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The 1977 Derby concert performance by the SME quartet with John Stevens (percussion, cornet, voice), Nigel Coombes (violin), Colin Wood (cello) & Roger Smith (guitar) features an extended (!) tribute to Anton Webern. The CD also contains also 1984 an…
"The longest lasting and most controversial edition of the SME was that featuring John Stevens (percussion, cornet, voice) with two vastly under-rated acoustic musicians: Nigel Coombes (violin) & Roger Smith (guitar). This selection has an extended h…
All previously unissued recordings, mainly made up of the duo of John Stevens (percussion) and Evan Parker (ss, ts), with Peter Kowald (b) on about a third of it. This marks the earliest to date recordings of Parker and is a tremendous snapshot of so…
Previously only available on a very rare 1979 Japanese LP, these two jazz sessions feature Rudd as a fine composer/arranger and organiser of unlikely-looking line-ups, as well as an exceptional trombonist. The CD opens with Rudd, ENRICO RAVA (trumpet…
Pieces for ruined pianos and pianos on the edge of ruin. For several years now, Ross Bolleter has been scouring around Western Australia and beyond looking for ruined pianos. He has found the right music for each instrument, and performed and recorde…
This second CD is looser and veers more towards Free Improvisation than the first SHAKEN. Once again, trumpeter Ramanan (who doubles on wooden flutes) is with MARCIO MATTOS (cello & electronics), SIMON H FELL (double bass) and MARK SANDERS (percussio…
Trumpeter Ramanan (who doubles on wooden flutes) has been quietly enriching the London scene for some 15 years now. For the first CD under his leadership, he presents his imaginative current quartet which spans the ground between Free Improvisation a…
Following the success of their very first performance together at the 2004 FREEDOM OF THE CITY festival (heard on Emanem 4215), Roger Smith and Louis Moholo-Moholo went into the studio to record some more. Their second meeting went so well that they …
Superb acoustic string quartet improvisations recorded in the studio and in concert by TONY WREN (double bass), PHIL DURRANT (violin), CHARLOTTE HUG (viola) & MARK WASTELL. Also contains three short bass solos. 78 minutes.
"Phil Minton is virtually alone in blazing a trail for the male vocalist in freely improvised music and this is one of his very infrequent outings as a group leader. In his notes for the accompanying booklet he refers to having toyed with the idea of…
Solo singing. The variety of sounds that this man can make with his voice and mouth is totally unbelievable. Reissue of Rift 3 with extra material from the same and slightly later sessions. 56 minutes.
An expanded reissue of the only published recording by one of the pioneering free improvisation groups, The People Band's self-titled album, originally released in 1970. Containing musicians that also worked with Pete Brown, Mike Westbrook, Ian Dury,…
"In 1983, Paul Rutherford was performing with a trio that was very different in style from the highly abstract Iskra 1903, the trombonist's main trio vehicle for a long time. This group, billed simply as the Paul Rutherford Trio, is busier, wilder, m…
Paul Rutherford (b. 1940; d. 2007) and Paul Rogers (b. 1956) are two of the finest improvisers around, both as soloists and as group members. They are also two of the finest exponents of their respective instruments. Putting two excellent musicians…
Paul Rutherford (1940 - 2007) was best known as an improvising trombonist - the improvising trombonist according to many listeners - the one responsible for the definitive solo trombone record, THE GENTLE HARM OF THE BOURGEOISIE, now available on Em…
Compositions for Euphonium and Trombone, recorded 1978-80. To make his third solo album, Rutherford went into a studio with both trombone and euphonium and used over-dubbing techniques to create unique pieces involving up to four brass instruments. T…
Reissue of the definitive solo trombone album, from 1974, with additional material from the same sessions. His first album of this sort, it has been described by Derek Bailey (rather famously) as still the best record of solo free improvising you are…
Dunmall and Rogers have performed together for years both as a duo and as part of larger groups, such as the quartet Mujician. The three improvisations feature Dunmall on border bagpipes, tenor and soprano saxophones respectively. This is their earli…
Two Toronto musicians and a visitor from London formed this trio that has worked on both sides of the Atlantic. Group improvisations on acoustic guitar, alto saxophone and percussion that cover the whole gamut from dense high-energy to sparse interac…