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A remarkable discovery of over 75 minutes of Morton Feldman's music. This disc represents 13 unrecorded early works spanning 1950 to 1953, many previously unpublished. Highlights: his only works for magnetic tape, 'Intersection,' realized in 8-channels by Feldman with John Cage and Earle Brown. Considered lost, the work has been restored and presented here for the first time in 40 years. Also: his score for 2 cellos to Hans Namuth's film of Jackson Pollock, presented in its entirety including na…
This ninth volume of Mode's Morton Feldman Edition brings together 13 of the 17 works the composer notated using graph instead of normal manuscript paper (between 1950's "Projection I" and 1967's "In Search of An Orchestration", though Feldman temporarily abandoned his graphic notatio after 1953's "Intersection IV" and only returned to it five years later with "Ixion"), performed with customary aplomb by the Amsterdam-based Barton Workshop under the baton of Jos Zwaanenburg and their musi…
Marilyn Nonken (piano) plays 'Triadic memories'. The place Triadic memories takes us is full of illusions, not only of function and direction but also of timelessness and stasis. Recorded from the pianist's perspective, it gives the listener the unique opportunity to hear all of the small nuances and overtones which can be lost in the concert hall.There is no indication of tempo. For this recording, Ms. Nonken chose a steady eighth-note pulse throughout that approximates the heart rate at rest.…
Dvd audio edition. In the 1970s Morton Feldman took up the study and collecting of antique Turkish rugs, a highly evolved and exquisite folk art. The rugs are intricately patterned, symmetrical in basic design but with constant variation and displacement in the detailed execution of that design; strikingly and subtly colored, including fine variegations of principal colors resulting from the dyeing process. Analogies are clear to Feldman's music as it takes up large-scale patterning, partly work…
This CD is comprised of works from Feldman's Early Period (late 40's until the late 60's) and Middle Period (late 60's/early 70's until the early 80's). In the beginning, like all young creative artists, Feldman was working through alluring influences as well as the influence of his teachers, towards the moment when he would find his personal creative voice. With the exception of the vocal solo Only, this disc documents all the earliest works that Feldman chose to publish. Journey to the End of …
A unique collection of Feldman's 'indeterminate' works; incorporating new types of notation (including graph scores) and involving a considerable degree of indeterminacy in regard to pitch, dynamics, etc. This is the first time the complete Durations and Projections series have appeared on a single disc. It is a rewarding experience to hear the Durations and Projections played together, imparting a sense of Feldman's mastery of instrumentation and timbre while savoring the metamorphosis of its s…
This disc collects two early, forward looking works by Argentine born Mauricio Kagel, now living in Germany. Both works are constructed in such a way so that no two performances can ever be alike. Transición II was an early exploration of what "live electronics" are now being used to achieve. The score is in individual pages which can be placed in any order by the performers. It works on three levels. LIVE: The pianist performs on the keyboard while a percussionist performs inside the pian…
During May and June 2002, Italian guitarist Marco Cappelli spent time in New York City. While there, Cappelli became involved with the NYC avant-garde scene - internationally known as Downtown Music - in which composers / improvisers coming from avant-garde jazz, experimental rock, as well as from academic music, created a common musical language. These experiences and influences inspired Cappelli to a new idea and concept: to make a "musical photograph" of the Downtown musical scene thro…
As a body of works for solo instruments, the series of Sequenzas written by Luciano Berio between 1958 and 2002 is without equal in the literature of late 20th century music. Though not the first recording of the complete Sequenzas - others have appeared on Deutsche Grammophone and Naxos - this four CD set, over ten years in the making, presents for the first time the final Sequenza XIV performed by its dedicatee, cellist Rohan De Saram, and the arrangement bassist Stefano Scodanibbio made…
We were saddened to learn of the passing of Lou Harrison as this disc just entered production. It is perhaps fitting that it provides an overview of Harrison's work, from 2 movements of a mass composed in 1939 to 3 vocal arias composed in 2000. Mass to St. Anthony was begun when Hitler invaded Poland; a mass for voices and percussion expressing both outrage and hope. Harrison completed the Gregorian-like chant for the entire 5 movements of the work, but only finished the percussion accomp…
John Cage's Freeman Etudes are the modern equivalent of Paganini's virtuoso solo violin etudes. Each etude is completely notated down to the smallest detail, and the composer states "...are as intentionally as difficult as I can make them...So I think that this music, which is almost impossible, gives an instance of the practicality of the impossible." The detail and complexity of these etudes give them a unique and unusual spot in Cage's oeuvre.
