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Masterpiece! "It’s overwhelming. Electroacoustic/acousmatic/gaussian/binaural/phantom organ/air conditioner pioneers Entr’acte have just simultaneously tossed out so many new releases that it’s difficult to know where to start. The only means to reso…
Collaborating since 2004, Dispersal Patterns is Bach and Kannenberg's second joint project. Departing from their earlier emphasis on systems and graphic notation, they here rely on intuitive communication as they weave two improvised soundscapes f…
Eight musicians play the same virtual synthesizer programmed by myself with Max/MSP following a precise score. They start with the same sound but while slowly modifying each parameter they transform it from within, grinding up its entrails. The li…
Llum Moll is a multilayered composition made with a manipulated AM radio receiver subjected to interference by LED lamps. The combination of the lamps in tandem with the radio tuned to certain frequencies creates a phantom organ' sound, turning the r…
"Umbra was recorded in 2010 in Barcelona. I used a modified AM radio and a home-made oscillator. I found the radio in the street the previous year, discarded outside a huge warehouse full of electronic ‘garbage’. I took it to my studio and modified …
Birgit Ulher began her career as a visual artist, a practice which still has an important influence on her music. Since moving to Hamburg in 1982 she has been involved in freeimprovisation and experimental music. She works mainly on extending the so…
*Limited edition of 350 copies in a vacuum packed metallic foil packaged with embossed lettering* Giuseppe Ielasi - sound artist, mastering engineer, label owner, half of Bellows - presents his most substantial solo release since 2009s 'Aix' for 1…
*Limited edition of 350 copies in a vacuum packed metallic foil packaged with embossed lettering* Giuseppe Ielasi and Nicola Ratti reconvene their wonderfully enigmatic Bellows project with a ghostly album for Entr'acte. 'Reelin'' is the third doc…
Edition of 200 housed in vacuum sealed package* Chicagoan electro-acoustic trio present their 10th release and third full length album. The equipment list for 'Scilens' should give some indication of the breadth of sonorities they're working with:…
'when I was young, at night, if the wind was blowing in the direction of our house I could hear the slow beating of the ships' engines.'Vessel was conceived for and presented as a site-specific, multi-channel sound installation in Diapason Galler…
'In the world of Brussels hip hop L.E.G. are outsiders, noted for their experimental music influences and use of distorted English-language vocals. Producers Sublyme Diagonal and Roger3000 continuously and independently recycle their collective wo…
Artiste sonore et visuel basé à Londres, Jim Hollands a conçu 'Télépathie 101' comme la BO d'une installation vidéo en multi-projection. Électronique façon eighties et sous l'influence de John Carpenter. Première édition de 60 exemplaires.
Limited edition of 200 copies. beet5 takes Beethoven’s Fifth Piano Concerto as its starting point. The slow movement was recorded using a special turntable for the blind that plays back records at quarter speed. I had an old recording of the piece ly…
Turntablist and concrète composer eRikm is one of the more readily recognisable names contributing to the revelatory Entr'acte label, and his disc Lux Payllettes is a typically excellent work. Stretching out over a thirty-minute-plus duration, the Ma…
'Shopping features the title track in two versions (Vocal and Lo Cal'), The Crunch, plus a formidable remix by Shelley Parker (second part of the audio sample), whose Structure imprint will shortly be releasing more excellent work by Filter Feeder, a…
restocked: Analogue synth and field recordings, re-played through CDJs. Starting out as an improvising guitarist in the late 1980s, Giuseppe Ielasi's current work is mainly studio-based compositions utilising records and CDs, and creating pieces f…
AWSOME!! The Time Machine project was conceived in order to find a simple and immediate way to work with rhythm. I built two cheap and imprecise, almost-square wave oscillators with a wide range of frequencies. These oscillators can sweep and cros…
This three year-long collaboration begun in 2006 when Korber and Wehowsky embarked on intense recording sessions in Eggenstein, where the latter resides, lasting several days. The output from these sessions forms the basis of this work, augmented by …
The source material for these recordings, produced between 2007 and 2009, originates from found objects and treated acoustic instruments such as cello, viola, double bass (Nikolaus Gerszewski), bass clarinet (Nicolas Wiese), as well as conga, cymbal,…