★Lion Productions
Mateo Solo Bien Se Lame
* 2021 Stock* A record that requires many superlatives in order to do it justice: from it’s first moments, the music is lilting, poetic, intimate, in turns life-affirming and melancholic, with pulsating percussion backed by unheard-of guitar chords and tunings (perhaps the reason for the frequent Caetano Veloso comparisons); it is an album that sounds—simply put—honest. Released at the end of 1972 in both Argentina and Uruguay, it was received from that first moment as a classic. When iconoclast…
Vida e Obra de Johnny McCartney
* 2021 Stock* Leno’s “Vida e Obra de Johnny McCartney” was intended as the next musical step after Tropicália, it’s full-blooded rock and roll approach intended to link the music that had already been made to the music that would be played a few years later. This record just might have been that bold step had CBS released it in 1971. But censors banned most of the tracks, and Leno was fortunate (thanks perhaps to his string of innocent sounding Jovem Guarda number one chart hits in Brazil as hal…
A Game For All Who Know
* 2021 Stock* Fabulous grooving folk rock sounds with plenty of atmosphere, first released by the much beloved Village Thing label in 1972. Ian Hunt and John Turner first teamed-up in the late summer of 1970, the inevitable collaboration of two of the West Country’s most sought-after session musicians. String bassist and guitarist Turner had just left the infamous Pigsty Hill Light Orchestra and Hunt, a wizard guitarist and song writer who was already a ‘big-name’ on the Bristol scene, was looki…
Magic Landscape
* 2021 Stock* Fabulous grooving folk rock sounds with plenty of atmosphere, first released by the much beloved Village Thing label in 1972. Ian Hunt and John Turner first teamed-up in the late summer of 1970, the inevitable collaboration of two of the West Country’s most sought-after session musicians. String bassist and guitarist Turner had just left the infamous Pigsty Hill Light Orchestra and Hunt, a wizard guitarist and song writer who was already a ‘big-name’ on the Bristol scene, was looki…
The Human Zoo
* 2021 Stock* Along with The Human Expression, The Human Zoo were from the Los Angeles suburbs of Westminster and were signed to Accent Records. Their album, released in 1970 was pressed in limited numbers and has become a rare collectors item. Just recently, a still sealed copy sold for $900 on e-bay. The Human Zoo album is a quirky blend of psychedelic, garage, and funky music. Managed by Jim Foster of The Human Expression and originally called The Circus, the band changed their name to the hi…
Alice Through the Looking Glass
* 2021 Stock* The first release (1969) from the home studio of future BBC Radiophonic Workshop composer Peter Howell (he wrote the second version of the Doctor Who theme tune for BBC-TV) and his musical partner John Ferdinando, makers of legendary albums under the names Ithaca, Agincourt, Friends, and Tomorrow Come Someday. This private press record was recorded as a musical backdrop for a stage version of “Alice through the Looking Glass” by local amateur dramatics group the Ditchling Players. …
Sidewalk Talking
* 2021 Stock* I love this record. For me, it has a trace or two of Arthur Lee and Love at their best (‘Krishna Dov’ would not sound out of place on “Forever Changes,” for example), with dashes of maybe Terry Callier in some of the jazzier tunes. I also like that Hollins & Starr wrote a gentle tribute to one of my favorite old-time bluesmen, Mississippi John Hurt. At times this album is a gorgeous, ethereal blend of psychedelic folk and offbeat pop; but there are some funk and avant-garde moves t…
Fragile
**2021 Stock** The rarest, and I would dare to say best, folk/psych album from Peter Howell and John Ferdinando, musical brainchildren behind Ithaca, Agincourt, Alice Through the Looking Glass, and Tomorrow Come Someday. This fifth Howell/Ferdinando album had just been completed in or around 1974 when the partnership came to an end. Howell had been working at the BBC as a studio manager since 1970 (he’d provided a stiff upper lip voiceover for John Peels Top Gear shows), but he was now offered a…
Saat
**2021 Stock** Recording in a good studio in 1972 with an accomplished engineer/musician such as Dieter Dierks (Ash Ra Tempel, Cosmic Jokers, Tangerine Dream, and yes, the Scorpions), certainly enabled Emtidi to expand their musical style on “Saat.” The end result was a shimmering, lush cosmic folk trip, with multi-tracked and treated acoustic guitars plus electric piano, fragile angelic femme vocals, vibes, and mellotron, (punctuated by the occasional acid guitar solo). Yes, “Saat” is an elevat…
Para Castukis
* 2021 Stock * Here at last is a chance to discover why people have been willing to pay a very steep price to hear Sandhy & Mandhy, the duo who were not a duo, the band who were not a band, creators of perhaps the rarest and most expensive album from Argentina. To tell the story of Sandhy & Mandhy, we have to go back to 1967, when Alberto Infusino (Sandhy) and Alberto Vanasco (Mandhy) began their musical partnership in the beat band The New Free Men. Like many bands of that time, Los Shaker’s an…
A Buen Puerto
