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Mammas Mysteriska Jukebox

Forget The Curse
"Troth is unknown colours, mist-soaked dreamscapes, strange misshapen cities belonging to forgotten lands. Troth is also a pop duo, though not of the kind nowadays subjugated by the algorithm. Forget the Curse is the group’s best demonstration yet that somewhere in the murky fields between song and sound, there is a lot of untilled soil. There are elements from previous recordings here: the diaphanous synth-pop of Oak Corridor; the bleary hypnagogic ambience of Flaws in the Glass and Small Movem…
Preludes
*In process of stocking.* "I saw Thomas Bush play in a field in France a couple of years ago. Remembering it now, it seems to me he was wearing a woolly jumper despite the summer heat. He laid all of his instruments out on the grass, I think there was a recorder, a guitar maybe and various boxes and pedals. The details of my memory are hazy but I can bring the feeling of the music to mind. Some of what he did seemed scrappy or confusing at first. But when everything came together the effect was …
The Painted Ship
*In process of stocking.* "Soft Estate are a band I don’t know. Their songs are here and gone, gauzy, blank and romantic. This record is a brief heady waltz through a hall of mirrors. Drum machines tick past, oil and water synths swirl by and and a sleepy solemn voice sings. The reflections of 40 years of art-school electronics are pulled and twisted into new shapes. I can hear broadcast, AC Marias, Rexy, Lydia Tomkiw, Solid Space. And then before I know it I’m out the other side blinking in the…
The Spiral
The music for The Spiral was first created as soundscapes to a multimedia spatial installation (with the same title) initiated and curated by last oblivion in spring 2019. The installation took place at Basement, Copenhagen april 2019 and was open for 7 days with events and happenings specifically curated for each evening. The music was released on tape by Amatör Kassetter in september same year and later released on vinyl by Förlag för Fri Musik 04/18/2020.
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