★Room40
What We Don't See
"The theme of this recording is the invisible world, and one's (my) need for it. It's necessary for me, this idea of the invisible world, if I am to function on a daily basis. I find comfort in knowing that this is all not just us here and now, that there's something else around us. That there's something within us, that isn't just this frail skin and bones and the immediate environments we drag ourselves around. I am sure since I was a child, that within me I am many, I am more than this. I sur…
Arise in Sinking Feelings
Through the eye of the pinkish gate... Soft lights... cool evening breezes, toxic fumes, burnt champagne and supper for one... love and longing...disenchantment... and the murky meanderings of Pinkcourtesyphone. It is impossible for us to supply all the recipe ingredients needed for this, the sounds of soured romance, but we can at least dish up the musical setting on a deluxe digital porcelain platter (with a just few hairline cracks)... but only for an hour. A gourmet offering befitting a pall…
Bodies
With Bodies, Australian composer Madeleine Cocolas unlocks an embodied tidal force. Asmany of her antipodean compatriots would appreciate, water plays a huge part in the under-standing of Australia. Vast fluid bodies spill out from its shores and the dynamism and intensityof these oceans - physically and psychologically - act as a guide to the forms of this record.Like these fluid bodies themselves, the record shifts between violent ruptures, as waves of soundcollide, before giving way to passag…
Cursory Asperses
As Celer, Will Long and Danielle Baquet laid out a framework for extended exercises in ambience, texture and atmosphere. Their work, much of which was initially circulated through collectors, traders and fanatics, went on to become a blueprint for an approach to sound that was equal parts patient, generous and drifting. Cursory Asperses collects a unique set of shorter form works that typify the pairs interested in warmth and subtle density. Recorded between 2007 and 2008, it captures a culminat…
Your Music Encountered in a Dream
Remember hearing music while dreaming, fully confident that you’ll be able to reconstruct it once awake? Music that, as it turns out, you were the sole witness. In retrospect, why ruin the experience by something so vulgar as hearing it a second time, much less having to share it? We don’t mean to alarm you, but David Grubbs and Liam Keenan have returned from the dark side of the pillow bearing Your Music Encountered in a Dream.
Lava
"Lava is an ode to the connections between sound, emotion and human experience, exploring the interplay of sonic duality. The overlapping duos within the trio framework brought forth uncharted possibilities, allowing each of us to weave our individuality into the improvisations." - Maria, Bonnie and Helen
If We Could Hear
"If we could hear. Wenn wir hören könnten… dann ? Who Hears It All. Als würde das etwas ändern - Noise in thermodynamics - an average low level warmth. Let`s go back to the pre-orthodox world, the ancient one, which gave us mythology, extreme experiences, congealed in stories. Echo was a storyteller herself, distracting from what was going on around her, up to the point when she got punished, and from then she was only able to repeat the last words spoken to her, to her, to her… A loop is a loop…
Your Soft Absence
"Your Soft Absence is a suite of processed sine waves and sampled wind instruments. It’s a narrative of a particular feeling of absence that’s haunting me; perhaps best described as the longing for a childhood emotion, a feeling of unconscious wonder, a state of simply being without an essence or perhaps like a memory continuously receding whenever I try recalling it, seemingly closest and most present at a certain distance, with a certain absence." - øjeRum
Ngunmal
"The work of Amby Downs, aka Murri/European artist Tahlia Palmer, occupies an intensely personal and unique space in the Australian music landscape. It is a project that speaks as much to trauma, as it does to aspiration or hope. It is work that recognises the complexities of intergenerational exchange; emotionally, socially, politically and culturally. For the past half decade, Tahlia has been seeking to trace unspoken, and in some cases deeply fragmented histories, and thread a linage that is …
Nessun Legame con la Polvere
"This release borrows its title ‘Nessun Legame con la Polvere’ (No Attachment To Dust) from a Zen story as well as from a small wooden box, namely one of ten sculptures of my project ‘I Fiori Non Vedono Mai I Propri Semi’ (Flowers Don't Ever See Their Own Seeds). This artwork was exhibited in 2020 at Pollinaria’s forest, Italy as part of Aequusol Autumnus MMXX. The exhibition had no sound. It is now clear that life, the matter we are made of, and the objects we use every day cannot be considered…