These first two books (there are 8 etudes p…
A major discovery and first recording of an important Cage piece from 1944. In 1944, John Cage was invited to participate in “The Imagery of Chess” exhibition at the Julien Levy Gallery in New York City. The artists included Calder, Noguchi, Motherwell, Breton, Duchamp, Ernst, Man Ray, Tanning and other leading surrealists.Cage contributed a painting entitled “Chess Pieces”. It was purchased at the show and went into a private collection. For decades it was deemed lost and was (almost) forgotten…
The Sonatas and Interludes enjoy a well deserved reputation as a masterwork and as a repertoire piece. But this is not a masterwork in the sense of other keyboard masterworks: Bach's Goldbergs, Beethoven's Diabelli Variations, Ives' Concord Sonata.
John Cage's masterwork is quite different -- a big piece with a quiet voice. The prepared piano operates entirely by muting: by attaching objects to the strings of the piano. Cage alters their sounds in various ways, turning the piano into a percussio…
This CD presents the first recording of the second half of John Cage's Freeman Etudes for violin. Those familiar with the previously-released volume of this work will already know what to expect: the bewildering complexity of the Etudes and the astonishing virtuosity of Irvine Arditti's performance.
Convinced that the later, more complex etudes were unplayable, Cage abandoned work on the Freeman Etudes in 1980, after completing the first sixteen and beginning the eighteenth Etude. It wasn't…
The Complete String Quartets Vol. 2. “String Quartet in Four Parts” (1949-50). “Four” (1989). The Arditti Quartet. The second volume of Cage's String Quartets features his first and last works in this repertoire. The well known and exquisitely beautiful, serenely Zen-like early quartet receives its first new recording in 16 years. It is a pivotal work in Cage's oeuvre, showing the composer's transition between the rhytmically complex percussion works before it and the chance works of the 1950s. …
The complete short prepared piano works collected on 2-CDs. John Cage's works for prepared piano expose his earliest experimentations in finding new and exotic sounds.Brief and attractive, they are among his most accessible work. This release marks the first time all of his short works for prepared piano have been made available in one set. All the prepared piano works are included aside from the magnum opus, Sonatas and Interludes. Pianist Philipp Vandr´e has recorded Sonatas and Interludes for…
A performance for camera person and light, One11 is a film without subject. There is light but no persons, no things, no ideas about repetition and variation? Chance operations where used with respect to the shots, in black and white. The light environment was designed and programmed by John Cage and Andrew Culver, as was the editing of the film.The orchestral work 103 musically accompanies One11. Like the film, 103 is 90-minutes long, divided into seventeen parts - its density varies from solos…
The 35th volume in Mode's Complete John Cage Edition is also the second release in Ulrich Krieger's series of interpretations for solo saxophone and saxophones with other instruments. Ensemble pieces of comparatively large dimensions were gathered on A Cage of Saxophones: Vol. 1, so this follow-up disc presents pieces for smaller combinations and solos, though with no less originality or charm. Even though most of these works were composed for open instrumentation, saxophones suit Cage's …
Cage's "44 Harmonies" were originally written to form part of the sprawling bicentennial commission "Apartment House 1776", and take as their starting point late 18th century anthems and hymn tunes by William Billings, Jacob French, Andrew Law, James Lyon and the wonderfully-named Supply Belcher. Cage's compositional - or rather decompositional - method was to remove certain tones and extend others, and as James Pritchett points out in the (excellent as always for Mode) liners, he was delighted …