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*Limited edition of 500 copies.* Here's Lantern Heights' personal tribute to the one and only Michael Chapman, a hero in his own right, a 'Fully Qualified Survivor' (just to mention one of his most successful creations). An unreleased live album on vinyl in the form of an astonishing trio." A live set recorded at Nottingham's Playhouse Theatre on July 23rd 1977 by Chapman and a power house rhythm section in Lindisfarne bassist Rod Clements and former John Mayall drummer Keef Hartley. Some of his…
A House Safe For Tigers is the soundtrack to one of the seven TV movies Lee Hazlewood made with the director Torbjörn Axelman during his period living in Sweden in the early 1970s. Hazlewood had moved there to lay low and to help his son avoid the draft, but wound up finding happiness and creative freedom. Many of the albums recorded in Sweden made their way no further than Scandinavia, but of them all, A House Safe For Tigers is the holy grail for collectors, often changing hands for hundreds o…
The three years spent on MGM Records between 1966 and 1968 were golden ones for Lee Hazlewood. He spent them working with his muse, Suzi Jane Hokom, writing a still-unreleased book, The Quiet Revenge of Elmo Furback, competing with Phil Spector from their respective studios, and coming up with the formula for the "boy/girl” songs for which he’d become famous. In fact, the unflattering portrait on the cover of Something Special did little to hint at how hip this late-flowering talent (he was in h…
The mid-to-late ’60s were strange days for Lee Hazlewood. Having struck gold as songwriter and vocal foil for Nancy Sinatra, he signed up to MGM as an artist in his own right, and between 1966 and 1968, produced three ambitious solo albums that were eclectic, idiosyncratic, and most of all, unpredictable. It was a happy time for Lee; his music was hot on the charts, he was fully immersed in his collaboration with his muse, Suzi Jane Hokom.
The second of his MGM trilogy–1967’s peculiarly named Le…
*2023 stock* The unbelievably prolific Haruomi Hosono is one of the major architects of modern Japanese pop music. With his encyclopedic knowledge of music and boundless curiosity for new sounds, Hosono has put his unmistakable stamp on hundreds of recordings as a session player, producer, and auteur of his own idiosyncratic musical world. Born and raised in central Tokyo, his adolescent obsession with American pop culture informed his early forays into country music, which he would revisit late…
By the time poet, singer-songwriter, and artist Lizzy Mercier Descloux recorded 1984’s Zulu Rock, she’d marked herself out as both a globe trotter with more passport stamps than Tintin and a musical innovator whose loose, arty spirit could be applied to styles as varied as no wave, Bavarian oompa and Soweto jive. She’d also established a tight-knit threesome with muse/former lover Michel Esteban and producer/on-off lover Adam Kidron, who all reunited to follow Zulu Rock – a surprise hit in her n…
CD reissue of The Free Design's Kites Are Fun, originally released in 1967. To celebrate the 50th anniversary of one of Light In The Attic’s very first reissues, we are bringing back The Free Design’s debut album, Kites Are Fun. Featuring lyrics rife with social commentary masked by sugary yet complex harmonies and jazzy progressions, Kites Are Fun is a sunshine-bubblegum-daisy-puppy pop masterpiece that stands the test of time. Fans of the Beach Boys, the 5th Dimension and other seminal pop art…
CD reissue of The Free Design's Heaven/Earth, originally released in 1969. A vocal band that made it through, the Free Design have been more than an exception in the glittering world of the psychedelic circus. That was the Age of Aquarius in the end, but in the long run the four-piece had an enormous impact on the younger generation. Released in 1969 Heaven/Earth is a cornerstone on its own and 30 years later the band had a sort of epiphany, thanks to the spanning interest of artists such as Cor…
Pharoah ‘Farrell’ Sanders (born 1940) is a leading figure in the world of jazz and one of the last living legends with connections to players like Sun Ra and John Coltrane. His tenor saxophone playing has earned him royal status amongst free jazz players, critics and collectors.
