★empreintes DIGITALes
Bouteilles de Klein
“Bouteilles de Klein contains two types of compositions: works composed for a traditional concert or listening situation (disc 1) and works originally designed as installations (disc 2), where the public is free to approach the work from which ever t…
(60) Project
The involvement and the contribution of sound materials by over 60 of the world’s leading electronic composers and sound artists, under the control of Mathew Adkins. Composed in 2008, mixed at the GRM and created in the Huddersfield Contemporary Musi…
Interstices
Through these interstices, when conscience — this present to one’s self — falls asleep; through this tiny little interval between two instants, something arises, something you had never thought of; The erri…
Isostasie
A former student of Jonty Harrison and Denis Smalley — two important figures of the British electroacoustics school — Natasha Barrett integrates the approach of these two composers into a proposition which recalls both sound ecology and properly abst…
Preludes a la vie
LAST COPIES, already out of print: Préludes à la vie (Preludes to Life) combines pieces from 1972 to 1991 in two electronic operas. In Le prisonnier du son (The Prisoner of Sound) a single human voice tells the story of a lone character trapped in a …
Mondes inconnus
Mapping (1995-97). Aerial (2002). Deepfield (2000). Still Time (2001) for flûte and electronics. Melt (1994). Symbiont (2002). Silk to Steel (2005). Cortex (2004-05). DVD-Audio with several versions: Surround 5.1, Stéréo and Stéréo (Dolby Digital). '…
Contes de la memoire
Jon Appleton brought a lot to electroacoustic music. As well as realizing tape pieces, he has pioneered live computer music, hitting the road in the seventies with the Synclavier, the first …
Impacts intérieurs
first pressing, it contains Valley Flow (1991-2), Piano Nets (1990-1), Wind Chimes (1987), Clarinet Threads (1985) and Darkness After Time’s Colours (1976). Great Concrete / Electroacoustic music
Volt
"If we recognize that each composer tends to privilege one dimension of musical discourse or another (for example: timbre, harmony, or instrumental virtuosity) in his work and thus conjure up a ‘style,’ listening to the music of Alain Thibault is…
