We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
*200 copies limited edition* Aotearoan expat Dean Brown has been slowly growing the Little Skull catalogue for the last 21 years. His sound belongs to the Aotearoan underground tradition, folding in elements of portastudio rock, folk and noise. As well as HoP his works have appeared on Planam, Elica, Digital Regress and Anomalous. These two tracks find Little Skull staring into space with his toes in the sand as he conjures a tumble-down cosmic blues dusted with tape hiss and distortion. As usua…
"On Petals, the pair’s haunting folk music comes into sharper focus while broadening their sonic palette. Spoken word meets chanted incantations, gently fingerpicked acoustic guitar is placed alongside spindly piano melodies, the creak of floorboards in the background mirrors the creak of fingerprints dragged across guitar strings. Woven throughout are bursts of tape-recorded radio static that reveal hardly distinguishable voices while MacDougall sings of equally fleeting phenomena. Winds, breez…
This Norwich-based trio hit our radar earlier this year when we caught their third live performance in London. Gipping Through the Ages is their debut release.
Jim Strong is a US based artist and musician who in recent years has left a trail of enigmatic releases on labels such as Vitrine, More Mars and Chocolate Monk. He will also be familiar to some for his past work with Melkings, Eyes of the Amaryllis, and Weyesblood. Now HoP is pleased to announce Jim’s first solo vinyl outing. My Enemies Are Mine To Keep is Jim’s most clearly defined statement to date. Its sides illustrate his self-sufficient, world-building methods through a mixture of orchestra…
Jordan Deal’s 2022 debut GOGO Underworld (Cor Ardens) hipped us to their multidisciplinary practice which shapeshifts across film, sculpture, sound & performance. Now we are proud to present the next chapter in Jordan’s recorded legacy. Seas of Triple Consciousness was recorded between monasteries & churches in rural France and Jordan’s home in Philadelphia. It takes cues from the gospel, blues and folk traditions as well as avant-garde composition techniques.
Essentially a song-suite centred ar…
Māpura Music is a collaborative and spontaneous music making program for people living with disabilities set in Tāmaki Makaurau / Auckland. Its facilitator, Stefan Neville (of Pumice etc.), has been active in the New Zealand underground for over thirty years, personifying an Aotearoa DIY sensibility that effortlessly links melodic song formats with open-ended experimentation. On surface level, this collection of improvised group jams verges towards the latter, but soon structures of a playfully…
Horn of Plenty is proud to present the first full-length vinyl release from one of NZ/Aotearoa’s best kept secrets, William Henry Meung. Although musically active for the last couple of decades, Meung only recently began releasing his work via a clutch of CD-R’s, lathes & tapes. Hiraeth and Limerence, the first in a series of four LP’s, was recorded to phone and tape in Dunedin between 2016-2019 as a particularly turbulent period in William’s life drew to a close. Hiraeth - a yearning for that w…
Live at the Petersham Bowling Club was recorded in January 2023 when Warm Currency supported the great Maxine Funke. This offering includes tracks from Returns, our 2022 album on Horn of Plenty, and some unreleased material. We jettisoned our regular keyboard to grapple with the bowling club's cracked piano.
As the mist clears from their Sift LP (hop9) Eyes of the Amaryllis return to Horn of Plenty with the equally enigmatic Perceptible to Everyone.
Recorded in various remote locations around the northeast of the US over a few warm months in 2022, Perceptible to Everyone maps the band's poetry in nebulous song forms that dance on their constant fission between pastoral and ghostly inner galaxies. Its eight tracks utilize a wide range of instruments and techniques to span an alien, ritualistic territ…
2023 marks the 35th year of Idea Fire Company’s ongoing commitment to the radical avant-garde. To mark the occasion, Horn of Plenty is proud to present the band’s latest campaign statement Bathroom Electronics. IFCO’s core members are Scott Foust and Karla Borecky who operate from rural Massachusetts. Early despatches came via Scott’s Swill Radio imprint alongside titles by The Shadow Ring, RLW, and Asmus Tietchens. The last decade or so has seen them work with other notable labels including Kye…
As a member of Ghent’s experimental music scene, over the past two decades Annelies Monseré has slowly refined a singular approach to musicality, moving from the sparse, instrumental piano works from that defined her early career, toward increasingly complex arrangements of instrumentation that offer a central place to her own voice, issued by noteworthy imprints such as Morc Tapes, Stroom, and three:four. Like her work within the widely celebrated ensemble, Luster, as well as Distels, her duo w…
Nein Rodere is the moniker of the Berlin-based music maker and visual artist David Roeder. Having played in bands for more than 20 years - often times making improvised music with other “non-musicians” - Roeder was trained in painting and psychodynamic art therapy. This multifaceted background underpins the complex humour and multiple dimensions of meaning (and double meaning) that bubble below his work. The body of solo efforts that has slowly emerged over the last five years brings to mind the…
Tip! Surveying late 20th century underground music - sounds that largely emerged before the internet delivered the illusion of interconnectedness - the most noteworthy often sprang from second cities, small towns, and backwaters, rather than cultured metropolitan centres like New York, London, Paris, and Tokyo. Boredom, marginalisation, and relative isolation seem to have been essential, counterintuitive components to the becoming of great art. Nowhere was this more true than in NZ/Aotearoa, the…
*300 copies limited edition* Conceived as a manifesto for eponymous all-female label Permanent Draft, this limited flexi comes with a booklet of poetry and pictures based on the prime number 13. Permanent Draft aims to highlight works showing a certain taste for fragmentary, irrepressible creative eruption and lo-fi experiments. Leaving the grandiose apart to pay and bring attention to the sounds, details and anecdotes of everyday life, picking up raw material from the ordinary. Bitter truths, m…
*Includes a 24-page A5 booklet.* This first vinyl release from photographer, musician and visual artist Mateusz Woś was recorded at home in Warsaw during the winter of 2021 and was conceived as the sequel to his Skamielina tape. Muzeum Historii Naturalnej consists of two side-long excursions into eerie pastoral dream states. Imagined worlds where the earthly and cosmic collide. You'll like it there.
Necessary, and slightly expanded, vinyl edition of the first Little Skull long player which was originally released as a micro-edition CD-R in 2009. Written, performed and recorded by Dean Brown on borrowed and home made instruments during a year spent living in a cold colonial-era house across the street from Len Lye's childhood home in Aro Valley, Wellington NZ. Fashioning a bass from a coffee can and elastic band, using the home's antique doorbell, and unavoidably including the seeping sound…
Warm Currency is a new project by Sydney-based friends, artists and musicians MP Hopkins and Mary MacDougall. Mary began working with MP Hopkins and Christopher Schueler in 2008 as Vincent Over the Sink morphed into The Bowles. Returns was recorded in Mary’s home during 2020-2021 and is their first release since 2012’s The Bowles EP (Kye). Quietly intense folk music, song-poems, and concrète collages built from seemingly simple and delicate arrangements for guitar, keyboards, voice and tape.
Debut vinyl outing for Valentina Magaletti and Pino Montecalvo’s Avvitagalli project couretesy of London's Horn of Plenty label. Variegated percussion + WTF jams inspired by a visit to an abandoned, torched palazzo somewhere in southern Europe. Its charred, decaying splendour casts a fitting backdrop to the surreal push-pull of Valentina & Pino’s aural capers. None Corsa explores presence and absence, purpose and chance, and the tension between serenity and disquiet. Composing and decomposing, g…