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**in process of stocking** "As part of the 20th Kamuna (Karlsruhe Museum Night), so-called ›in-situ performances‹ took place at three locations in Karlsruhe on August 4, 2018: The project room ßpace, the artist-run space Halo ARS and the pedestrian zone Kaiserstraße were connected to the ZKM via an outgoing audio data stream. At ßpace, sound artist Lasse-Marc Riek condensed naturalistic field recordings, noise and soundscape recordings into a sonic live collage. The live electronic duo Lintu + R…
**in process of stocking** "This work represents a further step into my on-going research on the Venetian Lagoon. I was interested to keep an ecological perspective while focussing on a precise aesthetic. In fact, I considered field-recording practice as a tool for critically investigating the territory. The album is based on sounds recorded via electromagnetic sensors, binaural microphones, hydrophones, contact and condenser microphones. It combines compositions where the sound of water, in its…
**300 copies** Plein Air the album presents recordings from a plant-driven synthesizer. A custom built instrument that uses scientific sensors and software programming to generate real-time tree leaf data. Light, photosynthesis and transpiration modifies sound: the rhythm, melody, texture, tempo and harmony shift with atmospheric conditions and tree response – electronically. The sounds of each leaf of regional deciduous trees by scientifically sensored data-sonification are much more musical th…
Gasworks by Gerald Fiebig collects his sound installations, radiophonic compositions, and live performances relating to the former gasworks in Augsburg-Oberhausen. They were created between 2010 and 2016, some in collaboration with colleagues EMERGE and Christian Z. Müller. Among the compositional materials of the album are processed recordings of the sounds of gas and industrial machinery, stories told by a former gasworks employee, and live improvisations in the echo chamber of the large gas t…
Outstanding release. Five years in the making, David Rothenberg’s Nightingales in Berlin project includes a book, a film, many live concerts, and this double CD, including a 20 page color booklet of stills from the film and music not available in any form online. Here’s what Rothenberg says about the project: “I used to make interspecies music largely on my own, seeing myself as some kind of individual explorer seeking out musical ideas with creatures we can’t even talk to. But in recent years I…
Achim Zepezauer collects 158 45-second recordings from artists as diverse as Rhodri Davies and Simon Whetham, Jerome Noetinger, John Chantler, Jaap Blonk and many more and runs them through a Slotmachine. This is about as weird as it gets, a further expansion of Gruenrekorder, designed for the disorientation of Las Vegas‘ neon light. a new way of interactive composition technique introduced by Achim Zepezauer and his Kuhzunft project which results in this 10″ to be released on the Gruenrekorder-…
In his poem De Rerum Natura (On the Nature of Things) the Roman
poet/philosopher Lucretius (c. 99 – c. 55 BCE) explores Epicurean
physics and philosophy through richly poetic language and metaphors, as
he presents an entire cosmology: based on the principles of atomism,
Lucretius tries to explain the nature of the mind and soul, and the
development of the world. While some of his ideas have been proven
scientifically wrong, some of his thoughts seem strikingly reasonable
even for the cont…
A sonic documentation of the history of the film projector (movie house version), from spool to digital. For this work, Michael Lightborne relies heavily upon the natural rhythms that the machine creates. Layer upon layer of sound comes into the fray with such majesty and grace. Even within these noises Michael Lightborne occasionally lets something more come in, the way that little melodies flicker about in mere moments. By letting these pieces gain a level of prominence within the album the wh…
Edition of 200 copies. The unprocessed field recordings of Eisuke Yanagisawa were made all around Japan (2014-17) using Aeolian Harps (a stringed wind harp). On his fourth solo record since 2009, Path of the Wind includes seven tracks with a run time of over forty minutes, each named after their location or single subject as titled. Kyoto-based Yanagisawa is an ethnographer and filmmaker as well. "The Aeolian Harp (also called Wind Harp) is a string instrument that is played by natural wind. It …
The Sounding Museum fuses anthropology, acoustic ecology, soundscape composition, and trans-cultural communication inside the context of museum education. Based on the piece “Two Weeks in Alert Bay”, it supplies researchers, practitioners, and audiences with an instrument to gain an acoustic image of the contemporary cultural and everyday life of the Kwakwaka’wakw of Alert Bay, BC. The project mediates intercultural competence thorough the affective agency of sound.With the coeval Session Musici…
