★ReR Megacorp
Leg End
By public demand! First time on CD for the original mix of the album that launched a thousand careers, inspired the establishment of a number of international record companies, and built many reputations. This was the first time together on record for Fred Frith, Tim Hodgkinson, Chris Cutler, John Greaves and Geoff Leigh. An extension and fusion of the key influences of Soft Machine and Frank Zappa, the album is packed full of extraordinary tunes, complex but never pompous arrangements, an…
Western Culture
"Remastered & repackaged with expansive notes and three extra tracks (Viva Pa Ubu, Slice and Look Back (alt). I'm biased of course but I believe this was a milestone recording, perhaps the closest we came to getting the music to sound the way we wanted on disc. "-Chris Cutler (ReR Megacorp)
Unrest
Dating from 1974, and following on from the re-release of Legend, this is the second in our series of vinyl reissues of the original Virgin albums. Geoff Leigh had left the group and Lindsay Cooper joined on bassoon, oboe, flute, soprano sax. The mix was more 'live' than Legend, with the drums much more up front. The first half is highly composed material, with some of the Henry Cow's best loved tunes, like 'Half Asleep Half Awake' and 'Bittern Storm Over Ulm'. For the second half the mat…
In Praise of Learning
"Art is not a mirror - It is a hammer" - John GriersonAnthony Moore / Dagmar Krause / Tim Hodgkinson / John Greaves / Chris Cutler / Lindsay Cooper / Peter BlegvadOriginal Mix. Remastered and with new, amplified booklet of pictures and texts. Third in the definitive series.
A landmark in the history of European experimental rock, the third 'Cow' work, originally released on Virgin in 1975, represents the second act of joined forces between Henry Cow and Slapp Happy, and the first fully integr…
Live 80/81
Limited numbers, now available as a single cd, shrinkwrapped.
Until recently the only official live This Heat release has been a long-deleted cassette version of a concert from Krefeld, Germany, from 1980. This CD corrects that vacuum by officially releasing private recordings from the band's live repertoire, circa 1980-1981, taken from concerts in Tilburg, Nijmegan, Arhus, Appledoorn, Vienna and Rheims. The trio rip through some highly-charged versions of classic pieces from both Blue & …
Repeat
Limited copies, shrinkwrapped.
Repeat is This Heat's fourth album proper, posthumously released in 1993. It harbours the most extreme musical side of This Heat's experimental tendencies on disk, and is assuredly the band's most radical offering. The title track is an oxymoron: An extended/edited version of the piece "24 Track Loop", which had been previously issued on the Recommended Records' double-disk sampler in 1981, heard here sans the harmonizer effect. The original tracks were produ…
Made Available
Now available as a single CD, shrinkwrapped. Limited quantity.
This Heat's earliest public recordings came from two sessions for John Peel's BBC radio show, in April and October of 1977. Peel was one of their greatest enthusiasts at the time, hearing excellence in the band's mixed repertoire of post-krautrock songs and uniquely approached improvisation. Of special merit here is the band's maverick use of real-time tape loops to augment their basic three-piece sound, as well as their choice…
Deceit
CD edition. Another essential reissue, This Heat’s classic Deceit completes an official trilogy of reissues from their seminal and hugely influential run of late ‘70s/early ‘80s recordings which set the template for so, so much avant-rock, noise and experimental music ever since. With their debut album and follow-up maxi single Health and Efficiency, This Heat sowed the seeds of post-punk, avant rock, noise rock and post-rock, placing the trio -- Charles Bullen, Charles Hayward and Gareth …
This Heat
A landmark recording by one of most important British bands, full stop. This, their first release, tore up the book and laid new rules for band composition and performance. First, the music: without precedent, then, the musicians: all extraordinary, all uncompromisingly radical, then the way it was all put together: endlessly surprising, hammeringly intense, and the sound: hard, radical, crafted, rich, with complete control of the frequency range. Beautifully recorded, radically mixed, th…
Collaborations
