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Melody, Ergodicity and Indeterminacy
Barton Workshop. James Fulkerson & Frank Denyer, directors. First Recordings. "James Tenney (1934-2006) was probably the first composer to develop an aesthetic for computer music, realizing that electronic music almost forced the composer to accept noise as music and to abandon the idea of absolute control over a composition. He came to accept Cage's passion for randomness, but from a different angle: computer music can be "unpredictable" (rather than "random"). This CD looks at how Tenney…