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This collaborative project between Mats Erlandsson and Yair Elazar Glotman draws on their respective musical backgrounds to create an imaginary, dislocated "folk" music for the current dark ages. The project brings together instruments out of their historical or national contexts and focuses on local sounds that have lost any connection to locality or folk and transforming them through current production techniques
Erik K Skodvin returns with a focused album under his Svarte Greiner moniker, releasing two side-long cinematic compositions, continuing where he left off with Black Tie (MIA 023CD, 2013). "The Marble" patiently sets the tone with a slow moving wall of strings underlaid by a warped bass line. A feeling of weightlessness covers the ground while empty space surrounds the listener in an embracing yet uneasy way. It's a gloomy territory with an unexpected extent of grace to encounter. Time gradu…
2016 Miasmah double LP edition of Pale Ravine, the classic debut album by Deaf Center (Erik K Skodvin and Otto A Totland), originally released on Type records in 2005. More recently Skodvin and Totland are known for solo recordings under their own names on the Sonic Pieces label. Pale Ravine, made back in their mid-twenties, is an otherworldly sound collagé to Norwegian nature, theatricality and old silent films. The two musicians looked deep into their own family histories to piece togeth…
LP version. Includes download code. Limited edition of 500. Matt Christensen, the singer and guitarist of atmospheric masterminds Zelienople, presents his solo album, Honeymoons. His most recent solo endeavor however embodies a song writer deeply involved with his own vision of sound, resulting in an accomplishment strong enough to stand on its own. Matt delivers a longing and emotional outreach through Honeymoons's six delicate songs and immersing into them provides a feeling of understand…
ne of the most amazing things about the group B/B/S/ is that even though it does sound like the logical sum of its parts, listening to their output is like devoting yourself to an emotional haze of interaction. All based on improvisations recorded within two sessions at Golden Retriever Studios in Berlin, the ten new tracks, spanning almost 80 minutes total, are so fluid and natural that they abandon separating the musicians' individual contribution for a soundscape that is overwhelming i…
Just arrived!! Leicester, England -- mid-1990s. Aaron Moore, Nick Mott, Clarence Manuelo, and Daniel Padden create a freeform group called Volcano the Bear out of their frustration with standard musical limitations. Now, in 2015, after 20 years of experimenting with improvisation, folk, Dada, post-punk, krautrock, noise, surreal comedy, pure avant-garde, and more, the group has obtained a cult following and high critical praise across the globe. Renowned for their highly theatrical and obscu…
Like watching a massive twisting fire slowly fading into the open skies, accompanied by a drum section so repetitive yet mind-bending that you're unsure if it's ever going to stop. This is how Hold starts off, leaving you catching for your breath before the album has even reached the second track. James Welburn steps into the ashes covered in drones and noise together with drumming partner Tony Buck (The Necks), producing a crushingly epic debut album. Hailing from the UK, but located in both Be…
2015 repress. "Noise may have lost its power to offend. Silence hasn't" --Dan Warburton. Erik Skodvin, a prolific artist in his own right as Svarte Greiner and with Deaf Center, has developed a well-earned reputation for releasing beautifully disturbing music on his label Miasmah. Acts such as Elegi and Jacaszek set the bar high, creating masterpieces of contemporary doom-laden experimental music. L'Autopsie Phénoménale de Dieu, the incredible 2009 debut album from Belgian artist Kreng, carries …
LP version; presented in a laser-cut full color bronze and black sleeve with full color insert. Includes download code. The Summoner comes four years after the last Kreng album Grimoire (MIA 016CD/LP) and three years after the massive retrospective box set Works for Abattoir Fermé 2007-2011. A lot has happened in the interim, and The Summoner can be seen as quite the departure from the aforementioned works. Pepijn Caudron's most personal album to date, The Summoner was created after a year in wh…
