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* 2021 Stock * When i speak of spirit it is far beyond what most people think of.I am confident in my ways. I dont care about what people think of me because i do know that what i have been shown and told is far beyond. - Tsolagiu M.A. RuizRazo
For piano + violin + videoStephen Clarke - pianoMarc Sabat - violintext: Tsolagiu M.A. RuizRazoLive-recording from 01/12/2001, Glenn Gould Studio, Toronto, Canada
* 2021 Stock * One day I met something strange on a stroll through the fields not far from the Hungarian border. The corn stood tall and waited to be harvested. The hot summerly east wind went through the fields, and suddenly I heard the hiss. Many had explained it to me but still I cannot tell the difference between wheat and rye. But I heard the difference. I think it was the first time that I actually heard something without an aesthetic context (like in a concert). Or was it the first time I…
* 2021 Stock * About 1960, when serialism was pushed into an abundant mathematically structured complexity by composers such as Stockhausen or Boulez, young Ernstalbrecht Stiebler choose a completely different way - a radical backlash to the successors of Webern in Darmstadt: "No ‘mediations’, no permutations of sound material, but a way towards a further reduction of the material instead. At that time I had the feeling of entering onto new ground," Stiebler recalls.
The string trio Extension I …
* 2021 Stock * As if an incantatory ritual, Drums Off Chaos and Maria De Alvear create "acoustic images". The inherent spirit of the object - the essence of the tree comes to life through the interplay of voice and drums, assuming a clear shape in the listener’s mind.
Maria De Alvear’s colourful and expressive singing and the repetitive, insistent rhythms provided by the Drums Off Chaos work towards the same musical idea: from the specific material of each, unusual, highly differentiated sounds …
* 2021 Stock * To me, Maria De Alvear composes like a natural phenomenon: guided not as much by the coming and going of ideas and emotions, nor addressing them, but like a law of nature impassively displaying a sort of automatic writing that moves the body and courses through the psyche, ultimately demanding full awareness. - Reinier van Houdt
* 2021 Stock * Vagina is the longing for the man. This simple sentence holds enormous secrets, starting with the word longing and not least with the word man. Recognizing a man is probably very difficult from a woman's perspective: for several reasons. The most important sine qua non is the fact that a female being must be able to be a woman. In other words, an adult female being, not only in a sexual sense, but - and here is the trick - psychologically. - Maria de Alvear
Maria de Alvear - voice…
* 2021 Stock * "Maria de Alvear writes confrontationally personal music along sexual themes ... the same kind of spiritual revolution that John Cage ... did here 30 years ago. The work Sexo for female narrator/performer and orchestra is a passionate examination of all the taboos and all the advantages and disadvantages involved with sexuality. A poetic explosion of feeling, emotions, sexual fantasies and deep mystical and metaphysical thought. Sexo is in fact an imaginary journey that the listen…
* 2021 Stock * A sprawling, wandering hourlong geological survey of the composer’s ambitious spiritual world. Her music does not develop; it accumulates. - Bernard Holland, New York Times
The only single, continuous orchestral movement I know of to surpass the finale of Mahler’s Eighth Symphony in duration. - Kyle Gann, Village Voice
Hildegard Kleeb - pianoJoseph Kubera - pianoThe Orchestra of the S.E.M. Ensemble Petr Kotik - conductor
* 2021 Stock * "There are pieces which must be done. The work Libertad is one of them. Inspired by the lyrics of Tsolagiu M.A. RuizRazo, it is one of those compositions that gave me enormous pleasure while working and that accompanied me with a wave of very great power [...] Perhaps this work [...] is one of those that carry the most power. There is an enormous mysterious protective circle around it. It is one of the works that has given me the most riddles, that contains knowledge that I can on…
* 2021 stock * Nobody who attended the first performance of Sexo Puro is ever likely to forget it. On that October afternoon, the conciliatory power of this work, which Maria de Alvear sees as a “meditation on inner goodness”, came into sharp collision with the irreconcilable powers that sometimes gather at contemporary-music festivals.
