We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
*2024 stock* This music is improvised and inspired by Judith Schalansky’s book "Atlas of Remote Islands: 50 islands I never set foot in and never will." The music is an echo of her writing, of inspiration by islands, entities with different and changing characteristics.
Mature Defense Mechanism is an improvised experiment in the relationships between rock and jazz characterized by whimsy amidst seclusion. It’s natural territory for guitarist Kirsten Carey and drummer Aaron Edgcomb, who are both gaining reputations for adventurous and wide-ranging approaches to music making.
We maneuver through woody sounds created by individual movements and decisions. Our cello playing is free from classical patterns, a real achievement! It is not natural to develop one's own approach to this high culture instrument. In this trio there are three multi-layered variations of personal expressive will and power.
This recording documents the first ever meeting between Susan Alcorn and Catherine Sikora. When musicians improvise with each other, a space is created that is unique and specific to the musicians who are playing. With Susan and Catherine, the space that presented itself was enormous, with great freedom and tonal flexibility, opening up endless possibilities for expression.
Tip! French free vocalist Isabelle Duthoit and trumpeter Franz Hautzinger recorded these highly unusual duos to celebrate Hautzinger’s 60th birthday year. Using extreme techniques to create 11 uniquely aberrant accompaniments to your most subtle and strange dreams.
Space is the trio of Lisa Ullén, Elsa Bergman and Anna Lund based in Stockholm, Sweden.This is their second album. Their music is totally improvised and has a strong connection to the traditions of free jazz and European contemporary music.
Silver Dawn is an ethereal collection of improvised vignettes performed on solo Hardanger d’amore, a sympathetic-stringed relative of the Norwegian Hardanger fiddle. Resonant strings and wordless vocals are gently guided by the cyclical momentum of dance and the instrument’s lingering overtones, magnifying moments of transience in suspensions of time.
Iinterdependenzen is a selection of 11 solo improvisations that evolved during Maria Reich’s solo impro research. All pieces are uncut and were recorded in different places over 6 months on an iPhone. The situation, the material becomes audible, the wood, the bow hair, the room, the recording device, the musician. "There is no part of me that is alone...."
Conic Tube comes from the idea that the saxophone is nothing but a metal conical tube that amplifies, modifies and pushes the air through the room, if the instrument is just an object and sound is just air and air is inside-out of us, pushing this air becomes the tool to structure our space and surroundings making possible changes on our environment and energies. With this in mind and spirit this record was produced with the intent to fulfill and open new possibilities for the minds and spirits …
The ensemble is all powerhouse performers but, like a stream is one stream with one name below the confluence, though they may lend their distinctive voices, this is a singularly cohesive unit that subsumes individual style. Each musician recorded themselves separately, except Angharad Davies and Magda Mayas, who were recorded by Tony Buck.
The first solo release of baritone saxophonist Sofia Salvo, “Rotarota” consists of a series of improvised pieces. They evoke emotional memories aspiring to set them free and mutate them into blaring music.
Monophonic is the name of the new album by Maria Bertel. As the title hints the album is a study of music played with 'one voice'. The amplification of the trombone mimics the effect of a magnifying glass, that let otherwise inaudible sounds be heard and brought forward. The compositions are long swathes of sound slowly developing, heavily inspired by drone and noise.
Collaborators for two decades, Marcia Basssett (guitar) and Samara Lubelski (violin) play electric improvisation. This is their 8th duo release and first on CD and streaming.
This is the first collaboration between Australian improvisor Chloë Sobek who plays the Renaissance precursor to the double bass, the violone and New York saxophonist Time Berne.
"Tenor saxophonist Ada Rave, born and raised in Argentina, decided to move to Amsterdam, the Netherlands in 2013. She had heard ‘the call’, followed her musical intuition and became part of the colorful community of Dutch creative improvised music. Educated in the jazz tradition she started to look for a more personal language. A deep search. Not an easy path to go. The destination is always changing. Each step made will call for a next step. A slow process of collecting material, sounds, techni…
Mongrels—Buck Nauseef—two creatures with no pedigree or particular style who have absorbed, mixed and amalgamated numerous pedigrees and styles during long careers working closely with leading musicians of diverse genres including: orchestral, Javanese gamelan, jazz, Ghanaian music and dance, r&b, Hindustani classical music, free improvisation, Balinese gamelan, Turkish classical Sufi music…
Recordings and performances have been with, amongst many others, The Necks, Evan Parker, Jack Bruce, Bill…
“Una ofrenda a la ausencia” (an offering to absence) explores in depth the rawness, harshness and roughness of sound embracing the intense and unfiltered expressions that emerges from absence.
This impossibility is propelled as an subterranean homage to trumpet players of the caliber of Don Cherry, Bill Dixon, Miles Davis, Lester Bowie, Tomasz Stanko, Wadada Leo Smith, Jaimie Branch and Chet Baker, all of them sublime atmosphere creators who observe the universe as a unit.
Berlin trumpeters Axel Dörner and Lina Allemano team up to create experimental improvised sonic explorations, both in duo and in larger trumpet-ensemble form. The pieces' titles reference the small lesser-known objects circling around the sun in our solar system; the album’s title Aphelia being the furthest distance away in orbit around the sun.
“Primitive” is Jessen’s first full-length release. A raw solo saxophone recording born out of anger and isolation. At times, it screams violently. At others, it slowly pierces. At all times, it is a reaction to Jessen’s surroundings.