Originally Sanders was interested in urban blues music, but his high school teacher exposed him to jazz and this took Farrell in an entirely new direction. Once completing high school Sanders quickly packed his belongin…
*2022 stock* Pharoah Sanders’ Moon Child from 1990, which bookended a decade of musical soul searching for Sanders. The acclaimed free jazz player is known to have a raw and abrasive sound, but reinvented himself on this album as a more traditional improviser capable of thoughtful deliberations. Moon Child is a grand old time throughout, and Sanders has never been more eminently sing-along-able as he is on its title track.
The record was co-written with Horace Silver, George Gershwin and Abdulla…
*2022 Stock.* Lee Hazlewood’s LHI label only put out interesting albums. Yet despite the psychedelic cowboy's success with Nancy Sinatra and more, being on Lee Hazlewood Industries was no fast-track to success. Gorgeous and talented Detroit, Michigan girl group Honey Ltd had all the makings of a hit band, yet they disappeared after releasing just one album in 1968, a vinyl rarity that now regularly fetches upwards of $2,000. Light In The Attic Records is now looking to set the record straight. H…
*Gatefold LP featuring a 20-page booklet.* First official reissue of Nancy & Lee's classic 1968 duets album. The definitive reissue with Nancy's participation. Includes bonus tracks "Tired Of Waiting For You" and "Love Is Strange" from the album sessions. Remastered from the original analog tapes by GRAMMY®-nominated recording engineer John Baldwin. Vinyl pressed by RTI. Q&A with Nancy and GRAMMY®-nominated co-producer of the reissue Hunter Lea. Never-before-seen photos from Nancy Sinatra's pers…
Digipack CD with Obi * First-ever officially licensed compilation of this kind Artwork by noted illustrator/designer Koichi Sato New liner notes by Mark “Frosty” McNeill Double LP housed in wide–spine jacket * Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds of Japan 1980–1988 hovers vibe–wise between two distinct poles within Light In The Attic’s acclaimed Japan Archival Series—Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990 and Pacific Breeze: Japan…
Deluxe Edition housed in a cloth-bound clamshell box with reproductions of LHI-era artifacts including press photos and a reproduction plane ticket used by Lee Hazelwood back in '70. But the true icing on the cake is three data discs which include just about every 45 single and every LP ever released on LHI in both WAV and MP3 formats. At around 17 albums and 72 singles (totaling 305 songs!), that's a whole lot of Lee. 2013 five disc (four CDs + DVD) book/box set. This landmark box set is the ul…
An exploration into the golden era of New Age music in America. Spirituality and psychedelia, gentle waves of analog music often made and distributed in the most DIY of ways with a radical spirit. Overall, an essential insight into an often misunderstood genre
**Small repress available** Green vinyl. First ever reissue of this groundbreaking ambient work ! Barely known outside of his home country during his lifetime, the late Japanese ambient music pioneer Hiroshi Yoshimura has seen his global stature rise steadily in the past few years. The 2017 reissue of his lauded debut, Music For Nine Post Cards, along with a slow building cult internet following has helped ignite a renaissance in his acclaimed body of work, much of which has never been released…
*2020 stock * Phoenix, Arizona 1955…a twenty-five year old disc jockey and fledgling songwriter, Lee Hazlewood, is trying to break into the music industry. He takes Greyhound bus trips to Los Angeles to pitch songs, only to be rejected each time. Undeterred, Lee starts a record label called Viv Records. Running the label out of his house, Lee finds the artists, writes the songs, produces the sessions, arranges the pressings of the records and handles distribution. Recently discovered tapes in th…
*2020 stock* In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.
By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-l…
*2020 stock* On March 4, 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost. Some think the mafia bumped him. Some even think he was abducted by aliens.
By coincidence–or perhaps not–Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost until Light In The Attic Records began a years-long quest to re-release it–and to solve the mystery of …
*2020 stock* On March 4, 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost. Some think the mafia bumped him. Some even think he was abducted by aliens.
By coincidence–or perhaps not–Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost until Light In The Attic Records began a years-long quest to re-release it–and to solve the mystery of …