Collects together the re-mastered Duck and Cover (Tom Cora, Chris Cutler, Fred Frith, Heiner Goebbels, Alfred (23) Harth, Dagmar Krauze, Gerorge Lewis) and Cassix (Chris Cutler, Franco Fabbri, Umberto Fiori, Heiner Goebbels, Pino Martini) recordings, and the Cassiber/Otomo Yoshidide collaboration on one CD, the newly assembled live and out-take The Way it Was, plus a DVD of two concerts, one from the Frankfurt Jazz festival, the other from Brasil, with short documentary, made in the GDR, o…
Beauty. And The Beast
Beauty and the Beast, the second LP by Cassiber, was released in 1984 simultaneously on the British label Recommended and the German Riskant with a small difference in contents -- the ReR Megacorp CD reissue includes all tracks from both LP versions. This album represents a giant leap from the group's 1982 debut, Man or Monkey. Yet, the same technique was used: No songs were written in advance. Drummer Chris Cutler had written lyrics to be used when considered suitable by singer Christoph A…
Perfect World
Cassiber's second album moves one step ahead in the refinement of the group's music. From Man or Monkey, the trio (Christoph Anders, Chris Cutler, and Heiner Goebbels; Alfred 23 Harth had bid farewell) retained clashes of noise, a taste for cheap synthesizers, and Anders' declamatory style. But this time the music is much more organized and arranged. Songs are short and focus on atmospheres and the alienating settings of Cutler's words. More political than before, they take their cue from t…
Man or Monkey
Man or Monkey was Cassiber's first album. It was released in 1982 on the German label Riskant as a set of two 45 rpm LPs -- a format that turned it into a pricy collector's item. For this first effort, Christoph Anders, Chris Cutler, Heiner Goebbels, and Alfred 23 Harth entered the studio with only a handful of the drummer's lyrics and a few melodic ideas. They improvised, letting structures and arrangements develop by themselves, so to speak, and singer Anders threw in a text when he fel…
A Face We All Know
'A Face We All Know' breaks new ground altogether. This is a single work with texts by Chris Cutler, Rainald Geotz and Thomas Pynchon and documents the last days of a political nightmare. Start here with Cassiber.
The Way It Was
Cassiber (phonetically: 'a message smuggled out of prison') crashed like a locomotive into the Deutsche Neue Welle. Founded by Heiner Goebbels, Alfred Harth, Christoph Anders and Chris Cutler (his first major project after News From Babel), Cassiber managed to fuse materials and attitudes drawn from experimental rock, fringe jazz, punk, pop, plunderphonics, improvisation, close structure and musique concrete into an energetic and complex form of studio (and then concert) composition uniqu…
All's Well
After This Heat broke up in 1982, Charles Hayward formed Camberwell Now. The new group included Trefor Goronwy, from the short-lived four-piece version of This Heat, on bass and guitar; and Steven Rickard, who is heard on Sub Rosa's Myths 1 compilation, on tape manipulation and field recordings; Charles Bullen from This Heat, who subsequently left to study music in India, is heard as a guest on the first 12" single "Meridian."
The group, recording in This Heat's Cold Storage studio, onl…
So Far
Faust's second album moves closer to actual song structure than their debut, but it still remains experimental. Songs progress and evolve instead of abruptly stopping or cutting into other tracks. The opening song "It's a Rainy Day, Sunshine Girl" begins as a repetitive 4/4 beat played on toms and piano with the title sung over the top. But for seven minutes the song adds instruments, including a lush analog synth line, and ends in a memorable sax riff. Faust's lyrical side appears on t…
BBC Sessions +
The radio session was first broadcast 1/3/73, and is 20 minutes of pure Faustian hell. The Lurcher is a kind of electric period Miles Davis slouching drum rhythm, augmented by stabs of horn and electric guitar. Krautrock is a 12-minute post Velvet Underground riff, drone and noise-driven meditation, far superior to the version on the Virgin release Faust IV. The session ends with Do So, an outrageously corny slice of sixties pop. The remaining 30 minutes of the CD is prime Faust, culled f…
Faust
"The first 1971 Polydor (transparent) album and one of the great testaments to originality and innovation in the field. Two years in the making.
A breathtaking achievement that hasn't aged. Remastered, repackaged."
71 Minutes
Compiled from "lost" and unreleased material released to us on the 10th Anniversary of their disbandment (inc.prophetic pre-dub mixing) as well as most of the unreleased "FAUST PARTY 3" LP.