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16 international sound artists and musicians explore the materiality, spatiality, technicality and diverse cultural, social and political forms of sound, questionning the relationship between improvisation and composition, between performance and installation, etc.
Where sounding is understood as an exhibition of activity, vitality, and power, Nina Dragičević proposes that we analyse sonic phenomena in econo-political terms.
In this essay—or is it perhaps a long love poem?—she dives into the sounding-listening dynamics and reveals them as class relations in which audibility is not an event following an occurrence of sound but a point in an intersectional class structure. With audibility, or rather the lack thereof, comes auditory poverty. And where there i…
The Malakow Tower of Zeche Hannover becomes a space-consuming sound installation that transforms voices from different communities in Bochum into a physically palpable listening experience. From the middle of the 19th century, thousands of people from various parts of Europe moved to the Ruhr region and found employment in heavy industry, for example, at the Hanover mine. The workforce at that time consisted largely of Polish, Belgian, French, Italian, Spanish, Greek, Turkish, and Portuguese wor…
Berlin-based artists Serge Baghdassarians and Boris Baltschun retrace mathematician and astronomer Charles-Marie de La Condamine's journey to South America, though instead of the tropical wilderness, they’ve measured the urban jungle of Rio de Janeiro. Instead of compass and quadrant, their tools are microphone and recorder. What remains unchanged is the physical effort of exploring foreign terrain. On foot, and with an assortment of quasi-ritual exercises, the artists move from their residence …
„de—COMPOSED“ — New artist's book by Berlin-based sound artist Stefan Roigk. The catalog documents acousmatic compositions, sound installations, musical graphics and text-sound compositions of the years 2005 to 2023 on 144 pages and 2 Audio-CDs. A complex assemblage, composed of documentation photos, texts and drawings, becomes an interlocking whole in its dynamic flows and fields and animates the paper as a vibrantly structured visual composition. A piece of music for the eyes, in which the bou…
Brandon LaBelle's Dirty Ear was recorded and produced over the last year using dirty field recordings, found sounds, sound effects, archives, and sonorous dramas. Composed as a series of micro-narratives each designed to intervene onto imagined settings or spatial locations, as a counter-sonorities. Initially tracks 1-4 were composed for the installation work Prototypes for the mobilization and broadcast of fugitive sound shown at the Enrico Fornello Gallery, Prato.
With Miguel Buenrostro, Giordano Cruciani, Daniela Gentile, Mathias Klenner, Brandon LaBelle, Maria Frederika Malmström, Elif Gülin Soğuksu, Shlomit Strutti, Sandra Volny, Matteo Zoccolo. A collective improvisation as part of a creative research academy on questions and practices of listening. Can listening be a tool? For care and concern? For possible worlds? How can a space support experiences of togetherness? How to challenge geometries of power by listening? Where is the border between quest…
Listening as the basis for social, bodily and passionate movement and transformation. Are we not moved by the things we hear? These energetic intrusions and ambiences that touch the skin, vibrate the air, evoke relations. Is there an alien force intrinsic to sonic experience and the currents of sound? Currents that pass across subjects and objects, and that give way to a multiplicity of rhythms, vocalities, gestures, scrapings. The work circles around listening as the basis for movement and tran…
*2022 stock* Continuing the work initiated in Surface Tension: Problematics of Site, this second in the Supplement series engages questions of location and performative interventionist practices through essays and creative projects. Probing the intersection of art and architecture, Surface Tension No. 2 offers a critical glance at recent urban planning policies in China and a history of "participatory" architecture. It includes temporary architectural work by the Tijuana-based consortium of arti…
*2022 stock* Six conversations recorded in Berlin between the artist Heimo Lattner and colleagues, focusing on the artist's research and practice, especially around the recurring theme of the voice, which Lattner's work queries as fundamental to issues concerning the formation of social and cultural identity. Would it be a mistake to think that the concern to raise the voice has to do with a capacity that certain individuals have? Would it be a mistake to think that the inclination to speak up c…
*2022 stock* In the last 10 years we have experienced a seismic shift in media culture, as the social media revolution of the noughties has brought vastly expanded networking, mobility and connection. This shift has significantly altered the making of art as well as the ways that audiences engage with art. Unsitely Aesthetics seeks to describe and understand these changes in art production and its accompanying new aesthetics, coining the term “unsitely” to point to the dispersed way that many ar…
*2022 stock* Radio makes an impression, casting songs far and wide to end up on innumerable receivers, within countless ears. This instant of reception inserts a soundtrack to physical location and the encounters happening, intensifying music's ability to give emotional charge: a sound in the distance, playing on a stranger's ghetto blaster, or traveling from an open window, across a city street, to arrive at the moment to become forever associated with a certain happening, where song and event …
*2022 stock* 'I left Chile five years ago to try my luck in a Europe which was beginning to smell disaster. Cuts to civil rights at the same time that the process of privatizations, all shielded by a smoke screen erected by the "European crisis", seemed to me a sadly familiar scenario. I felt myself not only as someone coming from the end of the world, but also as someone coming from the future. In Chile the neoliberal model made its first roots over 25 years ago, leaving deep scars in a society…
*2022 stock* Essay, sentimental diary, and critical pamphlet, Techno Casa binds together the textual production originally composed for a series of eleven video works presented during 2013 through site-specific installations. Through an all-encompassing stream of consciousness, Riccardo Benassi delivers a critical reflection on the impact of technology in our daily relation to space, and how technological devices have radically altered the structures for living and organizing the real, from arch…
*2022 stock* Christof Migone's Sound Voice Perform documents the performance, sound, and video works of the Canadian artist. Working since the mid-80s, Migone weaves together a multitude of media, from radio to telephones to digital objects, to form a stunning and highly dynamic practice. Combining an acute sonic sensibility with performative usages of the body, video, and the voice, his work engages corporeal presence with a subtle invasion, unsettling speech and gesture through investigative a…
In a world dominated by the visual, could contemporary resistances be auditory? What is the materiality of sound? How does the materiality of sound affect listening? What resistances can be configured from working with biomaterials and sound? Do these bio_sonic_agencies open up other possible spaces that do not exist in the visual regime? The radio work Bio_Sonic_Agencies follows such questioning through a focus on matters of air. Air is highlighted as an elemental force that moves across human …
The Imaginary Republic is an artistic research project focusing on questions of social practice. In particular, it considers the creative and restless imaginaries underpinning our political selves and argues for a deeper engagement with what Elena Loizidou terms “dream-action”: the figurative and poetic staging of world making activity.
The publication brings together participating artists Tatiana Fiodorova, Octavio Camargo / Brandon LaBelle, the Sala-Manca Group, and Joulia Strauss, whose prac…
Drawing upon traditions of socially engaged poetics, Brandon LaBelle's The Other Citizen presents narratives of contemporary crisis and exclusionary politics—from American teenagers in the maze of neoliberal privatization to those caught between borders of nation-states—outlining the force of a planetary citizenry.
Brandon LaBelle is a musician, artist, writer, theorist, curator and editor (founder of Errant Bodies). His work is based on performance, sound installation, recording and use of foun…
Based on the author's artistic research on migration, contemporary urban experience, and sonic alienation, The Nomadic Listener is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai, and New York, among others.
Each text is an act of listening, where the author records his surrounding environment and attunes to the sonic fluctuations of movement and the passing of events. What s…