Double Negative follows the path that Robert Schwarz has pursued with The Scale of Things. Field recordings render the core and compositional starting points around which modular synthesizers are built to complex structures that resemble nature’s contingency as their inner logic. Nature and electronics merge to compositions that reveal uncanniness and strangeness in the heart of the world as well as in ourselves. However, where The Scale of Things provoked existential threats and feelings of bei…
North American sound, performer and radio artist Patrick McGinley (aka Murmer) in based in Europe since 1996 and since then he has been working with found sounds and found objects. He hold a string of releases and compilation appearances. Murmer’s work consists of micro sounds and field records and on this album McGinley collects sounds in different parts of Europe between 2007 and 2014, like a sand timer recorded in Cologne, Germany in August 2007. Other field recordings were made with rain dri…
Dinah Bird's LP, 'A Box of 78s' is a record that is designed to evoke memory through sound. The recordings used on the LP are taken from the old 78 records owned by Dinah Bird's grandmother in the 1910s and 1920s. To quote the sleevenotes: "This piece is about rekindling lost, and perhaps forgotten, sounds. Are they so very different to those my grandmother heard? It is a personal response to the people and places of Salt Spring Island." The record is also one that - contrary to the curre…
Katharina Klement was born in Graz, Austria, and is a ‘composer-performer’ in the field of notated and improvised, instrumental and electronic music. She has participated in numerous crossover projects in the areas music-text-video-performance, several works for mechanically and electronically customised piano, sound installations, and is the founder or a member of many ensembles for improvised and composed music. "In 2014, I spent nine weeks in Belgrade, focusing on the questio…
Mark Lorenz Kysela plays contemporary music for a instrumental soloist, sound extensions and tapes. An artist on various saxophones and clarinet. Performs as a soloist, in combination with (live-) electronic or analogue enhancements and tapes. Mark Lorenz Kysela presents six completely different pieces: artistic individual positions focusing on the radical nature of musical language, on shaping and on the soloist. Christoph Ogiermann, 'Druckblöcke und Zeichenakkumulationen BCC' for saxophone, l…
- Currently about 6000 languages are spoken on the world. Most of them will disappear soon – and together with them a meldodic richness of human expressivness. However, the fact, that dialects and disappearing languages are only spoken by a few people has one advantage: only if one does not understand the contents it is possible to really listen tot he sound, saying far away from their homeland these languages unfold their musical enchantment (charme?). What you find are melodies that nobody …
We perceive many things with our eyes. Many visual impressions are engraved in our memories. But, all the things that are going on around us, can also be detected by the ear; can be listened to with various feelings. What effects do silence and noise have? The sonic drawings unfold themselves, build up with memories of future and past, which lead us back to the sound of the moment. It is enriching to discover the musicality of a moment and to find oneself listening to that music. The release „So…
What is presented in this CD is a very alien world, a hitherto unheard aural environment that breaks with all our preconceived notions of what underwater life should sound like. All our traditional conceptions and inherent cultural conditioning are overwritten, deemed void and deleted. The work contained in this CD redefines our notions of underwater life and presents a world of alarming sophisticated communication; a myriad of signal generation, perpetuated by a plethora of intelligent species.…
"The Mekong River is one of the world’s major rivers. On its more than 4.000 km long way from its source in the Tibetan Plateau to the Delta in South Vietnam it passes an altitude difference of 5.000 km, travels through seven countries, three climatic zones and three different culture areas. On an extensive journey Eva and I followed the lower course of the Mekong River and travelled downstream through Laos, Cambodia and Vietnam. On its way the Mae Nam Khong, the „Mother River of All Things“, cr…
In The Scale of Things Robert Schwarz relies on evocative and enveloping patterns, with strong explorations of natural environments. The implications of the field recordings are given room to develop, but this is balanced with musicality and a pre-arranged structure. Seven tightly worked compositions reverberate here with a particular and abstract essence that is not easy to decipher.Distantly rooted in musique concrète, ”The Scale Of Things” discloses an uncanny, multilayered sonic universe of …