We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
GOD Records is very happy to present its first release from the controversial composer with cult status, Erik Satie. He influenced not only the entire musical language of John Cage but also an entire generation of 20th and 21st -century composers, whose influence remains noticeable today. This unique release presents two of his rather obscure and lesser-known, but unique pieces, both composed for visual arts: a movie (Cinéma) and a ballet (Uspud).Renowned Serbian piano player Branka Parlić, famo…
Woodscratcher (Scratching Wood) is a composition and sound generating machine from Austrian composer, media-artist, sound-sculptor and performer, Winfried Ritsch. Already known as collaborator in different projects with Bernhard Lang (pieces from his series Differenz/Wiederholung, Trike), Peter Ablinger (Klavierautomat), Ritsch created “my own dedication to noise pieces of experimental music from 70s onwards”. This machine cuts a 2-5cm thick disk of a wooden trunk in a circular line along the gr…
“Losing The War Inside Our Heads” is the 17th official album by The Flying Luttenbachers. It is a desolate, bracing collection of music showcasing five varied new tracks of intense, composed modernism. The previous release “Terror Iridescence” (2022) was an abstract horrorscape of alienated dissonance marking founding member Weasel Walter’s transition back to the original base of operations, Chicago. Following four albums with New York based personnel since reviving the Flying Luttenbachers in 2…
*2024stock* „In Another Land pt. I“ is the first part of a planned trilogy. It is more or less electronic music, generated through long processes of editing and sampling. It's experimental in terms of that its shape and its meaning were not planned, were unclear during its creation and still now are not evident but somehow hard to reveal. It is based on a strict concept which could be very well explained, which the composer decided not to do. Instead of that it is full of hints. It's not a riddl…
2008 release. The Compromise Is Not Possible was composed at the end of the 2004 by Slobodan Kajkut. It was commissioned by Hoerfest, a festival of contemporary and experimental music. Composed with the concept of combining contemporary techniques with heavy metal elements, the piece brings crushing guitar/drums parts with various screamings of voice, combined with silent high and low organ drones.
Mick Harris has been an epitome of extremes: either as a drummer or as a sound sculptor and explorer of crushing beats, heavy bass or darkest soundscapes. Through the last 30 years, Harris has been an utterly prolific electronic artist, but known mostly for his famous project Scorn. At the beginning of the century Harris started one of his longest-standing projects, HedNod. Alongside Scorn, HedNod turned out to be his most fruitful project, which in the meantime made up of as many as twenty vol…
Once again, five years took Kajkyt to accomplish his new work. Unlike his previous work KRST, which was single 75-minutes piece, II shows Kajkyt's interest in more structured forms, almost "pop songs". Still focused primary on his voice, Kajkyt continue to deliever heavy beats and bass lines, accompained with large spectrum of droning and ambiesque sounds. In some way, a book of extremes: hard industrial clashes and beautiful nature of silence, which was always his trademark...
Another five years were necessary for Kajkyt to destroy old and develop completely new musical concept. III explores territories of complete alienation, abstraction, degradation. A four-part process of pulses that increase to complete reduction and secession.
Much-needed repress. For his premiere recording on God Records, Phill Niblock confirms his minimalistic musical approach and composes two monumental pieces for flutes and additional voices, respectively. Commissioned by Erik Drescher and Natalia Pschenitschnikova, Niblock again delivers an almost stripped, uncompromising one-way sound monolith. Tremendous, straight, and to the point... Personnel: Phill Niblock - composition; Natalia Pschenitschnikova - bass flute, voice; Erik Drescher - glissand…
Tip! "Feldman's last composition, Piano, Violin, Viola, Cello, was completed in 1987; although its instrumentation largely corresponds to that of Piano and String Quartet, with one instead of two violins, it differs in almost every other respect from the composition written only two years earlier, for here, in contrast to Piano and String Quartet, Feldman makes every effort to integrate the piano into the string section, and the basic formal components of the composition are no longer staves, as…
** Deluxe LP. Comes in a gatefold sleeve with 16 page LP sized booklet & download card** This new Laibach album, through a new/fresh interpretation, examines the conflict-ridden genesis of the band's formation in the industrial town of Trbovlje in 1980 and questions the band's aesthetic, sonic and ideological roots from the distance of time. The group Laibach was established, in fact, in the year 1980 in Trbovlje, an industrial coal mining town in the centre of Slovenia (YU). Upon its founding …
Blumenstück for piano was composed in 1984 as a sound meditation for private use and it celebrates the beauty of the piano sound through tenderness and slowness. All the sounds of the work derived from a word list that lists 168 flower names. All the letters in these names were assigned to notes on the keyboard according to a fixed system. Each sound has to be played softly and as long as possible. After the attack, all sounds should fade away into silence...
