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** 2023 Repress of this classic. 180 gram audiophile vinyl, gatefold sleeve ** Originally released in 1974, Big Fun presents music from three different phases of Miles Davis's early-seventies "electric" period. Sides one and four ("Great Expectations" and "Lonely Fire") were recorded three months after the Bitches Brew sessions and incorporate sitar, tambura, tabla, and other Indian instruments. "Ife" was recorded after the 1972 On the Corner sessions, and the framework is similar to tracks fro…
'Nefertiti, the fourth album by Miles Davis' second classic quintet, continues the forward motion of Sorcerer, as the group settles into a low-key, exploratory groove, offering music with recognizable themes -- but themes that were deliberately dissonant, slightly unsettling even as they burrowed their way into the consciousness. In a sense, this is mood music, since, like on much of Sorcerer, the individual parts mesh in unpredictable ways, creating evocative, floating soundscapes. This music a…
* 2023 Stock * "Camel's "MoonMadness" stretches beyond words as is certainly one of my alltime fav's. Centered around the classic Camel line up (Bardens, Ward, Latimer and Ferguson) , they continue to refine their sound. "Moonmadness" contains lots of great progressive styled flowing flute and wicked guitar additions by Latimer. I also love the keyboard sounds which Bardens carefully layers throughout the album. This album contains some of my alltime most loved Camel pieces ("Another Night" and …
The Pink Fairies were an English Rock band in the London Underground and psychedelic scene of the early 70s. Their first album Neverneverland, from 1971, is a mix of psychedelic, proto-punk (“Do It”), rock (“Teenage Rebel” & “Say You Love Me”) and even American R&B (on “War Girl”) sounds which shows their wide style. Also included is the b-side of their debut single “Do It” which was later covered by The Henry Rollins Band on their 1988 Do It album. The 50th Anniversary edition includes an inser…
Music On Vinyl repress of the left-field UK jazz classic, 'Metropolis', by Mike Westbrook Orchestra from 1971. Featuring the amazing Norma Winstone on vocals
After releasing their Warner Bros. debut, the Herbie Hancock Sextet underwent a major transformation in the early '70s. Over the course of a year, every member was replaced (except Herbie Hancock himself and bassist Buster Williams) and each adopted Swahili names. (Williams even led the group in occasional sessions of Buddhist chanting.) Hancock chose the moniker Mwandishi (meaning 'composer'), and the Sextet became unofficially known as the Mwandishi Band. The lineup's first album -- simply tit…
Fat Albert Rotunda is the venture into jazz-funk by keyboardist Herbie Hancock. The record is centered around the music Hancock wrote the Fat Albert cartoon show. It's one of the records which appeared in the period between his landmark album Maiden Voyage of 1965 and his 1973 classic Head Hunters. Fat Albert Rotunda is a unique item in Herbie Hancock's long and diverse catalog, with funky tracks like "Fat Mama" and modern jazz-oriented tunes like "Tell Me A Bedtime Story". The sextet which is …
Crossings is the second album in the experimental sextet trilogy Herbie Hancock released early 1970s. His electronic movements are further explored and the whole sound comes alive in the three long tracks this album consists about. The album opens with some African drums before moving on to some of the unearthed sounds the sextet created for this album. Centerpiece "Sleeping Giant" is nearly 25 minutes long and is divided into five funky and groovy parts. A transcendent experience that has grown…
Limited edition of 1000 individually numbered copies on 180gr. silver coloured vinyl. Tim Buckley released his fifth studio album Lorca in 1970 on Elektra Records and was one of Buckley's few avant-garde albums. The album is a journey into the mind of Buckley while he discovered new ground. He used a more abstract descriptive writing style, avoiding direct narratives and standard song themes. It was a reflection of the works of Spanish poet Federico García Lorca, hence the album title. Buckley w…
With Solo Piano, Glass presents himself “unplugged” - no electronic keyboards or synthesizers, and no overdubs, either - just solo piano. “Metamorphosis” was written in 1988 and takes its name from a play based on Kafka's short story. Its second track, “Metamorphosis Two”, formed the basis of one of the main musical themes in the film “The Hours”. It is also the song that the American rock band Pearl Jam uses as their introduction music to concerts. “Mad Rush” was written for the occasion of the…
The haunted genius of Alexander 'Skip' Spence's Oar returns at long last to its original format, the LP. Spence, a founding member of seminal San Fran skull benders Moby Grape, cut his only solo work in Nashville immediately after being released from New York's Bellevue Hospital late in 1968. Unavailable on the collector's market these days at any price, Oar vanished without a trace when first released in 1969. Frequently compared to the likes of Syd Barrett and Nick Drake, Spence's visionary w…
Due to COVID-19, the French avant-garde band Magma was unable to perform live, so they decided to dive into the studio to create new material. This resulted in a brand new album titled Kãrtëhl, a collective album such as they have not made in a long time. The band reformed in 2020 and added new musicians to the lineup, which created opportunities for new innovative compositions. After the rather dark 2019 Zëss, this new work Kãrtëhl features bright and resolutely optimistic collective new work, …
American jazz bassist, composer and producer Jaco Pastorius was a member of Weather Report during the Seventies and also recorded albums as a solo artist. As of 2017, he is the only electric bassist inducted into the Downbeat Jazz Hall of Fame and has been lauded as one of the best electric bassist of all time.
