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*2022 stock* 'American trumpeter Bill Dixon began composing his moody, darkly abstract music in the mid-60s, fusing free jazz with modernist chamber music elements touching on Stravinsky and Schoenberg. Envoi is the last of these works, recorded at t…
*2022 stock* Recorded at the 26th Festival International de Musique Actuelle de Victoriaville, May 22, 2010. “This set was my favorite one of the entire Festival. It was most magical and flowed organically. For me, this was the perfect trio, with Mal…
*2022 stock* 3 unique composer/performers merging into a singular sound, an intimate, acoustic blend of world roots, post-minimalism, jazz, rock, and cabaret.
*2022 stock* Live recording of Anthony Braxton's Echo Echo Mirror House Music, where all the musicians use iPods in addition to their instruments, which took place during 2011 Tri-Centric Festival at Roulette.
In Echo Echo Mirror House musical system…
*2022 stock* A collaboration of the legendary Richard Pinhas (of Heldon fame) and Japanese noise artist Merzbow would be worthy of note. Add in Wolf Eyes, the trio of Mike Connelly, John Olson, and Nathan Young, and you have the potential for a truly…
*2022 stock* "The rhythm section is thunderous in general with Nilssen-Love providing polyrhythmic barrage fire to Brötzmann’s assaults. It is a vortex of sounds – some shrieking, others almost torn, spat, even puked – owing credits both to hardcore …
'Both bassists had made regular appearances in Victo over the past two decades, but no one in the audience could have guessed that it would be Kowald's last. The German improviser died in New York City four months later. The French-Canadian radio was…
'If you are a Fushitsusha or Keiji Haino fan, you already know to just forget what the title of this CD means -- you are never going to know unless you have a lot of familiarity with the early decades of the English language. If you aren't a fan, the…
'As evidenced by this release of the set, the music played that night was intimate, even delicate. It still seems that Dixon didn't quite sit down at the table with his mates, and his electronic effects don't do him any favors, but credit seems due t…
'Simply put, this is a stunning piece of work, performed in front of a stunned audience that was won over from the first few notes. After a spell of a few years, Anthony Braxton was back in Victoriaville in 2005 to present a new line-up. This sextet …
'It was the unexpected event of the 2005 FIMAV festival: avant jazz legend Anthony Braxton joining noisy bad boys Wolf Eyes on-stage. But it did not come completely out of left field. A few months earlier at another festival, the 60-year-old saxophon…
'It was a match made in heaven, or rather on earth, at last year's 20th Festival International de Musique Actuelle de Victoriaville. Five vocal artists on one stage—Dutch Jaap Blonk, Japanese Koichi Makigami, Canadian sound poet Paul Dutton, Englishm…
'A happening. Not that these two heavyweight reedsmen had never shared a stage, but this was going to be a face-off, a clash between two of the hardest-working free improv trios on the circuit. On the left side of the stage: Evan Parker, with drummer…
Reverberations from bassist Peter Kowald's passing continue to be felt two years later. Last year, a long-time bass quartet with one sub gathered to bathe Kowald's spirit in a bass balm. Comprised of close associates or admirers of Kowald, this quart…
Anthony Braxton and Fred Frith each have about as close a relationship to the Festival International de Musique Actuelle de Victoriaville as just about any non-Canadians. The first release on Victo, the label run by the producers of the annual Canadi…
"The curious fact about this 52-minute improvisation by Rene Lussier (guitar and daxophone), Érick d'Orion (computer and electronics), Robbie Kuster (drums), and Martin Tetreault (turntables and electronics) is that, as far as we know, it was just th…
"The FIMAV performance is an extraordinary recording, an aural opportunity to hear the Ensemble exploring at length, stretching the contemporaneous studio documentation, but even with the Ensemble’s brilliant and transformative history, Sainkho Namtc…
The title to be taken literally, these two solo concerts recorded in Canada by French-based US bassist Barre Phillips, the first recorded at Vancouver Western Front in 1989, the 2nd from the 35th International Festival Music Festival of Victoriaville…
*2022 stock* "Saxophone quartets can be an acquired taste, especially if their members are content playing supper-time jazz. However, Rova’s commitment to pushing forward, and challenging themselves and their audiences accounts for much of their pers…
On the 30th anniversary of the Victo Festival Anthony Braxton took to the stage for a magnificent solo performance on the alto sax, performing 8 spontaneous compositions and an 8+ minute version of "Body and Soul", seamlessly crossing lyrical and com…