★Music On Vinyl
Agharta
Agharta was recorded on the afternoon in 1975, at one of two concerts Miles Davis performed at the Osaka Festival Hall in Japan. He performed with his flautist and saxophonist Sonny Fortune, bassist Michael Henderson, drummer Al Foster, percussionist James Mtume, guitarist Reggie Lucas, and Pete Cosey, who played guitar, synthesizer, and percussion. Produced and recorded by Teo Macero, the album's four seemingly unstructured segments emphasize the playing of Davis' sidemen rather than his own tr…
Get Up With It
Miles Davis' 1974 album Get Up With It is a collection of tracks recorded between 1970 and 1974. Released as a double LP, it was Davis' last studio album before five years of retirement from music. He Loved Him Madly was recorded by Davis as his tribute to then-recently deceased Duke Ellington, who used to tell his audiences I love you madly. English musician Brian Eno cited it as a lasting influence on his own work.This album is an essential. An overlooked classic of Psychedelic Soul, represent…
Black Beauty
Black Beauty, Miles Davis At Fillmore West, was recorded on April 10, 1970 at Fillmore West, San Francisco, when Davis performed as the opening act for the Grateful Dead. The recording took place shortly after the release of Miles' classic album Bitches Brew. The album was released in 1973, originally in Japan only. Black Beauty, a true jazz-rock album, captured one of Davis' first performances at a rock venue during the early stages of his electric period. At the concert, he led his band (saxop…
What Color Is Love
180 gram audiophile vinyl. Terry Callier's What Color Is Love (1973) is an essential Soul Jazz album that should belong in anyone's record collection. This record was produced by Charles Stepney, whose work with Cadet / Chess records, Rotary Connection and Earth, Wind & Fire earned him popular acclaim. Filled with Funk, Rock, Folk, Jazz, and even Classical influences, vocalist Callier can be heard on this album to the most intriguing heights.
Shooting At The Moon
180 gram audiophile vinyl. 2015 Release. Shooting at the Moon (1970) is the second solo album of Kevin Ayers. The LP first hit store shelves in October 1970 and featured Kevin with a new band backing him; “The Whole World.” Which featured Kevin on Guitar, Bass and Lead Vocals, Mike Oldfield on Bass and Guitar, Mick Fincher on Drums and Percussion, Lol Coxhill on Saxophone and David Bedford on Keyboards, whom also featured on Joy of a Toy. Robert Wyatt also makes an appearance in “Colores Para De…
Cruel Sister
2018 Stock. 180 gram audiophile vinyl, Gatefold sleeve. Cruel Sister was an album recorded in 1970 by Folk Rock band Pentangle. All the tracks are versions of traditional songs. Whereas their previous album had been produced by Shel Talmy, and featured quite a heavily produced, commercial sound, Cruel Sister was produced by Bill Leader, noted for his recordings of Folk musicians. The whole of side two of the album is taken up with an extended version of the ballad "Jack Orion", previously record…
The Pentangle
2018 Stock. 180 gram audiophile vinyl. The Pentangle was the 1968 debut album of the band Pentangle: Terry Cox, Bert Jansch, Jacqui McShee, John Renbourn and Danny Thompson. It brought together their separate influences of folk, jazz, blues, early music and contemporary song-writing. One of the band's most commercially successful albums, it reached number 21 in the British charts.By the time that the album was produced, the members of Pentangle were already accomplished musicians, in their own f…
The Dark Side Of The Moog Vol. 4
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
The Dark Side of the Moog Vol. 3
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
The Dark Side of the Moog Vol. 2
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
The Dark Side Of The Moog Vol. 1
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new. He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had foun…
Stoner Witch
The true gods of the stoner underground music, the Melvins, released their album Stoner Witch in 1994. The album is one of their most successful releases and one where their musical capacities can be felt in the depth, powerful and experimental sounds. It melds the sound of their earlier records with some ambient and hardcore melodies. The monster anthem “Revolve” is a true masterpiece that breathes the southern rock and brings a handful of well-crafted riffs. Another epic track and one of the b…
Sex Power
Sex Power was Vangelis' first solo album. It is the soundtrack for the same titled Henry Chapier movie. It was originally released by Philips in 1970 in Greece and France, and sold just a few copies. Nowadays however it is the holy grail for Vangelis collectors worldwide, with prices of mint copies reaching 1000+ euro. This frst ever reissue is an audiophile edition with sound taken from the original vinyl masters.
Diskomo / Goosebump
**2020 stock, discounted price** "Originally released as a 12" single in 1980 based on Eskimo, this collector's edition includes 3 bonus tracks. Pressed on red vinyl. New 12" 45 RPM EP reissue. All sounds heard on 'Goosebumps' were originated on toy instruments which were provided by Toys-R-Us, Inc. Drawing of The Residents by Jad Fair of Half Japanese."
Seven (remastered) LP
180 gram audiophile vinyl pressing, clear vinyl. Seven is the seventh studio album by Soft Machine, released in 1973. Roy Babbington, who had previously contributed to Fourth [MOVLP1601] and Fifth [MOVLP1599] on double bass as a session musician, replaced Hugh Hopper on bass guitar, who left to begin a solo career. Their unique take on jazz rock was groundbreaking. Seven is a highly diverse album combining minimal, spacey elements and some great instrumental jamming. It was also the last of thei…
Six (remastered)
180 gram audiophile vinyl pressing. While the instrumental Fourth had forayed deep into jazz-rock territory, Fifth found Soft Machine working almost completely in the jazz idiom. As Soft Machine moved further away from rock on Third [MOVLP183] and Fourth [MOVLP1602], drummer/vocalist Robert Wyatt's dissatisfaction with the band's direction grew and, by the time sessions started for Fifth in late 1971, he had left permanently to form Matching Mole. Wyatt's replacement Phil Howard's propulsive rhy…
Fourth (remastered) LP
180 gram audiophile vinyl pressing. Fourth (from 1971) or 4 is the Soft Machine's first all-instrumental album and features a mix of Free Jazz, straight-ahead Jazz, and gong-like psychedelia. It was also the last of their albums to include drummer and founding member Robert Wyatt."Soft Machine's collective skill is hyper-complex and refined, as they are extremely literate in all fields of musical study. Fourth is the band's free purging of all of that knowledge, woven into noisy, smoky structure…
Heart Food
Judee Sill is one of folk's more interesting and lesser-known stories. Because of her troubled family history she was looking for an escape of reality. After surviving a heroin addiction and a brief stint as a bank robber, Sill turned her rather intense passions to music. She released two albums and partially completed a third album before her death in 1979. Sill's music was complex, elegantly crafted and yet completely devoid of pretension or overwrought melodrama. Unfairly lumped in with othe…
Anthems In Eden
Anthems in Eden is a 1969 album by Shirley and Dolly Collins, with the Early Music Consort of London, directed by David Munrow. The album originally consisted of a 28-minute set of folk songs plus seven other individual pieces performed by the same group. The musical arrangements for these eight pieces included early music instruments, such as viols, recorders, sackbuts and crumhorns.Track one is a suite, "A song-story", lasting 28 minutes, 7 seconds and is the centrepiece of the album. This is …
First Utterance
Official 180g reissue, from the original master tapes no less, of one of the most insane (and influential) experimental folk records of all time. This was Comus. Super dark themes and nightmarish visions abound in this total one-off of a record. First Utterance was, and still is, “difficult”. Fortunately today an appreciative audience exists for “difficult” stuff like this.Kent-based art students Roger Wootton and Glenn Goring had played acoustic covers of Velvet Underground numbers in London fo…