Kaplan's second release represents a collection of his versatile work through last three decades. Leaving the previous concept of short abstract vignettes, he moves into more "structured" approach, more complex explorations of loop asthetics, cut-up techniques but also pieces for improvised ensembles.
*In process of stocking.* "This is the third and concluding part of the trilogy "In Another Land“. It is not the dialectic synthesis of its antagonistic predecessors, it is just one of three equivalent antipodes that could have been released in any order. Mostly percussive and constantly transforming structures are weaving their net through both sides of this album. Processes of convergence follow moments of decay, high event density alternates with moments of quiet, aimless meandering. A furthe…
*In process of stocking.* Since my piece Terrible Fake (Piano, Drums, 2013) and especially Darkroom (Clarinet, Vibraphone, Sampler, 2017), I've been trying to to integrate some grooves into classical contemporary idiom. Since those experiments were mostly for smaller setups, this time I wanted to transfer it into the larger one in order to get more possibilities to work with different textures and coloring within harmonic structures of clusters and chromatic movements of melodies. Constant trans…
Michael Eisl (Eichamt) had a long eclectic journey between various projects for theater, improvisation, sound art and sound installations, all the way to his first release on God Records. His first release presents him in his full abstract electronics mood, in his own words: "Between analog experiments and obsessive-compulsive digital reworking there is constant need for recalibration."
This is also the first Tape release on vinyl-only label, God Records from Graz, Austria and also the point whe…
“Terror Iridescence” is the 4th full length release by the latter-day, New York City based reincarnation of the seminal Punk Jazz/No Wave/Brutal Prog unit The Flying Luttenbachers, and the 17th album since 1992. After all of this, longtime fans tend to expect notable creative twists to be pulled by the band with each release, and this one will not disappoint. This time around, our heroes have issued forth a boldly abstract haunted-house salvo of dizzying surrealism, loaded with exceptionally biz…
* 2021 Stock ** During the decades following the Second World War, all eyes shifted toward New York, a city which, at that moment, played host to some of brightest creative minds of the century. Innovations were abound. Visual artists, writers, thinkers, musicians, and composers continuously pushed into previously unthinking ground. While the United States had been previously known to give birth to a wild and distinct breed of composer, from Charles Ives to Nancarrow, Harry Partch, Cowell, and b…
In 2015 Bernhard Lang was approached by Sebastian Berweck, to compose a piece for his Berlin-based Synthesizer-trio Lange // Berweck // Lorenz.Considering his musical background and his roots, Lang saw this offer as double opportunity, one of them being a chance to compose an ultimate tribute to one of his musical heroes, electronic pioneer, Klaus Schulze. On the other side, Cheap Opera #1 „répétitions“ turned out as Lang's most political piece to day: his mercilles comment on fake patriotism...…
"Negative Infinity" is a sort of return-to-form in a regard, featuring 6 tightly scripted doses of what they call "Brutal Prog" - the tag Weasel coined in the early 2000s to describe an elite breed of intense, complex bands who emphasised harshness and intensity over the typical prog-rock flutes and fairies positivity. This is prog for the Aocalypse, not your uncle.