★Entr'acte
Rudimenti
Masterpiece! "It’s overwhelming. Electroacoustic/acousmatic/gaussian/binaural/phantom organ/air conditioner pioneers Entr’acte have just simultaneously tossed out so many new releases that it’s difficult to know where to start. The only means to resolve this complex decision is to turn to my Metro horoscope, which tells me that I should consider listening to more Giuseppe Ielasi. It’s such a useful, UK-wide public-transport-based newspaper sometimes.In this release, Ielasi is taking a well-earne…
Dispersal Patterns
Collaborating since 2004, Dispersal Patterns is Bach and Kannenberg's second joint project. Departing from their earlier emphasis on systems and graphic notation, they here rely on intuitive communication as they weave two improvised soundscapes from quiet field recordings, analogue instrumentation, digital synthesis, found sounds and minimal signal manipulations. Bach and Kannenberg have previously explored concepts of place, soundscape and transmission in their first collaboration, Two …
Unisono
Eight musicians play the same virtual synthesizer programmed by myself with Max/MSP following a precise score. They start with the same sound but while slowly modifying each parameter they transform it from within, grinding up its entrails. The listener is positioned at the center of a sound at once unique and multiple. The version on this CD is a live recording made at Les Voûtes in Paris in June 2008 by the CLSI (Circle for the Liberation of Sounds and Images) directed by Paul Méfano. Th…
Llum moll
Llum Moll is a multilayered composition made with a manipulated AM radio receiver subjected to interference by LED lamps. The combination of the lamps in tandem with the radio tuned to certain frequencies creates a phantom organ' sound, turning the receiver into an instrument with a peculiar timbre and pitch. The composition was made in two parts. The first was to record and then select fragments with different lengths, pitches and textures. The second was to readjust the pitch of the chosen fra…
Umbra
"Umbra was recorded in 2010 in Barcelona. I used a modified AM radio and a home-made oscillator. I found the radio in the street the previous year, discarded outside a huge warehouse full of electronic ‘garbage’. I took it to my studio and modified it using circuit-bending techniques. Umbra is comprised of ten short pieces. In most of them I played only the modified AM radio, in others just the oscillator, and in some both.”Juan Matos Capote is an artist from the Canary Islands living in Barcel…
Hochdruckzone
Birgit Ulher began her career as a visual artist, a practice which still has an important influence on her music. Since moving to Hamburg in 1982 she has been involved in freeimprovisation and experimental music. She works mainly on extending the sounding possibilities of the trumpet by using splitting and granular sounds and multiphonics.She is also keenly interested in the relationship between sound and silence. On Hochdruckzone she uses extended speakers, fed with radio noise in her trumpet …
Untitled 2011
*Limited edition of 350 copies in a vacuum packed metallic foil packaged with embossed lettering* Giuseppe Ielasi - sound artist, mastering engineer, label owner, half of Bellows - presents his most substantial solo release since 2009s 'Aix' for 12k with this untitled collection for London's Entr'acte. The eight unmarked tracks were produced in Spring/Summer 2011 and, much like his other work, would appear to be concerned with the minutiae and textured infidelities of the recording proces…
Reelin'
*Limited edition of 350 copies in a vacuum packed metallic foil packaged with embossed lettering* Giuseppe Ielasi and Nicola Ratti reconvene their wonderfully enigmatic Bellows project with a ghostly album for Entr'acte. 'Reelin'' is the third document of their hardware-honed endeavours, and much like their eponymous debut on Kning Disk and celebrated side for Planam, we're left with little background info other than their equipment list. Navigating between a CDJ/Sony Walkman/Revox A77/Me…
Scilens
Edition of 200 housed in vacuum sealed package* Chicagoan electro-acoustic trio present their 10th release and third full length album. The equipment list for 'Scilens' should give some indication of the breadth of sonorities they're working with: A-Bitrman, Acousticon hearing aid, A-52, air conditioner, bass drum, baoding balls, bows (cello and violin), cassette recorders, contact microphones, crotales, cymbals, DS-1, EHX-2880, e-bow, electric fan, electric bass, fabric, floor tom, found…
Vessel
'when I was young, at night, if the wind was blowing in the direction of our house I could hear the slow beating of the ships' engines.' Vessel was conceived for and presented as a site-specific, multi-channel sound installation in Diapason Gallery, Brooklyn, in October 2008. The composition consists of recordings of cargo ships on the river Waal in the vicinity of Zaltbommel, a small town in the heart of The Netherlands. For my parents. Thanks to Jan Tiggelman (boatsman) and Michael J. …
M. on X
'In the world of Brussels hip hop L.E.G. are outsiders, noted for their experimental music influences and use of distorted English-language vocals. Producers Sublyme Diagonal and Roger3000 continuously and independently recycle their collective work in which Citizen Ledge finds his inspiration, recounting his doubts about the future of the world and personal existential abyss. The six unedited tracks on this cassette were recorded between 2005 and 2010.' label info
Telepathy 101
Artiste sonore et visuel basé à Londres, Jim Hollands a conçu 'Télépathie 101' comme la BO d'une installation vidéo en multi-projection. Électronique façon eighties et sous l'influence de John Carpenter. Première édition de 60 exemplaires.
