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Renowned Native American flutist Timothy Archambault adapts Anishinaabeg shaking tent chants on these stark, unaccompanied flute solos. 'Chìsake' is rare, deeply affecting music that arrives steeped in historical and cultural significance, singing of an age of North American art that's been sidelined for far too long. Transportive sounds for anyone who enjoyed Fis's collaborations with Rob Thorne or even Mary Jane Leach's "(F)lute Songs".
Chìsake [Algonquin]: to chant; to conjure; to cast a sp…
A ghostly visage on a cosmic scale, these remains of shocked, glowing gas haunt planet Earth's sky toward the constellation of Cygnus and form the Veil Nebula. The nebula itself is a large supernova remnant, an expanding cloud born of the death explosion of a massive star. Light from the original supernova explosion likely reached Earth over 5,000 years ago. Also known as the Cygnus Loop, the Veil Nebula now spans nearly 3 degrees or about six times the diameter of the full Moon. That translates…
Legendary pedal steel player Susan Alcorn presents her music as curated and arranged by cellist and composer Janel Leppin. This recording is from a live performance from her residency at Issue Project Room in July 2012. Leppin's arrangements and curation emotes the brilliance, transparency and resonance of the pedal steel guitar. Through this ensemble, the mastery of Susan Alcorn's compositions shine. Susan Alcorn has taken the pedal steel guitar far beyond its traditional role in country music.…
To be heard with ears half bent, or with one side facing what Maryanne Amacher calls “the third ear”. The great reverence in which the Tanpura is held by Indian classical music, its transcendental but occulted place in the tradition alongside its normal function as a drone, made a strong impression on the composer such that it has taken decades to formulate even a simple Tanpura Study.
The fundamentals, the Om, as well as the overtones, the music of the spheres -all these have their valid rights…
Stephen O’Malley’s Ideologic Organ yield intently focussed, gothic works drifting from plainsong to heavily impending drones, and blending the two into spellbinding durational works comparable with a meeting of Yoshi Wada and Anna Von Hausswolff. “My first encounter with Karen Jebane (aka Golem Mecanique) was in the context of Echoés above the village of Le Saix in Haut-Alpes, in 2016. This tremendous location runs along a deep river canyon with a long cliff on one side and a small mountainside …
"Kukangendai is a kickass rock trio from Kyoto (Tokyo transplants). When I first hear this band live I was instantly transfixed by their minimalist yet illusory primitive, polyrhythmic, and structural, memory evoking rock narratives. Their energy is completely and transparently palpable yet handled with restraint of the pleasure of a disciplined form dealing with time and articulation. They are a power trio of bass, drums, and guitar but the music they play is as much the limbic system of a fore…
2018 small repress. Ideologic Organ present Unfold, brand-new recordings from The Necks, the legendary Australian trio who excel in bypassing musical cliche whilst exploring and extending the practices embedded within improvisation, jazz, post rock, ambient, minimal, and textural, "sound based" music. The latest document from this long-running ensemble presents itself as a double LP, with four side-length tracks. A deliberate absence of numbered sides hands a substantial swatch of participation …
CD version. Unreleased archival recordings as performed by dhrupad master Zia Mohiuddin Dagar. Around ten years ago, deep into a cozy and hazy night following a concert with my sound brothers Daniel O'Sullivan and Kristoffer Rygg in London (as Æthenor), they graciously introduced me to a recording of rudra veena (a kind of noble deeper bass relative to the sitar, in a way) as performed by dhrupad master Zia Mohiuddin Dagar. Dhrupad, for those who do not know, is a branch of Hindustani classical …
CD version. Unreleased archival recordings as performed by dhrupad master Zia Mohiuddin Dagar. Around ten years ago, deep into a cozy and hazy night following a concert with my sound brothers Daniel O'Sullivan and Kristoffer Rygg in London (as Æthenor), they graciously introduced me to a recording of rudra veena (a kind of noble deeper bass relative to the sitar, in a way) as performed by dhrupad master Zia Mohiuddin Dagar. Dhrupad, for those who do not know, is a branch of Hindustani classical …
Double LP version. Crying Bamboos is a translation of the pidgin description of the sound of sacred flutes: "Mambu i cry, i cry, i cry". Sacred flutes are blown to make the cries of spirits by adult men in the Madang region of Papua New Guinea. Pairs of long bamboo male and female flutes are played for ceremonies in the coastal villages near the Ramu River. There are seven male initiation flute cries from Bosmun, four flute cries from Bak: Borai with occasional single garamut percussion and two …
