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Lovely Music, Ltd.

Lovely Music (full name Lovely Music, Ltd.) is an American record label devoted to new American music. Based in New York City, the label was founded in 1978 by Mimi Johnson, an outgrowth of her nonprofit production company Performing Artservices, Inc. It is one of the most important and longest running labels focusing exclusively on new music and it is  devoted to recording American experimental/avant-garde music.
Songs of Milarepa
Originally released on Lovely Music in 1998. Double CD of all five of Elaine Radigue's songs in tribute to the Tibetan saint and poet from the 11th century. Two of the tracks dates from Radigue's first release in 1983, two are previously unreleased and the final 62-minute track was previously issued as a sole CD in 1987. The material is performed by Radigue (synthesizer and recording), Robert Ashley (English voice), and Lama Kunga Rinpoche (Tibetan voice). Radigue was born in France and has stud…
Neural synthesis n. 6-9
1995 release. Neural Synthesis Nos. 6-9 combines the art of music, the engineering of electronics, and the inspiration of biology. In it, David Tudor orchestrates electronic sound in ways analogous to our biological bodies' orchestration of consciousness. The performance originates from a neural-network synthesizer conceived and built especially for Tudor. He surrounds this synthesizer with his own unique collection of electronic devices, and in the recording on this CD made for headphone playba…
Three Works For Live Electronics
Originally released on Lovely Music as Pulsers / Untitled in 1984. This re-release includes an additional piece from David Tudor, Phonemes. Pulsers explores the world of rhythms created electronically by analog, rather than digital, circuitry. With analog circuitry, the time-base common to the rhythms can be varied in many different ways by a performer, and can eventually become unstable. Untitled is a part of a series of works composed in the 1970s that were developed through experiments in gen…
Leapday Night
A series of three pieces/suites; 'Leapday Night', 'A Traveler's Dream Journal', and 'Interspecies Smalltalk' involving Rhys Chatham/Ben Neill (on trumpet/mutantrumpet), Fluxus mainstay Takehisa Kosugi (violin), and David Behrman himself on electronics. Behrman creates thickly layered liquid sounds utilizing this complex computer music system which absorbs, actually hears, the sounds of instrumentalists, then plays off their improvisations with its own synthesized reactions. The system consists o…
On the Other Ocean
On the Other Ocean is an improvisation by Maggi Payne and Arthur Stidfole centered around six pitches which, when they are played, activate electronic pitch-sensing circuits connected to the "interrupt" line and input ports of a microcomputer, Kim-1. The microcomputer can sense the order and timing in which the six pitches are played and can react by sending harmony-changing messages to two handmade music synthesizers. The relationship between the two musicians and the computer is an interactive…
Still Lives
Three amazing works for pure waves and instruments. Lucier has pioneered in many areas of music composition and performance, including the notation of performers’ physical gestures, the use of brain waves in live performance, the generation of visual imagery by sound in vibrating media, and the evocation of room acoustics for musical purposes. His recent works include a series of sound installations and works for solo instruments, chamber ensembles, and orchestra in which, by means of close tuni…
Theme
Theme features three works from Alvin Lucier. Music for Piano with Magnetic Strings is a work in which the strings of a piano sound by themselves. Several EBows (small electromagnets used primarily with electric guitars) which would cause the piano strings to vibrate and sound are placed on the strings of the piano. The pianist works from a prose score which describes the process and suggests she freely position and reposition five EBows on the piano strings, creating strands of sounds of v…
Clocker
Another classic Lucier catalog item, a 45-minute recording made in 1991 of this piece that he first conceived in 1978. The piece is for: amplified clock, performer with galvanic skin response sensor and digital delay system. The sounds that emanate are beautifully shifting patterns of tock-collage that reveal dramatic sonic detailings. "I wanted to make a work in which a performer could speed up and slow down time, stopping it, if possible, simply by thinking. I bought a Westclox Silver Bell Mon…
Crossings
1990 CD reissue of prime-era Lucier product, with works from 1982-85. Features 'In Memoriam Jon Higgins (for clarinet in A and slow-sweep pure wave oscillator)', 'Septet for Three Winds, Four Strings and Pure Wave Oscillator', and 'Crossings (for small orchestra with slow-sweep pure wave oscillator)'. Said slow-sweep pure wave oscillator produces slowly swept pure waves that oscillate (on separate occasions) a clarinet, three winds and four strings, and a small orchestra. Maximum beat frequency …
Still and moving lines of silence in families of hyperbolas
Double CD release of of a four-part work, initiated in 1972 and recorded as presented here in 1983-4 and 2001. This reissues two long-out-of-print LPs on Lovely, with four added parts (the strings) released for the first time. A series of mostly solo instrument works for the likes of: clarinet, marimba, viola, voice, xylophone, violin, flute, glockenspiel, cello, horn, vibraphone. Performed by: Thomas Ridenour, William Winant, Dan Panner, Rebecca Armstrong, Conrad Harris, Susan…
I Am Sitting In A Room
In this fascinating exploration of acoustical phenomena, Alvin Lucier slips from the domain of language to that of music in the course of 40 minutes and 32 repetitions of a simple paragraph of text.In I am sitting in a room, several sentences of recorded speech are simultaneously played back into a room and re-recorded there many times. As the repetitive process continues, those sounds common to the original spoken statement and those implied by the structural dimensions of the room are reinforc…
Panorama
A gorgeous recording of works for trombone and piano, transformed by Lucier's electronics and oscillators. Wind Shadows (1994), Music for Piano with One or More Snare Drums (1990), and Panorama (1993)--were written for the Swiss musicians Roland Dahinden and Hildegard Kleeb, who play them on this CD. Also included: Music for Piano with Amplified Sonorous Vessels (1990), which was originally written for Margaret Leng Tan."Wind Shadows" (1994)Two pure wave oscillators are tuned a tenth of a cycle …
Music on a long thin wire
**Legendary sound installation for audio oscillator and electronic monochord** First released on Lovely Music in 1980. A 50-foot length of taut wire passes through the poles of a large magnet and is driven by an oscillator; the vibrations of the wire are miked at either end, amplified and broadcast in stereo. The thin wire is set vibrating four times at four different frequencies; what results is not the low drone one might expect from a long, vibrating wire, but a complexity of evocative, ether…
Take Your Time
2003 release. A CD of works for solo piano from "Blue" Gene Tyranny. Thirty-five of the 36 songs in this "audio storyboard" are individually built around an atmospheric primary chord, counter-rhythms, and a body of notes which creates a potential melody that unfolds bit by bit. The Driver's Son is scored for a narrator, a chorus of five people creating fifteen voices, an electronically modified orchestra of folk and concert instruments and parts for a lighting designer and a live video ani…
Automatic Writing
A 1996 CD compiling three early Ashley works from the years 1967-79 -- some of his most experimental and out-there works. A classic electronic music collection and an ideal intro into the somewhat foreboding oeuvre of Robert Ashley's recorded works. The title piece is a 46-minute classic from 1979, which rather famously formed the basis for Nurse With Wound's A Missing Sense. Steven Stapleton's commentary upon this summarizes the intense vibe of this recording: "A Missing Sense was originally co…
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