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* 2020 Stock. Edition of 300. * Paintings, after Sketches (Magnetic Purely) and Drawings (Invisible City Recordings), represents the last work in a trilogy marking the re-emergence of Philipp Bückle as a musician. After burying the Teamforest project at the end of the noughties Philipp didn't much feel like creating music for some years, at least not on his own. Instead he concentrated on a more visual approach to expression. But in 2014, during a hot summer in Copenhagen, a birth and long wande…
* 2020 Stock. Edition of 200. * With "Nobody Ever Escaped From There" Ilia Belorukov returns with the follow up album to “There Was Hardly Anybody There” (Spina!Rec, 2016). Again he returns to electro-acoustic studio works, stepping outside his customary world of improvised saxophone. In the new works for this album an important role is taken by the vintage electronic instrument “Evgeniy Sholpo’s variophone” (constructed by Boris Shershenkov). The variophone is a photo-electrical instrument for …
* Edition of 200 * In December 2019 we had a crowdfunding campaign to support us into the year 2020. For this we asked several of our musicians if they could contribute to this campaign. From this the compilation Moving Music: Sounds From The Rocking Chair grew. In total 24 musicians submitted their creativity to make a total of 16 tracks. Aside from some exclusive solo tracks there are also 10 collaborations with unique combinations of musicians. To name a few: TVO & Jos Smolders, Radboud Mens …
* CD limited to 200 in A5 sleeve * Psychoanalysis refers to the frontier as an empty signifier: it embodies an interior and an exterior. The last album of the trilogy we set out to puts us there. On top of a vast set of remains whispering to us. Remains, because they have been left behind, because they are no longer useful. And yet, usefulness is something that tells little or nothing to us, artists. Quite the opposite. For this very reason, this new album is made up of these testimonies that wh…
In sound art, concepts often take precedence over the actual music. Here, there were none. For their first collaboration, Frans de Waard and Martijn Comes decided on a strikingly simple approach: Each artist compiled a pool of sounds for the other to use as a point of departure. Comes worked with various analog synth- and field recordings by de Waard (including, among others, a Korg MS20 and Koma Field FX). The latter was sent a processed stylophone recording, a sample loop as well as recordings…
One look at the sleeve of Haarlemmerhout, the new album by Dutch electronic musician Coen Oscar Polack, and you immediately know he is a romantic soul: blossoming trees in spring and blue skies with fluffy clouds. It’s urban escapism. It's the park in which you want to get away from other people, it’s the place you want to forget time. And that is also what he wants his music to sound like.
Coen Oscar Polack made a name for himself on the Dutch Narrominded label. With The Skipping Monk (2009) he…
* Edition of 300 * For its second collaboration release, Daniel Menche & Anla Courtis go further and deeper into their previous steps. “Cuspa Llullu” is an intense journey through a kaleidoscopic sound labyrinth which seems to come from nowhere/everywhere.
Side A moves into metallic corridors with multi-layered surfaces which keep changing until its last second. Side B begins outdoors but somehow it soon starts visiting several inner regions until it reaches its final climax. But what is exactly…
* Edition of 200 * Cinema Perdu returns with his third album for Moving Furniture Records Vlakverdeling. He further explores the human impact on the landscape, as he did on previous albums Interventions in a landscape and Amsterdam CS.
"During my regular trips to the Dutch province of Friesland I became more and more aware of the strict demarcations in the Dutch landscape. Each time I travelled up and down the polder, the atmosphere of the landscape changed. These changes of atmosphere where not…
* Edition of 300. Pressed on clear translucent vinyl in spot-varnish artwork * With 'En de stilstaande tijd' (roughly translated: 'And the frozen time' / 'And the stillness of time') Orphax (Sietse van Erve) returns with a new work that further explores the themes of time and perception of the listener. The new album follows in line with Orphax works like 'Time Waves', '2.20' and 'Live Circles', with added emotional depth. In this sense 'En de stilstaande tijd' is a continuation of 'Piano Music'…
**300 copies** States started out as a live electronics setup, developed back in early 2016 by Tijs Ham aka Tapage. The first version combined analogue feedback with digital manipulations which resulted in a self-balancing and self-generating chaotic system, capable of producing deep, melodic and textured soundscapes. During a performance, the setup would be played until it would reach a state in which it was generating its own sonic material. The performer would then take a step back, allowing …
**200 copies** "Assemblée, Relâche, Réjouissance, Parade or another long, unspeakable, French, title (that would somehow translate as " Assembly, Pause, Rejoicing, Parade"). Words that conjure ideas of music used in public, and social rituals. The two distinct pieces experiment with the "bringing back" (re-injection?) of music into the experimental area. Do not see anything pretentious about it, it is rather a very personal path, in the sense, among others, to not forbid certain aspects of music…
**300 copies** Following on from their 2016 Moving Furniture release, Atsusaku, Broken Landscapes is a new collaboration between Gareth Davis (Oiseaux Tempete, Scanner, Elliott Sharp, Machinefabriek) and Merzbow, Japanese noise mastermind Masami Akita.