LP version. Stephen O'Malley on Elodie, the project of Andrew Chalk and Timo van Luijk, and their album Vieux Silence: "Having been entranced by both Andrew Chalk's work with Mirror (and back to his solo works as Ferial Confine, plus multiple collaborations with David Jackman, The New Blockaders, Daisuke Suzuki, etc.), and Timo van Luijk (as Af Ursin, In Camera, La Poupée Vivante, and collaborations with Kris Vanderstraeten and others) for many years, I was naturally intrigued to hear about and …
Part 1 of The Fools Sermon as composed by and recorded by Daniel Higgs. Features Eli Winograd on bass and bass keyboard and Fumie Ishii on drums & voice and Higgs on banjo and voice. "Daniel Higgs once told me that the Earth is actually in its 34th life cycle. That everything has been conceived, created, grown, withered and ultimately been destroyed a grand total of thirty three times to date. As for quite how long this ourobouros-esque pattern will continue, he never enunciated. For enunci…
Recorded by Ragnar Johnson, assisted by Jessica Mayer, in Papua New Guinea, April-August 1976. Tape-to-digital transfer by Dave Hunt at Dave Hunt Audio in London, July 2015. Mastered and cut by Rashad Becker at Dubplates & Mastering in Berlin, August 2015. Notes and photographs by Ragnar Johnson and Jessica Mayer. First combined release. Originally released as two distinct LPs on Quartz Publications (!QUARTZ 001 (1977) and !QUARTZ 002 (1979)) by David Toop with the assistance of Sue Steward, …
I Abused Animal is Heather Leigh's first solo album for Ideologic Organ, following solo albums on Kendra Steiner Editions, Golden Lab Records, Not Not Fun, Fag Tapes, Wish Image, Volcanic Tongue's label, and more. Renowned as a fearless free improviser, Leigh showcases her songwriting prowess on I Abused Animal, foregrounding her stunning voice and her innovations for the pedal steel guitar. Warmly recorded in a secret location in the English countryside, the album transports the power of her ca…
2015 repress (yuppie!). A native of Korea, cellist/composer Okkyung Lee has been developing her unique voice in both improvised and composed music by blending her wide interests and influences. Since moving to New York in 2000, she has worked with numerous artists ranging from Laurie Anderson, David Behrman, Douglas Gordon, Vijay Iyer, Christian Marclay, Jim O'Rourke, Evan Parker, and John Zorn, just to name a few, while leading her own projects and releasing more than 20 albums and touring…
Nazoranai comprises three gentleman, three friends and three fans of each other's creative output. The Most Painful Time Happens Only Once Has It Arrived Already..? is the second release from Nazoranai, a power proposition made up of three sound/song heavyweights: Keiji Haino, Oren Ambarchi and Stephen O'Malley (no introductions necessary, intimidation checked in at the door). Recorded by Chris Fullard at CCSO, Birmingham, July 9th 2013, The Most Painful Time... expands the trio's devastating ex…
Two monumental pieces for prepared and amplified pianos, computer-assisted sound, plates and metallic objects creating shock and awe through their polyphonies of polluted noise. Dumitrescu explorations into the fabric of sound make a worryingly broad spectrum of modern composition feel humdrum and slight, his stubborn intransigence and principled intention nailing precisely."Born in Romania in 1944, Iancu Dumitrescu is one of the leading personalities in contemporary music, whose significance e…
Last copies, sold out at source: this recording is the fourth version of Images of the Dream and Death by ÃÂÂÂÂÂkos Rozmann; revised at EMS/Elektronmusikstudion, Stockholm in 2001 for a performance in Essen. The first version was realized with Buchla synthesizer at the State Academy of Music, EMS/Elektronmusikstudion, Stockholm 1974-1977 (released on Phono Suecia as PS 27, 1986); the third version in April 1990 (released on Phono Suecia as PSCD 27, 1991). Images of the Dream and Death. "…
Lyrically Freermasonry consists of a series of poems and discourses. Early on in Freermasonry during 'SOL,' the Mother allusion is referenced out of Faust Part Two. It's a small portion and short moment. Faust does an invocation to the Mothers, but the execution is as trickery through occult charlatanism and not truly believed ritual. Goethe found passages about dark goddess figures known as Mothers in the writings of Plutarch. The metaphor is ambiguous, generally associated with creative dar…
Gravetemple was formed in 2006 as a side-project of the band Sunn O))) by Oren Ambarchi, Stephen O'Malley and Attila Csihar. The group formed initially to tour in Israel in the summer of '06, creating several recordings which eventually became The Holy Down album, which was released on Southern Lord Recordings in 2007. At the time of the Israel tour, the Lebanon War started and was in action. In summer '08, the trio reformed together with the addition of Australian drummer Matt "Skitz" Sander…