their heroes, the cosmos’ own Sun Ra, Bitchin Bajas simply cut a slice of their own DNA and amplify it! Or something like that: they clearly vibe with Ra in hypno-symbiosis, setting the controls of their analog synths for the heart of Sun. Bonus mixtribute: a heartfelt doff to Queen Wendy C, sythnaut and another mother!
Chicago three-piece Bitchin Bajas dust of their synthesizer collection to reinterpret some of Sun Ra's most memorable tunes, from 'Spac…
Using the looped-and-screwed methodology of Both, Nace takes a seismic step, building the process into a larger compositional process, employing guitar plus tapes, hurdy gurdy, doughnut pipe, quelle est belle and the nu Nace ax of choice, taishōgoto. Phrases talk to and obliterate each other, expanding and emerging into brave new unheard vistas.
Tip! *2022 stock.* Maine’s finest lonesome folkie back in the days of Woodstock was Bill Stone, who released one album on his own back in 1969. This classic ballad structure sounds like the voice of Tom Rapp and the quiet desolation of Leonard Cohen with more elevated psych guitar moves oscillating in and out of the mix.
"The psychedelically inclined folksinger Bill Stone recorded his lone album, “Stone,” in 1969, singing through a walrus mustache inside a Maine pottery studio. It may seem as if…
Phase two. The beat is the new thing. Previously only hinted at, this pulse booms forth in a bigger way, although still obscured by clouds, past pop music and into the direction of rhythmic loopery.
"This was the first Flying Saucer Attack album I heard, which was more or less around when it was released. And since then, I can honestly say I have listened to this record at least once a week, usually more. Aside from being easily one of my favorite all time records, I find that it also has many v…
Tip! Extended guitar hero Oren Ambarchi returns with Shebang, the latest in the series of intricately detailed long-form rhythmic workouts that includes Quixotism (2014) and Hubris (2016). Like those records, Shebang features an international all-star cast of musical luminaries, their contributions recorded individually in locations from Sweden to Japan yet threaded together so convincingly (by Ambarchi in collaboration with Konrad Sprenger) that it’s hard to believe they weren’t breathing the s…
Anthony Moore’s contribution to the post-punk pre-wave sound of London in 1979 – light with pop, fronted with meta-punk attitude and draped in strings of keyboard theory. As someone else said at the time, The perfect release! A lovely collision of art, pop and punk from the megacenter of all things in the rock and roll era.
Over seven tracks that span 80 minutes, the expansive, looping, shifting synths and rhythms of Bajas Fresh mark the trio’s most diverse and ambitious record.
Norwegian folk collective Völvur team up with Scotland's very own Alasdair Roberts for an album combining traditional and modern songs in both groups' native languages – to powerful effect.
Epic Jammers and Fortunate Little Ditties is a jam session—an improvisational democracy where everyone has equal footing—between Bonnie "Prince" Billy and Bitchin Bajas.
Slapp Happy's Anthony Moore, fresh off a year of collaboration with Henry Cow and the simultaneous dissolution of his own group, bounded up from the art-rock/20th century composition underground with this chart-challenging pop set for Virgin. Dropped before its planned release in ‘76, Out is an essential grab from the Britprog cutting room floor!
Kicking it off with a tricky asymmetrical keyboard riff reminiscent of Brian Eno’s Tiger Mountain, before rolling into a narrative that unites the mach…
With their collaborative duo debut, Dean Spunt and John Wiese invite you to experience the frenzy of percussive space and discreet sound found inside The Echoing Shell.
Early archival recordings: brand new release of never-before-heard material from the heyday of Ya Ho Wha 13, featuring the legendary Father Yod and his sons playing improvisational, psychedelic spirit music recorded in the wee hours of morning meditation. Father was a wealthy man, with a rich inner life, a family of disciples that loved him, many, many women and seemingly unlimited power. So why at the height of his success, did he choose to spend his time playing rock and roll? Having a band in…
It was early in 2019 — no, November 2018! — that Oren Ambarchi, Johan Berthling and Andreas Werliin met at Studio Rymden, in a quiet suburban district of Stockholm, to make the music that became Ghosted.
*In process of stocking* With Sonescent, Matchess unifies her folk-psych pop and experimental styles in a transcendent full-album trip unlike anything she's done before. After hearing songs in her head during a 10-day silent meditation retreat, Whitney Johnson gathered a band of Chicago contemporaries (Haley Fohr, Rob Frye, Tim Kinsella, Kalina Malyszko, Brian Sulpizio) to realize her arranged recollections of the tunes, the sounds of which she then passed through an atmosphere resembling the on…
* 2021 Stock * Art, Mystery’ is Mayo Thompson’s first published work of fiction since the 1960s. He is best known for his work with the psychedelic band The Red Krayola. "In ‘Art, Mystery’, a controversial former footballer, now export agent specializing in chrome, accepts an unusual commission from an odd source, the very man who brought him down, a former football referee turned art handler - to find and export a pornographic work of Renaissance art.
"Mr. Thompson has given us the perfect c…
Far View is a compilation of tracks from Joel Vandroogenbroeck’s series of library music releases for the Coloursound label — a uniquely trippy catalog of music vignettes long overdue for their day in the library music sun, remastered from the original analog reels! The late Joel Vandroogenbroeck was among that rare breed of musician who defy all categorisation, using music conventions to explore the far reaches of human and cosmic consciousness. After passing through the jazz and rock worlds f…