★empreintes DIGITALes
Bouteilles de Klein
“Bouteilles de Klein contains two types of compositions: works composed for a traditional concert or listening situation (disc 1) and works originally designed as installations (disc 2), where the public is free to approach the work from which ever temporal, spatial or listening strategy they wish. The works may be grouped into four categories. Sub Terra Cycle, The Barely Project, and Microclimates III-VI are each multi-part projects containing both concert and installation works. In the fourth …
(60) Project
The involvement and the contribution of sound materials by over 60 of the world’s leading electronic composers and sound artists, under the control of Mathew Adkins. Composed in 2008, mixed at the GRM and created in the Huddersfield Contemporary Music Festival for the 60 years birthday of Musique Concrete. With A_dontigny, AGF, Lars Åkerlund, Michael Alcorn, Javier Álvarez, Miguel Azguime, Natasha Barrett, François Bayle, Gonzalo Biffarella, Ludger Brümmer, Mira Calix, Christian Calon, Lawrence …
Interstices
Through these interstices, when conscience — this present to one’s self — falls asleep; through this tiny little interval between two instants, something arises, something you had never thought of; The erring ways of thought; through the cracks thus created, we lend our voice to the characters that rule over an unknown existence. These sounds are too rich of all their possible existence…
Isostasie
A former student of Jonty Harrison and Denis Smalley — two important figures of the British electroacoustics school — Natasha Barrett integrates the approach of these two composers into a proposition which recalls both sound ecology and properly abstract composition. Isostasie is full of these poetic, disconcerting environments, impressionistic pictures of various formats, evocative of her country of adoption, Norway. In this CD, one will encounter various meteorological happenings, the midnight…
Preludes a la vie
LAST COPIES, already out of print: Préludes à la vie (Preludes to Life) combines pieces from 1972 to 1991 in two electronic operas. In Le prisonnier du son (The Prisoner of Sound) a single human voice tells the story of a lone character trapped in a world of manipulated sounds. The title piece is a series of technical exercises in the possibilities of musique concrète.
This second album on empreintes DIGITALes, as with the first one, consists of very different works which are quite separated in …
Mondes inconnus
Mapping (1995-97). Aerial (2002). Deepfield (2000). Still Time (2001) for flûte and electronics. Melt (1994). Symbiont (2002). Silk to Steel (2005). Cortex (2004-05). DVD-Audio with several versions: Surround 5.1, Stéréo and Stéréo (Dolby Digital). 'Composition is, for me, like a giant puzzle in which the overall shape is fixed but the pieces and the picture itself change and undergo subtle transformations as one is constructing it. The computer tools that I use, enable me to fix the edges - the…
Contes de la memoire
Jon Appleton brought a lot to electroacoustic music. As well as realizing tape pieces, he has pioneered live computer music, hitting the road in the seventies with the Synclavier, the first digital synthesizer, which he had designed in close collaboration with Sydney Alonso. His activity extends beyond traditional categories. He has worked with instruments, dance (especially the …
Impacts intérieurs
first pressing, it contains Valley Flow (1991-2), Piano Nets (1990-1), Wind Chimes (1987), Clarinet Threads (1985) and Darkness After Time’s Colours (1976). Great Concrete / Electroacoustic music
Volt
"If we recognize that each composer tends to privilege one dimension of musical discourse or another (for example: timbre, harmony, or instrumental virtuosity) in his work and thus conjure up a ‘style,’ listening to the music of Alain Thibault is like listening to a game of rhythms but mostly a game of attacks. The constant and abrupt contrast between silence (or an harmonic background serving a similar function) and the sound itself—cutting and incisive, percussive, vigorous and energeti…
