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“From the opacities of poetry and withheld language emerges this collection of folded, layered, improvised, imperfect, and unexpected forms of address: mud dancing, whispers, shouts, laughter, screams and vocal sound making that resist the order of speech.”
Mariano Melo, aka Marian Sarine, is a Brazilian multi-instrumentalist based in São Paulo, specialising in percussion and drums. Known for his drumming with the band Deafkids and his solo work as Sarine, Mariano's latest album, “Asas Terenas,” features his first recordings under this name. The album began with organ themes recorded with Felipe Pato at the end of 2019, with additional instruments added throughout 2020 and 2021. As Sarine himself says, “Asas Terenas” is a sonic mixture that moves t…
“The score aims to evoke the experience of proximity to the sun—a dual force that can be soothing one moment and hazardous the next. Sunkiss embodies this duality, where the sun's radiant energy sustains life's flourishing while also capable of devastating destruction. To be kissed by the sun signifies both blessing and curse, illuminating the fragile balance between vitality and peril that defines life on Earth.”
Sunkissed is a live recording of a four-hour performance directed by Mylan Hoezen …
Following work with poet Lucy Van (Figures, Purely Physical 2017) and a string of highly alluring sound parcels via her Careful podcast series, the Melbourne-London based producer, DJ, curator, and performer presents two solo pieces of ambience and deftly arranged instrument-voice interplay.
A space is found within a mix of DIY instrumentation, science fiction rumination and the melancholic exotica of possible pasts. The eponymous opener, ‘Like a Gun’ pushes and pulls between a place of pure da…
*2024 stock* This 7-inch record contains two audio adaptations by Josie Perry of her performances 'Retainers' and 'Toy Shop'. Josie is based in Glasgow and works mainly between drawing, sculpture, performance and publishing. The performances connected to this vinyl were part of a series made between 2019-20 involving absurd narration, audio loops and suggestive props. 'Beautifully Formed' is a short extract from the longer piece 'Retainers', while 'Toy Shop' uses the full transcript. Both works …
Eschatology, a belief in the imminent end of the world, is as old as time itself. Long before our present fear of ecological catastrophe, our coda was advocated by various theologies and philosophies, from early Dharmic religions to the Millerite movement. The Dutch band Nadagen echoes those apocalyptic seers of old, spreading prophecies about our last days in the small number of songs that they recorded. ‘Nadagen’ translates to something like aftermath or twilight years, which reveals the exist…
Introducing De Mond's debut LP, 'Glow.' Stijn Wybouw (also known as Kramp) and Arno de Bock (who provided drums for Hermann among other projects) throw you into a maelstrom of bold sounds and rhythms. From squiggly synth bursts to kaleidoscopic loops, they push the outer parameters of 21st-century musical art.
“A vinyl-based 'plane of consistency' able to fold, deform, and compress time and space so deftly that one has the impression of hearing echoes of distant worlds and times – 'everything everywhere all at once.'”
Step into the ethereal soundscape of Mark Vernon's LP, "The Dramaturgy of Decay." Reminiscent of early fears surrounding recording technology, the album explores ghostly voices, distorted and elusive. Vernon's sonic cinema mirrors the decay found in ruined films, capturing the essence of disappearing places and voices. Amidst themes of death and environmental destruction, the album maintains a delicate balance with humor and familiarity. Through snippets of reworked audio letters, it unveils a s…
Drawing from her compositions for Helena Wittmann's film Drift (2017), Nika Son creates a sonic journey across the Atlantic Ocean. Following a weekend at the North Sea, one of Wittmann's two protagonists embarks on a journey across the Atlantic to the Caribbean, during which unpredictable waves and deep sleep foster a transformative experience. Capturing the essence of this cinematic encounter through sound, Nika Son's compositions allow the water itself to become a storyteller, immersing listen…
Among its many qualities, music relies on a special force: transcendence. When we listen, we are placed in a different reality, where sound is a vehicle for a much higher meaning. Naturally, not all music is capable of such a thing. But a few musicians clearly stand above as special – as soon as we hear them, we know that their music flows, floats and transcends. Dialogues and Shadows, the second recording by the duo of Gonçalo Almeida and Pierre Bastien emanates a distinct and intriguing sound …
"The Piano’s been one of the instruments Limpe Fuchs received an academic education for when attending the Music Academy in Munich during the early 1960’s. In the early 1970’s Friedrich Gulda, the world-famous classical pianist, who was eager to leave behind the orthodoxies, limitations and restrictions of the classical music world, got to know Limpe and was inspired by her fearless approach towards music. They started improvising and performing together and their musical dialogue lasted until t…
"To need, to be needed, in four corners. Sleep and privacy, gases come and gases go, and now you are the only one in the room you sit in, you are one with the room you sit in, as if there are no negatives and no positives--did you know that you are an extension of your apartment? Did you know that you are in a codependent relationship with your apartment? Did you know that your apartment knows and appreciates all of your secrets?--I feel safe, which is not a new need for human beings, but a very…
Gunnar Gunnsteinsson is an artist and composer, living and working in Reykjavik. His work includes (sound) installations, film scoring and musical education. A Janitor's Manifesto, Gunnar's second studio album, musically describes and fictionally revises a real time in Gunnar's life when, next to his composition work, he was employed part-time as a janitor within an Amsterdam-based, communal, artist's housing complex, in which he also lived. The album was recorded and produced in Amsterdam and R…
“Part of a body of work that includes visual scores and a forthcoming film sharing the album’s narration, ‘Karnofsky’s Score’ may indeed be guided by the ghost of David A. Karnofsky himself, the pioneer oncologist of the 1950s and 60s who had earlier conducted experiments with the US Army Chemical Warfare Service.”
"come, Memory: fieldwork" is the culmination of a long-cherished research project initiated in September 2021, revolving around three immersive journeys to ancient European sacred places, with a particular focus on Neolithic sites. This project encompasses extensive research, the capture of Super 8mm film, 35mm photography, and audio recordings, the creation of three experimental short films, and the development of a scenographic installation. In May 2023, this installation was exhibited at the …
Two Form a Click (DJ Snaffy, Wretchen Redspiders) collide with Horatio Pollard to deliver two sides of beautifully coalesced psychedelic synthesis, heavy with dub’s production values and freed from the grid of analog electronics. Though primarily operated by the duo of Snaffy and Redspiders, 2FAC has an open door policy which is happy to embrace lone lurkers such as Pollard. Pollard, born in Ibiza, raised in the UK and resident in Berlin since the mid 2000’s, has surely been exposed to all ends …
What is - or rather: what could be - a "Pruttipal Index"? In books, libraries and databases, an index is usually a concise overview or inventory. It suggests that this album could be a mini-encyclopedia of the work of its makers. In economics, indexes are measurements of the current state of an economy; which, in the case of this album, could be a vitality metrics of the Goodiepal & Pals/GP&PLS/BananSkole collective that produced it. In semiotics, an index is a sign that functions as a trace (li…
ugne&maria is the duo project of Ugnė Vyliaudaitė and Marija Rasa Kudabaitė, both based in Brussels. Their music is made from a mosaic of samples and carefully triggered field recordings, in dialogue with Vyliaudaitė’s violin. Intricate and calming but far from ambient, in that where ambient music recedes ugne&maria’s music sounds always close to the skin. The compositions are subtle and precise, setting up a logic and then gently manipulating it or letting it hover for several minutes. Elem…