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Six compositions for chamber ensembles performed the Ensemble 2e2m by Giuliano D’Angiolini, ethnomusicologist and composer who "is a positively unique figure in contemporary music. His profound, well-conceived and stubborn take on music has led him to what he calls »impersonal« music — music that has fully abandoned the idea of development or form. Through successive states of presentation, which aim to elucidate, d’Angiolini wanted to leave place in sound so that music could become less volunt…
Just over one hour and five minutes, Harley Gaber’s “I Saw My Mother Ascending Mount Fuji” (2009, for Tape and processed Violin and Alto Flute) offers proof of music’s power to transport (the listener) in ways generally associated with film and literature. “Fuji’s” Kaidan-like atmosphere—the Japanese world of ghosts and spirits—unfolds slowly in its process of uncovering and revealing a deeper and different spirit world in what might be termed a spiritual journey: The ascension and transformatio…
Just arrived, this is the newest edition RZ release focused on a radical electronic (+ Ensemble) music by Clara Maida "During the first years of my compositional research, my goal was to mark out, in my music, the flux of the psychic energy at work in the unconscious and its underlying structure. At the time, I was going through an analytical process favouring access to this unconscious activity, and my readings in the field of psychoanalysis were helping me in the effort to elaborate a musical …
German composer Josef Anton Riedl doesn’t have many releases to show for nigh on six decades of activity. Of his small handful of albums, all long out of print, the best known is a 1972 Wergo LP. The second half of the noughties saw a minor swell of interest in Riedl’s work – the Wergo album was given the Creel Pone CD-R bootleg treatment in 2005, and one of his compositions was included on the fifth volume of Sub Rosa’s Anthology Of Noise And Electronic Music series – but for the most part he r…
A vinyl re-release of four pieces for prepared piano, originally from 1978, played by Hermann Keller himself in a non-traditional way. Including 'Ex Tempore VI und Anrufung', 'Ex Tempore I', 'Schwebungen-Brechungen', and 'Ex Tempore VII'. Hermann Keller is the prototype of a circumspect and restless experimenter, an improviser who turns out unprecedented inventions while holding his audience in thrall. One of his favorite occupations is to play ex tempore at the piano, attacking the keys and the…
Recordings from the Elektronic Studio at the TU Berlin, the Studio of the Institut International de Musique Electroacoustique de Bourges, and at Patrick Kosk's own studio
LONG OUT OF PRINT this is the original<1982 first release by RZ label: icardo Mandolini was born in Buenos Aires, 1950. His electroacoustic music is reduced to its vital skeleton using only a few sound sources. He creates powerful works in structure and dramatization. These compositions are from 1979-1981, made in various european studios for electronic music.
Four artistic projects concerning historic sound devices from Steve Roden & Martin Riches, Thilges and Frank Bretschneider in a DVD of sound and video performance captured at Tesla in Berlin, 2006
(Halb) Schwarz is the first CD to collect a wide range of Rolf Julius' diverse compositions from several years. The Berlin-based sound, installation, action, and sound artist began experimenting with various forms of contemporary music in the 1970s. (Halb) Schwarz deals with the world of "small sounds," a term coined by John Cage to designate sounds so subtle that they are usually barely discernible.
beautiful early works by Rolf Julius, who is one of the most significant artists in the border areas of music and fine art. Like John Cage, Julius works with the term of "silence." The sounds in Julius' works have spatial and physical qualities such as expanse, depth, weight and density.
Housed in a gatefold sleeve with a 36-page catalogue. The first LP is John Cage Speaks MUREAU by John Cage, its title assembled from the first syllable of the word "music" and the author's name "Thoreau." Malte Hubrig writes "The performance of Mureau -- its letters, syllables and words read by John Cage in a uniform intonation of the voice -- frees language of its meaning and opens it to sound." The second LP is Terry Fox's Culvert, a performance that took place at the University of Montana in …
An outstanding album, Voice, Books and Fire is the result of Jakob Ullmann reflections about the relationships between music and language: language as sound and language as text, the numerous relationships between texts of different cultural and religious traditions, between the work of the human spirit in the present and in the past and the questions arising from the problem of understanding these different traditions, languages and texts and representing them in a present, which has lost knowl…
Edition RZ presents John McGuire's Works For Instruments. Performers: Ensemble Modern -- Julia Rempe (soprano); Pellegrini-Quartett: Antonio Pellegrini, Thomas Hofer (violin); Fabio Marano (viola); Helmut Menzler (violoncello); musikFabrik: Hermann Kretzschmar, Paulo Alvarez, Irmela Roelcke, Eun-Ju Kim, Ulrich Löffler, Jürgen Kruse (piano), Christine Chapman, Jodie Lawson, Charles Putnam, Rohan Richards (horns), Dirk Rothbrust, Carlos Tarcha (percussion). Each of the compositions of post-minimal…
This is a blast! Another of Edition RZ’s great early issues comes up again, presenting pioneering early 20th century conductor and modernist champion Herman Scherchen leading rehearsals for performances of Beethoven’s 4th, 5th, 6th, 7th, 8th and 9th symphonies in Lugano, Switzerland, 1965.As fate would have it, these recordings of Scherchen sniping orders at the RTSI Orchestra (Radiotelevisione della Svizzera Italiana) during rehearsals were spontaneously recorded by sound engineer Dr. Ermanno B…
Here is a CD containing a recording of air pressure fluctuations. When played on ordinary audio equipment, the recorded air pressure fluctuations (technically named infrasound) are reproduced at 360 times the original speed, and thus can be perceived by our ears as sounds.Here is a CD containing a recording of air pressure fluctuations. When played on ordinary audio equipment, the recorded air pressure fluctuations (technically named infrasound) are reproduced at 360 times the original speed, an…
Composer Harley Gaber wrote this piece for strings as an emotional examination of the questions posed by Taoist philosopher Chuang Tzu, here performed by a quintet including violinist Malcolm Goldstein
An expanded version of the previous rz LP by Christou. All works by Christou, the late, legendary "freely-atonal" Greek composer. Features: "Enantiodromia" (1965-68, for orchestra); "Praxis" (1966-69, for string orchestra and piano), "Epicycle" (1968, for instruments, actors and voices); "Anaparastasis III" (1968-69, for soloist, ensemble and continuum [tapes]); "Mysterion" (1965-66, for narrator, actors, 3 choirs, orchestra and tapes)
Led by pianist Franco Evangelisti, Gruppo di Improvvisazione Nuova Consonanza performed as a collective from 65 -71. The focus was to expand both the sonic capabilities of their instruments, but also the sensitivity of each performer within the context of the improvisation. The result(s) remain some of the purist and elevated abstract explorations put to tape retaining both warmth and intelligence. Piano, percussion, double bass, trombone, cello, trumpet, etc are the tools for unparalleled types…