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2023 repress. 180-gram black vinyl. The astonishing sessions that went light years beyond "free jazz" improvisation to create a music of deeply felt, explosive and gentle gesture made from sound itself without reference to previous notions of melody or harmony are now reissued on 180 gram vinyl with Sun Ra's original, self-created cover art. Recorded by Richard Alderson on April 20, 1965, this set of tunes finds Sun Ra breaking ground by using synthesizers and having the Arkestra musicians doubl…
2023 repress. 180-gram black vinyl. Volume two of Sun Ra's classic Heliocentric recordings from the 1960s. The astonishing sessions that went light years beyond "free jazz" improvisation to create a music of deeply-felt, explosive and gentle gesture made from sound itself without reference to previous notions of melody or harmony are now reissued on 180 gram vinyl with Sun Ra's original, self-created cover art. Recorded by Richard Alderson on April 20, 1965, this set of tunes finds Sun Ra breaki…
Allen Lowe writes: In the Dark is a commemoration (sic) of the worst time of my life – a period of time during which, having been operated on to remove a cancerous tumor in my sinus, I slept for only brief periods of time. Sometimes I made it as long as two hours continuously, but most often I dozed off for 20 minutes, 30 minutes, maybe an hour – encamped as I was on my couch, trying not to wake my wife as I wandered in the dark contemplating the long night ahead. Sometimes I turned the televisi…
Allen Lowe writes: "America: The Rough Cut is my statement not only on American music and American song, but also my commentary on the way American musicians of all styles handle that old-time music and those old song forms . . . The old things -- not just the blues, but gospel music and pre-blues shouts and language, plus hillbilly/minstrel song and medicine show irony -- reflect a disinterest in the polite trappings of (primarily but not only white) society, an implicit rejection of basic tona…
ESP is proud to present a new William Parker album in collaboration with his wife Patricia Nicholson. No Joke! is unapologetically political, facing down injustice and inequality and other “in”s with artistic integrity and “outside” music.
Throughout his long and prolific career, Matthew Shipp has presented several different and impressive trio formations. Among the featured members have been bassists William Parker, and Joe Morris, and drummers Guillermo E. Brown, Whit Dickey, and Susie Ibarra. In 2015, two other premier players, bassist Michael Bisio, and drummer Newman Taylor Baker stepped in as the rhythm section on The Conduct of Jazz (Thirsty Ear). Their fourth album as a unit, World Construct makes the group the most enduri…
Bára Gísladóttir is an Icelandic composer and double bassist based in Copenhagen. She is an active performer and regularly plays her own music, mostly solo or with her long-time collaborator Skúli Sverrisson. Additionally, she is the double bassist of Elja Ensemble. Occasionally, she performs as a soloist with ensembles or orchestras, most recently in her own double bass concert, "Hringla," with the Copenhagen Philharmonic. Every sound on SILVA is of the double bass, processed to various degrees…
*2023 stock* After a duo album and two trio albums by Shipp and Walerian, all for ESP-Disk', we get a quartet album from them that continues their strategy of working with different musicians each time out. Bisio and Dickey are long-time collaborators with Shipp, but the addition of Walerian's Zen style changes the dynamics of their interactions. Walerian and Dickey, masters of restraint, were a match waiting to be made, and their instant rapport is one of the attractions of this album.