The Winter Trilogy and The Big Fall trilogies were realized between 2015-2019 in the Netherlands and implemented into a sequence of live shows during the same period. Both inspired by cultural sonic imprints, the Winter Trilogy (computer & accordion) and The Big Fall (computer & analogue synthesizer) explore the potential and the antitheses between analogue versus digital while expressing a personal view of particular rural landscapes.
**300 copies** Tongues Of Mount Meru is the duo of Jon Wesseltoft & Lasse Marhaug. Jon Wesseltoft is a versatile electronics composer and musician, having worked with noise, electro-acoustics, improvisation and experimental sound-work for over 20 years. Lasse Marhaug is an experimental musician, improviser and composer with a long history within noise, improvisational, and experimental music with numerous releases since the 1990’s. He is also a producer, graphic designer, label head and publishe…
**200 copies** "Not knowing is my fifth accordion solo and a new challenge for the instrument itself, here treated as an object in space. Whereas in the other recordings the centre of attention was put in materiality, structure or deconstruction, with microphones extremely close to the instrument, almost inside it, here the point of inflexion is the architecture and space as an essential part of the recording. It's still with an exploratory intention that I try to blur the limits of what to expe…
**200 copies** Nine threads. Time in slices. Viewed from the side, events and relationships hang down in long, vibrating strings. The motion of tiny lives, suspended from an unknowable sky and travelling through wire to reach the ground where they dissipate; taken together, a trembling chorus of lives. Two lives, here. Nine years ago, things were simpler and more idealistic. The first Rose and Sandy release took the sound of a sort-of-zither and strung it out into gaseous and lambent chords. Alm…
**200 copies** Fean started as a musical artist-in-residence project in a little church in the Frysian village Katlyk. The group consists of Jan Kleefstra, Romke Kleefstra, Mariska Baars and Rutger Zuydervelt (Machinefabriek), who also form the quartet Piiptsjilling. For Fean they are accompanied by Belgian guests Annelies Monseré, Sylvain Chauveau and Joachim Badenhorst. The Fean project gets its inspiration from the ecological decay of peatland in the Dutch province Friesland and in other part…
**200 copies** "Spaces is a series of compositions based on recordings in museums. Each work builds on a binaural recording of the environmental sounds a museum and each has been processed based on different concepts. The approach for processing and adding of electronic sounds was inspired by an artwork that was hanging in the museum space. So space and artwork form a unity. As a composer and mastering engineer I am extremely sensitive to the sounds around me. But I’m also a keen visitor of muse…
**200 copies** Operating under his own name as well as MVK and Swerve, Matthijs Kouw (his second name is Vincent, hence the V) has released music since 2011. Solo work as well as collaborations, works for dance, film theater and installations. Most recently, he focuses on long-form drone pieces, often in collaboration with Radboud Mens. Obscurum per obscurius is a latin phrase that can be translated as "(explaining) the obscure by means of the more obscure". A well-chosen title for this collecti…
**200 copies** Jean-Luc Guionnet and Miguel A. Garcia return to Moving Furniture Records with their second album Siticidelhous. Recorded during the same sessions at the conservatory Jesus Guridi in Vitoria Gasteiz in 2016 as their album Parkustomnie they further explore the possibilities of improvised church organ and electronic sounds. Just like the previous release this album has two different sides. Due to the characteristics of the music and recordings when you play it at different volume le…