Guillotine
'A visualisation in slow motion of an uncomfortable moment. Recorded live one night, a long time ago. First edition of 50 copies.' label info
beet5 / Nervures
Limited edition of 200 copies. beet5 takes Beethoven’s Fifth Piano Concerto as its starting point. The slow movement was recorded using a special turntable for the blind that plays back records at quarter speed. I had an old recording of the piece lying around; I forget who the pianist was. The slowed down version was very striking, recognisable as Beethoven’s music but much sadder, more fragile. I developed a piece around this, using my usual array of synthesized sounds, field recordings, ‘borr…
Lux Payllettes
Turntablist and concrète composer eRikm is one of the more readily recognisable names contributing to the revelatory Entr'acte label, and his disc Lux Payllettes is a typically excellent work. Stretching out over a thirty-minute-plus duration, the Marseille-based composer cuts and layers a huge variety of sounds cultivated from the sonic idioms of Western cinema. A bracing and immersive collage of fractured soundtracks, dislocated foley work and strange re-combinations, Lux Payllettes comes high…
Shopping
'Shopping features the title track in two versions (Vocal and Lo Cal'), The Crunch, plus a formidable remix by Shelley Parker (second part of the audio sample), whose Structure imprint will shortly be releasing more excellent work by Filter Feeder, amongst others. Played, recorded and processed by Julian Doyle (acoustic and synthetic percussion, analogue drum modules, turntables, digital samples and delays). Mastered by Jason Ward at Chicago Mastering Service. See also Filter Feeder (E8), Filter…
15 CDs
restocked: Analogue synth and field recordings, re-played through CDJs. Starting out as an improvising guitarist in the late 1980s, Giuseppe Ielasi's current work is mainly studio-based compositions utilising records and CDs, and creating pieces for theatre and film. His solo shows, which take the form of multichannel diffusion and recomposition of pre-existing pieces and fragments, create complex site specific audio works. He also plays in Bellows (with Nicola Ratti) and Oreledigneur (wi…
Time machine volumes I & II
AWSOME!! The Time Machine project was conceived in order to find a simple and immediate way to work with rhythm. I built two cheap and imprecise, almost-square wave oscillators with a wide range of frequencies. These oscillators can sweep and cross-modulate from rare pulse to high audio signals. I use a mixer to create feedback between the filters, CV and audio signals and simply record the output; there are no overdubs.' Renato Rinaldi studied drama, composition and electronic music. Afte…
Walküren am Dornenbaum
This three year-long collaboration begun in 2006 when Korber and Wehowsky embarked on intense recording sessions in Eggenstein, where the latter resides, lasting several days. The output from these sessions forms the basis of this work, augmented by additional field recordings and various electronic manipulations. Korber and Wehowsky used the same software which allowed them to exchange the pieces at any stage of the compositional process, so that every detail of the music could be shaped in a t…
Transkript 17-Transkript 18
The source material for these recordings, produced between 2007 and 2009, originates from found objects and treated acoustic instruments such as cello, viola, double bass (Nikolaus Gerszewski), bass clarinet (Nicolas Wiese), as well as conga, cymbal, wood, paper, marbles, wallpapering table and chains. Further sounds have been produced using my voice and limbs. A basic rule for my work with digital tools is to maintain the liveliness of the source material within the structure of my compositions…