Andrea Belfi's Miasmah debut, consisting of a set of six rhythmically-anchored pieces for floating electronics & creaking drones that pay homage to Roberto Cacciapaglia et.al while keeping their contemporary sensibilities intact. Natura Morta, "dead nature" or "still life". This album can be understood as a powerful study of the minute details of the art of electro-acoustic composition, as much as the Renaissance "nature morte" were a masterful display of the artist’s skill in portraying t…
Adventurous Belgian percussionist Eric Thielemans makes a fairly unusual entry into the Miasmah catalogue with the surprisingly positive sounding album Sprang. Thielemans has actually appeared on the label earlier - as guest percussionist on Kreng´s debut album L´Autopsie Phenomenal De Dieu. Although you can recognize the sound on this record, the main focus of Sprang is to revert to the pure joy of sound experimentation and letting go of your foothold. Thielemans's previous exercises in expandi…
LP version. Includes mp3 download and full-color poster. After two bone-chilling full-lengths for the Type Recordings imprint, Erik K. Skodvin has embarked on his first journey for his own Miasmah label with Black Tie. While originally conceived as a soundtrack to an installation by Norwegian artist Marit Følstad, Skodvin uses this as a starting point to craft his most unnerving long-form pieces to date. Split into two distinct movements, "Black Tie" and "White Noise," we are exposed to the y…
On 'Gramercy', we find clarinet abuser Gareth Davis (who might be best known for collaborations with Machinefabriek and Steven R. Smith) paired with virtuoso cellist Frances-Marie Uitti. Uitti is widely revered for her unusual and original twin bow technique, which allows her to eke out far more sounds from the humble cello that you might initially expect. These sweeps and drones are matched perfectly with Davis's patented haunted drones and breathy chokes resulting in a deftly academic yet unne…
Simon Scott produced one of the best records of 2009 with Navigare, an album whose shoegaze dronemusic was dotted with radioluminescent dream-pop numbers. It was hardly a surprise to us when we learned that he was the drummer of Slowdive way back when. Since then, Scott has produced a single for Immune and a collaboration with Jasper TX, both equally fantastic. For his second proper record, Scott makes a slight detour; but one that is well suited to everything else that's been released by…
Awesome release, stark, doom-laden ambience with an oppressive undertone. Sombre tones flow like lifeblood, underlying squeals of pain, abrasive bursts of metallic guitar drones, atonal meanderings, the occasional cosmic chant, all blurred by a rumbling dirge of noise...somewhere between Tony Conrad, Giacinto Scelsi and Sunn O
The latest addition to the Miasmah roster is Oslo based musician FNS aka Fredrik Ness Sevendal. A veteran of the Oslo experimental scene, Sevendal has been associated with several bands over the years: DEL, Slowburn and Kobi. Additionally his previous work has involved collaborations with Makoto Kawabata (Acid Mothers Temple), Mitsuru Tabata (Zeni Geva, Marble Sheep), Mark Francombe (ex-Cranes guitarist), and Bill Wood (1/3 Octave Band).For his Miasmah debut, FNS treats us to a spectacular excur…
When you think of Seattle, what do you see? No doubt it revolves around Grunge, rain or Frasier... Well prepare to have your cultural preconceptions realigned by the stunning new album 'Daydreaming' from Seattle's Rafael Anton Irisarri, an artist better known under his 'The Sight Below' moniker. Whilst the notion of another record combining modern production with a set of ivories may seem something of a cliché, Rafael Anton Irisarri ensures any such misgivings are dispensed with soon afte…
Once a member of early nineties daydream shoegazers Slowdive, for whom his manned the drums for four years, Simon Scott has since worked on a variety of projects, including, in recent years, atmospheric pop/electronic outfit Televise, and, more recently, Seavault, a collaboration with ISAN’s Antony Ryan. He is also at the helm of experimental imprint Keshhhhhh Recordings, which he runs from his native Cambridge. For his first release under his own name, Scott couldn’t have found a label more ada…
These sample-based constructions incorporated sounds from free-jazz, new electronic-generated sounds, classical modernism & vintage geographical recordings. Discordant segments of wailing, top-end violins give way to clunking rhythmic passages of metal marimbas & tuned percussion; free-roaming passages of rasping, low-end bass & the shuffle of free-jazz recall the work of Prestige-era Moondog, as well as aspects of Harry Partch's instrumentation via mid- to latter-day period Tom Waits. Atonal am…