**2021 Stock** A record that sounds like a summertime sunset, if ever there was one. Lilting melodies, infused with an undercurrent of bossa nova and the drowsy, faded memory of sun-drenched islands. All of this melodic loveliness is made ever-so-groovy in an Afro-Cuban sort of way thanks to a mighty contribution from world famous percussionist Jorge Trasante, Totem drummer Roberto Galletti, and Limonada drummer José Luis Sosa. Pippo Spera came into the orbit of Uruguayan iconoclast Eduardo Mate…
Ayahuasca: Psychedelic Cumbias Vol. 1
**2021 Stock. Edition of 50 Yellow Clear Vinyl** This 14 track compilation of pure obscure tropical cumbias, latin soul, with some influences of psychedelic music. An hybrid between jungle music and psychedelic rock, cumbias w/ electric guitar, tropical music with fuzz! This is what you're looking for! Bands like Ranil y su conjunto, El Opio, Los Telstar's, Grupo Santa Fé, Los Darlings de Huánuco among others. Great original tunes, but also cool covers like "Bongocero" by Los Telstar's (playing …
Folklore Afro Uruguayo
* 2021 Stock. Edition of 300 * A masterpiece of South American percussion, recorded in 1977 by worldwide legend and Gipsy Kings percussionist Jorge Trasante—and impossible to find for decades—finally reissued! “In the mid-’70s I was struck by a young Uruguayan percussionist named Jorge Trasante. I met him accompanying Rada and Pippo Spera, in recordings in the Sondor Studio. He turned out to be an experienced percussionist and remarkable musical researcher, despite his young age, only 23 years o…
...And The Shredded Field Mice
* 2021 Stock * Every burgh in the 70’s that had a steady supply of weed and electricity provided a birthing ground for bands influenced by the likes of Jerry Garcia and Lowell George, and the Delaware area was no different. What was different was that in 1977 Snakegrinder made a record of their finest “homegrown” attempts, for the local admirers, and then quietly slithered away. Since then, the album has garnered accolades from the Acid Archives crowd and so we felt the time was right to give th…
Groove Club Vol. 4: Sinn Sisamouth Vol. 1
* Comes with an 8-page full color booklet with info and photos supplied by Sinn Sisamouth's surviving family. * There were no deluxe studios for the musicians who recorded the devastating tracks contained herein. Nothing so grand. Most of these tracks were recorded live, with traditional instruments finding a place alongside any keyboards or guitars that could be found. And yet, it was the experiments of Khmer rock musicians which transformed the nightlife of the Cambodian capital, Phnom Penh—an…
On the Way to Eden
* 2021 Stock * It might be easy to think of Eden Rose as simply the first version of famed French progressive band Sandrose. Both bands had the same musicians; both existed at nearly the same moment in time (c. 1970). But Eden Rose is now seen, quite rightly, as something unique, a chimera from the misty past, a time during which the winds of change were blowing on the fixed universe of music. Rules were blown away, stagnant structures were swept aside, and musical conventions emancipated, this …
Dug Dug's / Lost in My World
* 2021 Stock * Here it is – Los Dug Dug’s self titled debut (also known as “Lost in My World”): the “must have” first album (1971) from psychedelic guru Armando Nava and his band, recorded after their failed trip to NYC did not produce the stardom they had been promised—pain and disappointment sparking great song-writing on this, the first Mexican psych album in English.
After an extended stint as the house band at Tijuana strip joint Fantasitas, Los Dug Dug’s relocated to Mexico City in 1966. T…
Sirio 2222
* 2021 Stock * Raw-edged heavy rock, fronted by Lino Ajello's powerful electric guitars, channeling the dark, jagged energy of Jimmy Page, Adrian Gurvitz, and Jeff Beck. Il Balletto Di Bronzo absorbed their influences (Led Zeppelin, Jimi Hendrix, The Yardbirds), but moved from there into an inspired, hard-edged musical space; the band's overwhelming power and great melodies make them irresistible. Un posto and Neve Calda are centered around simple but effective guitar riffs. Eh eh ah ah starts l…
Top Soul
* 2021 Stock * Impossible to find jazz/soul/funk monster by Fusión, issued in Chile in 1975 by ALBA (ALD-041)—a fulsome combination of funk, electric jazz, and soul, with Latin roots. Bassist Enrique Luna had lived and studied art in New York, and knew first-hand the last, avant-garde years of John Coltrane, and Miles Davis’ mutation from hard bop trendsetter into an electric jazz pioneer; Matias Pizarro had appeared on the scene in the mid-60s as a young pianist of outstanding technical ability…
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* 2021 Stock * "In 1965, eight guys from London, Ontario, decided to start a free-improv group — 'free' to the point of building their own instruments, which they decided couldn't be set up to produce specific pitches... Their vocalist, schoolteacher Bill Exley, banged on a cooking pot and bellowed hilariously about stupidity and destruction and Canada. They didn't treat what they were doing as an advanced, visionary form of experimental music, but as a big, stupid, fun, ecstatic noise. By the '…