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Whether he is working in the so-called documentary or so-called fictional mode, with 16mm, 35mm or high-8-video: for Pilz the central issue is our perception and the film or video is a disposition, a condition for the temporal and spatial organizatio…
Marina Gržinić and Aina Šmid are major figures of Slovenian video art. Their political art attacks the multilayered root of the videographic medium and its relation to mass media. Using cross references from cinema, literature, theatre, visual arts a…
In this broad sampling of works, Bulgarian-born, Vienna-based Mara Mattuschka playfully moves through motherhood to monster flicks where an alien, out on the town, wreaks havoc of epic proportions. Androgynous star Mimi Minus infuses mischievous hu…
Lisl Ponger's photographic and cinematic work investigates the circumstances of places and their territorial occupation by the camera, the acquisation of images, the function of photographic and cinematic representation, and the presentation of cultu…
The subversive, ironic analysis of systems of social control; pseudo-scientific technical experiments, for example with objects of daily use; and the “manipulation” of our visual habits with the help of technical apparatus – these are central aspects…
Rare selection of Kren films, spanning works from 1957 to 1979. Kurt Krens achievements with regard to the montage of short cuts in his early works was many years ahead of the rest of the (film)world, in both form and content. Kurt Kren was a pioneer…
Though undoubtedly a collection of avant-garde works, it’s tempting to view Kurt Kren’s “action films” as documentaries. A series of collaborations made between 1964 and 1967, these ten assembled shorts find the Austrian director working primarily wi…
With her characteristic consistency Gertrude Moser-Wagner has viewed her work as a sculptress in the conceptual tradition – even at a time when other approaches were more in the limelight. She uses very precise artistic stategies, such as the transfe…