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“Lester Bangs liner notes place Suicide in its proper historical context: A document of a force of nature – the filthy loud subway station heart of NYC. Suicide pioneered everything from synth-pop to industrial disco – low rent electronic angst-fest. Vega runs rough shod over the whirring blast of Rev’s homemade synth.” – Rolling Stone Record Guide
*2022 stock * 'Suicide took mid-70's NYC underground attitudes to extreme, but logical, ends. Singer Alan Vega's often terrifyingly apocalyptic vision was perfectly complimented by keyboardist Martin Rev's pulsating, sizzling accompaniment on rhythm box and synthesizer. Their psychotic electronic blues was the sound of American culture sliding towards destruction. On stage, they were routinely heckled by audiences unappreciative of their minimalist explorations (they actually incited riots while…
“Seconds Late For The Brighton Line” finds the band in familiar territory; pulsing Krautrock, dark and sinister pop and epic post-industrial soundscapes. The album invites the listener to put on head phones, close their eyes and embark on a technicolor journey. Stand out tracks include the epic electronic groove of “Russian Roulette”, the pretty naivete of “Someday” and the chilling goth-pop of “Endless Time.” The recent departure of long-time band members Niels Van Hoorn & Martijn De Kleer has …
Recorded across two nights in 1981 at New York's legendary Performing Garage and originally released in 1983 on cassette, Symphony No. 1 has been remastered for vinyl and reissued for the first time as a heavyweight 180 gram 2LP set in a deluxe gatefold jacket. The limited edition pressing features additional liner notes written by Lee Ranaldo (Sonic Youth) alongside the original notes by Jon Pareles (The New York Times) and now includes photos by Paula Court (New York Noise). The ensemble …