Super Tip! Reissue, originally released in 1967. Frank Wright returned to the studio in May 1967 to make his second album using a quintet of players little-known at the time but now legends to free-jazz cognoscenti. Trumpeter Jacques Coursil, who almost made an album for ESP-Disk' himself, went on to the greatest fame of the players besides Wright; alto saxophonist Arthur Jones was not recorded nearly as often as his talents deserved; Steve Tintweis's stint playing with Albert Ayler raised the y…
Reissue, originally released on ESP Disk' in 1966. Frank "The Reverend" Wright was one of the most powerful saxophonists to pick up on Albert Ayler's freedom and ferocious playing. Born in Mississippi and raised in Memphis, TN and then Cleveland, OH, he started in music as a bassist in blues bands but switched to tenor sax under the influence of his Cleveland friend Albert Ayler. Wright's "energy music" approach to tenor saxophone was influenced by Ayler but at the time in the '60s Wright's inte…
*In process of stocking. 2022 stock* In October 2018, Steve Holtje, the mastermind of the pioneering American music label ESP, was invited by the 8th OCT-LOFT International Jazz Festival to give a lecture in Shenzhen entitled "55 Years of Pioneering and Non-Mainstream Music: The Continuing Revolution of ESP-DISK", unveiling the label for the first time to Chinese The talk was entitled "55 Years of Pioneering and Non-Mainstream Music: The Continuing Revolution of ESP-DISK", and unveiled the myste…
ESP-Disk' present a CD reissue of Peter Lemer Quintet's Local Colour, originally released in 1968. British pianist Peter Lemer studied with Jaki Byard, Paul Bley, and Bill Dixon. His lengthy and distinguished career has found him in a wide variety of settings. As an avant-garde jazz pianist, he recorded with Spontaneous Music Ensemble; in the jazz fusion realm, he was a member of Gilgamesh and Paraphernalia; as a progressive rock keyboardist, he played with Gong, Baker Gurvitz Army, the Mike Old…
ESP-Disk present a vinyl reissue of Henry Grimes Trio's The Call, originally released in 1966. It has occasionally been assumed that Henry Grimes got this December 28, 1965 recording date as a reward for his long service in the avant-garde of jazz. Having already honed his musical conception with a varied range of players, from Benny Goodman and Arnett Cobb to Lee Morgan, Gerry Mulligan, and Sonny Rollins to McCoy Tyner, Steve Lacy, Albert Ayler -- including Spirits Rejoice (ESPDISK 1020CD/LP)--…
Live At Café Montmartre Volume Three features more great music from the Don Cherry Quintet. Recorded in March 1966, Don Cherry joins forces with Gato Barbieri, Karl Berger, Bo Stief and Aldo Romano for two exciting, extended performances of "Complete Communion" and "Remembrance". A recording that will surely be known as classic, Volume Three is essential music for all fans of improvised music.
First release of this 1966 recording from the ESP-Disk vaults; featuring: Don Cherry (trumpet); Gato Barbieri (tenor saxophone); Bo Stief (bass); Karl Berger (vibraphone); Aldo Romano (drums). Live performance from the legendary Café Montmartre in Copenhagen, Denmark, recorded in 1966. Digitally remastered. Also included: the ESP DVD-audio sampler, featuring selections of almost every ESP artist. Over 12 hours of music! Digitally remastered. "Don Cherry, more than any other artist in the jazz of…
One of the most uncompromising free jazz records ever made, this one-off improvisation by a group of Dutch players, led by percussionist Pierre Courbois, is an archetype of the style
Percussionist Milford Graves recorded his first and only ESP-Disk' recording on August 5th, 1966 along with fellow percussionist, the late Sonny Morgan. According to Milford Graves, the titles were given numbers according to how many beats were in each measure. Milford Graves has been one of the main drummers in the free mode scene (known for skillful inclusion of Asian and African rhythmic ingredients into his solos). He worked with the New York Art Quartet, Giuseppi Logan, Albert Ayler, Don Pu…
** 2021 Stock ** The Alabama born saxophonist/clarinetist Marzette Watts had a short lived career as a member of the sixties avant-garde, but achieved legendary status for the company he kept in his Cooper Square loft where the likes of Ornette Coleman, Cecil Taylor, Don Cherry, Archie Shepp, and Pharoah Sanders often congregated. This debut date is best known for the presence of players, who like Watts, were to become renowned for the rareness of their recorded output, including Sonny Sharrock,…
"In 1966, the late Steve Lacy visited the new ESP-DISK office at 156 Fifth Avenue with a master tape of his concert in Buenos Aires with his quartet... He offered to sell the master for what I thought was an exorbitant price. I bought it. ... In 1992, the master tape was brought to engineer Ken Robertson at the Sony Studio, who observed that it had been recorded out of phase, and he corrected the phasing." - Bernard Stollman
"Soprano saxophonist Steve Lacy's impressive career was filled with man…
First-ever American CD edition of this lost classic, recorded "live" during ESP's 1966 New York State College Tour. The "piano harp" credit is Burton Greene's way of noting that he plays inside the piano, directly on the strings – the first jazz pianist to do so on record, taking a page from avant-gardist Henry Cowell's book. In his notes to the original LP, included complete in this reissue, Greene writes, "The tour found people largely unexposed to this music. They were often shaken up. Some w…