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** 2022 remastered repress ** Pianist Margaret Leng-Tan - considered the leading exponent of “extended” piano techniques - is at her best with this music. George Crumb and Ms. Tan worked closely on the preparation of these works for the recording. Cr…
Voces documents many of Walter Zimmermann’s compositions for voices from 1979–2016. The words set range from Meister Eckhart and Hadewijch to Lermontov, Mandelstam, Jabès, Tranströmer, Ingold and Robert Creeley (with his voice accompanying the musici…
For this recording project, the fearless French musical collective ensemble 0 (pronounced “zero”) began a new kind of collaboration with the Swiss percussion ensemble Eklekto and Gamelan Oksitan — this last the traditional Javanese ensemble of gongs …
Reynolds’ Etudes allows the performer to not only choose the number of Etudes to be presented (even repeating them, if desired) as well as their order. In this way, the performer becomes a co-creator with the composer. All 12 Etudes are presented in …
Bernard Parmegiani (1927–2013), the grand old man of French electroacoustic music, did not write much music for tape with live performers. Among them is “Stries” for the unusual combi- nation of three live synthesizer players and tape. Until recentl…
This release documents Roger Reynolds’ most recent string quartets in composer supervised first recordings by the acclaimed JACK Quartet. “Flight”, commissioned by Jack Quartet, arose from a collaborative process lasting almost five years. Its four …
All of these works by Cage are influenced by Satie. Cage’s friend and colleague Morton Feldman made an arrangement of Cage’s solo piano “Cheap Imitation” for a trio of piano, flutes/piccolo and glockenspiel. Feldman’s admiration for the pianist Aki T…
“Memory in Motion: Percussion in Surround” was a research project developed to examine how percussionists memorize musical actions within ensembles. As part of this research, director Aiyun Huang commissioned new works to compliment selected existing…
Respect In Yule promises to be among the most fun and eclectic holiday albums ever – the album ranges from introspective to ecstatic, from the popular to the obscure, the sacred to the secular. In choosing the repertoire, The Respect Sextet wanted to…
A major discovery and first recording of an important Cage piece from 1944. In 1944, John Cage was invited to participate in “The Imagery of Chess” exhibition at the Julien Levy Gallery in New York City. The artists included Calder, Noguchi, Motherwe…
Roger Reynolds’ (b.1939) music is a bit of a paradox: intimate in detail, while on a broader scale it is epic. It fits well with the music of his friends: Toru Takemitsu and Iannis Xenakis. The three works on this disc were composed over a four-year…
A unique musical journey by three outstanding musicians exploring jazz, improvisation and electronic music. Percussionist/composer Roland Auzet with performer/composer Pierre Jodlowski invited the legend of French jazz and improvised music, Michel P…
This superb pairing of two top-flight improvisors reminds me of why I listen to this music. It’s not about ‘music’, it’s about sounds and their making. It’s a given that these two can really ‘play’. Joe McPhee established that in the immediate post-C…
This live concert is perhaps one of the last recordings from soprano saxophone legend Steve Lacy. Lacy and percussionist John Heward first met in Paris in 1975. Though they remained in regular contact through the years, they did not actually play tog…
A Flower; The Wonderful Widow of Eighteen Springs; 51’15.657” for a speaking percussionist (realization Whiting); Music for Two (By One) (realization Whiting) — Bonnie Whiting, voice & percussion + Allen OTTE/John CAGE: Connecting Egypt to Madison th…
An indefinite, open-ended composition of short sections that allows the performer to decide what and when to repeat or to go on to the next phrase is not new. Terry Riley's In C is the milestone score of decades ago. Slow, prolonged, quasi repetitive…
22 works are included, 9 by Grainger, 7 by Cowell and 5 by Cowell as arranged by Grainger. Many are first recordings. They are scored for varied instrumentation: sax ensembles, sax & piano and sax & orchestra. Ulrich Krieger, saxophones & director, v…
Señales —Señales, “Homenaje a Jonathan Harvey” for violin & ensemble (Irvine Arditti, violin. Ensemble Signal/Brad Lubman); Páramo de voces for piano & tape (Alberto Rosado, piano); Intermezzo malinconico for bass clarinet solo (Adrián Sandi); Homena…
"The main focus of Gerald Eckert’s music is frequently not placed on a centrally triggered event or center of action, but on what has been triggered by this event and how the consequences are subsequently developed. In other words, he focuses his sig…
John Cage’s vision of the future of music was first shaped by an intense creative period from 1935-1942, when he wrote many of the seminal works of percussion chamber music featured here. When he composed these works, the young Cage was basically …