IV
"This might sound a little antithetical, but I am interested in making noise music that is free from unnecessary noise. I do realise how this sounds, but it is absolutely at the core of my new recording. I want to create maximum impact and dynamics in the music through using only the essential elements and materials. I am a huge fan of noise music, and in many cases I enjoy the excessive nature of that music. For my own work though I am interested in reducing this, boiling it down, to the very c…
A Field Guide To Phantasmic Birds
"All the birds I never recorded, and some I did. Re-imagined. Stretched and stuttering, glitching and morphing, swirling and sputtering. Artifact and performance, digital bits all. I imagine them swooping and calling in these scaffolds of sound I have made for them. Gleaming amid technicolour jungles. Alive, unassailable; in a world we haven't ruined. In a field recording I never made." - Kate Carr
Mokuy
"The process of making music together in Hand to Earth is unlike any other we have experienced. It is not free improvisation but it is not composed either. It is somewhere in between, and it feels like ‘weaving.’ Through Hand to Earth, we weave the threads of our different histories, different lives, and different perspectives together, and become family. Daniel weaves the ‘Manikay’ (public songs) in his first language, Wagiläk - into the syntax of our shared practices. He talks about the ‘rak…
Structures
"Anyone who knows me, knows my obsession with the 1981 film Thief. The opening scenes show a cold, methodical, neon lit diamond heist soundtracked by Tangerine Dream. Contrasted with, the thief sharing a danish with a stranger fishing on an endless ocean at dawn. The heist is technical and calculated. The fishing is grounded and ancient. I'm sure that I'm projecting some of my personal experiences onto the film unfairly. As over time i've come to see the line between these two scenes more and mo…
Circle Drum Music
"Occasionally ideas present themselves in ways that no one can expect. This recording from Australia’s Eugene Carchesio and the UK’s Adam Betts is one such unexpected presentation. A couple of years ago, Eugene passed me a collection of recordings that he explained were in the orbit of his now legendary Circle Music series. The recordings, in Eugene’s particular manner, maintained an intensely rhythmic quality rooted in a deep and unwavering sense of minimalism. Eugene has a way of making a tiny…
The Shell That Speaks The Sea
*100 copies limited edition, slightly discounted - Please note sleeves have a seam split on the top side* "I first met David Toop some 20 years ago. I think we were in touch shortly before that, but our first meeting took place when I invited him to Australia to perform and to speak as part of REV, a festival held at Brisbane Powerhouse. It was a memorable meeting, I vividly remember his solo performance and the edition A Picturesque View, Ignored, documents an improvised meeting during that tim…
Vakning
Tip! * clear vinyl version * "Nothing is fixed, nothing is permanent, nothing holds for anyone, any time or anything.
As stable as we might choose to think it is, this planet is anything but that. A paper thin crust, the zone in which we find ourselves, and mostly concern ourselves with, exists as a modest veil cloaking a dynamic seismic turbulence that is as powerful as it is unknowable.
There are moments though where ruptures occur. The pressure from within carves its way to, and through, the …
Glass World
“I have become fascinated by the complexity of the single sound.” - Annea Lockwood
Totemo Aimasho (15th Anniversary Edition)
"Some time in the early 00s John Chantler, who was living in Japan at the time, sent me a couple of curious sound pieces he’d just recorded with musicians he’d met from Tokyo - Tenniscoats. This was my first introduction to Saya and Ueno, who have subsequently gone on to become longtime friends and a wellspring of sonic inspiration. In 2005, through their connections to Guy Blackman in Melbourne, Tenniscoats under took a tour of Australia and as part of that visit I arranged a concert for them i…
Outside Supercolor
"Lionel Palun and I met in 2003 in a context of social struggle. Aware of an inevitable downfall, we decided to discuss our respective practices. Sound for me and image for him. Then there were the basic questions: "What does it do if you connect a video output to a sound input?"; "What does a sound output do to a video input?" Then the tinkering that goes with it, like opening a Scart socket and plugging directly into it. And to finish, we discovered that as always, everything has already been …