It was probably not even the theme of sexuality that so profoundly disturbed a part of the audience at the 1998 Donaueschingen Festival, even though it is seldom…
* 2021 stock * The structures of Chris Newman's music are apparently simple, like his music pictures: large, thick dots of notes, but a lot of space in between: "The raw and the cooked" (Roland Barthes). He himself likes to cook well and with pleasure. Just his lamb chops, for example. He only puts them in a hot pan with oil; there is also chard, just pulled out of the water, but also more complicated things: coq au vin or bœuf bourguignon.His music has a strong physical structure, is quasi carn…
* 2020 stock * Dedicatorias is a series of 60 sound works each lasting 1 minute which were largely accomplished between 2013 and 2015. The list of dedications is neither exhaustive nor can it be. It is subjective art which comprises very different techniques, influences and materials: sound remnants, illuminated in their confrontation, metamorphosis and combination which bring up to date and question the bearer and media. Radio is the paramount reference.
In these miniatures, there is a place fo…
* 2021 stock * Acousmatic events dispense with performers. There are no musicians, even at public concerts. The audience is able to follow what is emanating from the loudspeakers with eyes closed and still not miss anything. What it hears is composed, and demands the same attention as any other kind of music listened to on a stereo system or via headphones. It is worth remarking this fact because so many people are no longer able to hear things without seeing something as well in video clips or …
*2020 stock* Unlike my earlier freetonal and 12-tone works, my music since 1981 has been characterized by the use of repetition, and since 2004 by generally soft dynamics. While often termed "minimalist" or "postminimalist," I have come to prefer the term "focused music," as my works tend to concentrate on very specific, and often a limited number of, music elements.
Typically, there is but a single dynamic level specified, and sometimes not even that. I like to provide a good deal of freedom fo…
*2020 stock* To be within the sound - not to expect anything - no beautiful moments - no big emotions - no artfulness- but to follow, from note to note, a sound that carries the music, a sound within the sound: it changes slowly at a tempo that suggests a movement at a great distance, one that might leave our gravitational field, in which gravity is reduced and which is not even always recognized because of its slowness.
This "sound-space", which touches the cosmos but is at the same time percep…
*2021 stock* Angelus novus is the third opera by Madrid composer Jorge Fernández Guerra. This time, he draws on a selection of texts by Walter Benjamin, which he uses to create a dialogue of sorts between a male character and a female character, who could be an alter ego or perhaps an angel.
The dialogue appears to transpire during the final moments of the character’s life, which may be reminiscent of Benjamin’s final moments at the Spanish border as he fled the Nazis.
Angelus novus premiered a…
*2020 stock* The double CD Improvisaciones is an homage to the Iberian baroque organ. Germán Valverde Usano’s music reminds one of the rich music tradition of the autonomous community of Castile and León as well as its rich cultural heritage with over 100 conserved Iberian baroque organs. The recordings took place in 2016 in San Agustín in Capillas not far from the capital city Palencia (Spain).
Germán Valverde Usano’s passion for the Iberian organ as well as his extraordinary musical talent are…
*2021 stock* What is one to make of Maria de Alvear’s two long solos for piano, De puro amor (‘Of pure love’) and En amor duro (‘In hard love’), both composed in 1991. The scores themselves, if one decides to start from here, are completely perplexing. Pages and pages are marked with hastily scratched notes, sometimes repeating themselves dozens of times. Little priority seems to have been given to rhythm, dynamics or articulation; even less to the notational conventions such as barlines, spacin…
*2021 stock* This CD is the first release to present such a large number of works by Clarence Barlow. This fascinating spectrum of his life's work, thrown into relief by the complexity of his pieces, illustrates his career as a composer. It is a great honour for us to publish his oeuvre. - Maria de Alvear
Musica Algorithmica is a double CD with music by the composer Clarence Barlow, residing for many years in Cologne, Germany, currently professor of composition in Santa Barbara, California. The …
The "The Lightest Words" by Kirsten Reese is now available at World Edition. Kirsten Reese studied flute, electronic music and composition and lives in Berlin, where she teaches electroacoustic composition at the University of the Arts. In her works Reese often focuses on performative and narrative aspects, as is the case in the three pieces on this CD.
The first track "the lightest words had the weight of oracles" features the historical and specific tone colour of the Fairlight CMI Synthesize…