He recorded five albums in total with acclaimed drummer Brian Melvin, including the 1989 Jazz Street. This body of work is one of Pastorius' last studio dates and features session musicia…
* 180 gram yellow audiophile vinyl* This is a much better album than the title might suggest. Wilen still has the blend of tasteful restraint and inventiveness which marked his memorable duet with Miles Davis for the soundtrack of L’Ascenseur Pour L’Echafaud and the second track here reprises some of that music. The sixth track seems to offer more but the Generique credited to Davis is actually the Benny Golson composition which opened the Jazz Messengers’ soundtrack for Des Femmes Disparaisse…
Composer François de Roubaix was born in 1939. He didn’t receive any formal musical education, but he became interested in jazz from the age of 15. His professional musical career only spanned ten years, from 1965-1975. During that period he composed for commercials, TV series, shorts, and about 30 feature-length films.
The most striking aspect of François de Roubaix’s music is its versatility: on one hand, it’s his ability to create simple, memorable tunes; on another hand, it’s his bolder expe…
It was 1974 when Magma's fourth studio album Ẁurdah Ïtah came out. Originally, the album was released under the name of Tristan Et Iseult as a solo studio film soundtrack by founding member Christian Vander. He recorded the music for Yvan Lagrange's 1872 avant-garde film Tristan Et Iseult. The recordings took place only a month prior to the sessions which produced Köhntarkösz. For these recordings for Ẁurdah Ïtah, only a core quartet of Magma members took part, including Christian Vander, Jann…
Magma has been one of France's most influential bands since their founding in 1969. They released their fifth studio album Kohntarkosz in 1974, which set them off in a completely new musical direction. The band used a more restrained approach, which resulted in every hit seeming to weight twenty tons by contrast. The result is a mysterious atmosphere which holds the listener in awe. For this recording, and in particular the track 'Coltrane Sundia', the band used John Coltrane as the main inspira…
American garage rock band The Electric Prunes released their second studio album Underground in 1967. The band wrote many of the songs for this psychedelic garage rock album. In 2011, it was included in NME's "The 100 Greatest Albums You've Never Heard" list.
* 180 gram black audiophile vinyl, two bonus tracks, insert, sleeve notes* To celebrate the legacy of Wim Wigt’s Timeless Records, Music On Vinyl is releasing a 45th anniversary jazz series. The series features albums that are part of the Timeless Records legacy and will be released throughout 2021/2022. To kick off this series, Pharoah Sanders’ Africa is released on the 19th of November 2021.Pharoah Sanders possesses one of the most distinctive tenor saxophone sounds in jazz, which has earned h…
* 45th Timeless Records anniversary edition. 180 grams audiophile black vinyl * To celebrate the 45th anniversary of iconic Dutch jazz label Timeless Records, Music On Vinyl is releasing a series that features albums that are part of the Timeless Records legacy and will be released mainly throughout 2022.Part of this series is Pharoah Sanders’ Moon Child from 1990, which bookended a decade of musical soul searching for Sanders. The acclaimed free jazz player is known to have a raw and abrasive s…