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Latest release from Belgian composer Pierre Gerard is Cavité Aérienne (self released), a highly evocative title whose literal translation into English gives us something like “airline cavity”.
"Once again Gerard uses his guitar, low-key electronics, his own voice, and inanimate objects in the creation of a five-part work, this time using Greek letters to identify the separate parts of the structure. He also uses a lot of silence, as usual, and one has to strain quite hard to make out any perceptible markings on this blank stretch of time. Actually what may appear to be pure silence actually contains a very subtle and washed-out drone of some sort, produced by means we know not – it’s …