★Room40
Jasper Sits Out
From Lawrence English: "A few years ago, my dear friend and bandmate Jamie Stewart and I were talking about Swans. I started to mention how much I admired the utterly personal approach to guitar that Norman Westberg had developed on those early records and moreover how that had blossomed out so richly on this latest incarnation of the band. During the course of the conversation Jamie mentioned a CDR that Norman had passed to him, which collected a few pieces of solo work that Norman had been wor…
Mirror
2023 Stock. Drawing deeply on the earliest recorded period of Japan’s history, the Kofun era, Chihei Hatakeyama’s Mirror meditates on the importance placed on reflection during this age. The mirror was a source of great inspiration, not only as a metaphor for the sun, but also for its ability to shift and reflect light from one location to another. This act of transplanting light, considered almost magical by many during that time.
Similarly, this idea of reflection spurred Hatakeyama to underta…
Mass Observation (Expanded)
2023 stock. From Scanner, aka Robin Rimbaud: "There were three performers and one witness. I can remember this day well, even though it was some twenty-four years ago. Standing up before a mixing desk in a dark room in an apartment in South London, Jim O'Rourke, Robert Hampson, and myself, literally all hands-on deck as we each took responsibility for the faders on the desk. Introducing sounds to the mix, the accident reigned supreme. Sometimes the high frequency of cellular noise would pervade …
Black Flamingo
Incomparable bluesman Mike Cooper marks over 50 years of deadly cool and restless experimentation with a masterful melange of free jazz, Oceanic, and Hawaiian inspirations in his umpteenth hallucinatory collage
Neural
Intense, mind-bending, and spectral long-form drone works inspired by the way neural networks self-organise thru repetition, variation and reiteration. Features input of Lucio Capece and Judith Hamman.
Atmospheres And Disturbances
"Atmospheres and Disturbances registers the changes in high altitude ecologies caused by increasing global temperatures. The composition is based on field work undertaken at the High-Altitude Research Station at Jungfraujoch, Switzerland where for four weeks I deployed various recording devices around the station, and in the surrounding alpine environment to register natural, anthropogenic and geophysical forces. The project provides new encounters of an endangered alpine environment to enhance …
The Clear Distance
"I got a note from Stephen. As the consummate archiver he had inherited a tape of an interview with me in 1985 done with Kevin Concannon, in particular about my music production. He points out that in it I mention “a device called a digital delay” that I had been exploring. A Deltalab Effectron II Digital Delay, which let you make little short 1 second loops and manually inject other sounds among other things – nice kind of kluge aesthetic. We knew each other through Electronic Arts Intermix wh…
Empty, Expanding, Collapsing
"Empty, Expanding, Collapsing was recorded in the months after the release of 2021’s No Lasting Form. Whilst No Lasting Form documented a return to the creative process after a long period away, Empty, Expanding, Collapsing comes from a more confident and assured place. At the heart of this record is an upright piano, loaned from a dear friend for safe keeping. Built in the 1898, the piano is heavy, laden with time, a resonant lead sound board and the carefully restored hammers and strings.
Thes…
Chimæra I
Tip! A body is bounded. It operates within physical limitations and biological constraints. Whilst some see these physiological boundaries as a terminus, others such as Colin Stetson perceive them as a nexus of possibility, and perhaps even of expansion. It is in this zone of unsteady tension and promise that his new album Chimæra dwells. Collecting a series of extended drone works for saxophone, Chimæra charts an entirely new thread of work for Stetson. This thread simultaneously maintains stat…
Inland Lake
This is the second Room 40 release of collaborations between Australian chamber ensemble Decibel, and French music concrète composer Lionel Marchetti, after ‘The Last Days of Reality’ in 2018. This release consists of two pieces: Inland Lake (le lac intérieur) (2019), and La Patience (2020). Working with Lionel is magical. Inland Lake was devised with the ensemble when Lionel visited Australia in 2019. As he sometimes does, he came with an ‘partition concrète’ that was part score, part ensembl…
Long Drove
‘Long Drove’, the title of Scott’s first edition for Room40, is a location in the Fens close to the home of British composer, multi-instrumentalist and mastering engineer Simon Scott. It is the connective pathway between two nature reserves, called Holme Fen and New Decoy, and both sites are part of a habit restoration project called The Great Fen Project and is close to where Scott grew up as a child. This area first became a location of compositional inspiration over a decade ago, when Scott c…
Annular Silhouettes
With Annular Silhouettes, Brad E. Rose traces an undulating pathway through ideas of place, memory, and intergenerational exchange. The edition is a mediation on how perspective is shaped, and reshaped, in time. More so it explores how change is simultaneously incremental and accumulative. This is reflected in the compositional strategies he deploys. Elements arrive and pass with an almost subconscious logic. Their pace is measured, but entirely fluid, creating a sense of breathing or perhaps ev…
Moths & Stars
"Coming from a background as a performer and clarinet player, the opportunity to record my own music opened up a whole new context to think about music. Sounds are freed from being confined to one place, one time, or even one perspective. I wanted the recording to have a right-up-in-your-ear kind of intimacy - so close, that you could hear the beating of a moth’s wing, but I also wanted the listener to experience the expansiveness of the recorded space, like the vast night sky. The microphones …
Nya Sverige - Nothing But The Truth
Nya Sverige - Nothing But The Truth is a recording made in the United States whilst CM von Hausswolff and Erik Pauser were undertaking an exhaustive tour in 1991 alongside Hafler Trio and Zbigniew Karkowski. This, now legendary, tour was both arduous and rewarding. Living in a van for many weeks at a time, travelling between cities with the most modest of means meant Phauss came to know a very particular vision of the United States, one that existed below plain view. Their’s was an experience ha…
Audiodrome
Phauss is Carl Michael von Hausswolff and Erik Pauser. Formed in the early 1980s, Phauss operated amidst of generation of uncharacteristic Swedish artists concerned with reshaping the edges of practices in sound, light, performance and vision. It was a monumentally fertile period for Sweden in that a confluence of factors allowed artists to dedicate themselves to the relentless excavation of ideas, drilling down to the absolute core of their interests and ways of making. Von Hausswolff and Pause…
Follower
Black Vinyl. For more than three decades now Sydney pianist and composer Chris Abrahams has developed a singularly iconic body of work. Known widely for his work with trio The Necks, Abrahams solo works have carved out an entirely otherworldly realm in sound. His explorations of organ, electronics, and piano capture a restless curiosity and timbral interrogation that only deepens with each of his releases. With Follower, his compositional language further expands. Melodies cascade with a cinemat…
Shadow Phase
Limited Edition Clear Vinyl. "Most of this record was created in the shadow of Covid and deep in the maw of Melbourne’s 2020 long winter lockdown. It is a meditation on the nature of connection. Restricted to a 5km zone, one of the only people I saw outside my family during this time was my old friend and teacher, Ania Walwicz. We met in the overlap between our zones on the waterfront near Docklands to walk and talk on bright, cool winter afternoons. Those conversations became large in my though…
The Prey And The Ruler
"The first time I witnessed Senyawa was in the early 2010s. We shared a bill at the MonaFoma festival in Hobart. Some memories hold strongly in your mind and Senyawa’s performance that day did just that. It was a monstrous portent of things to come. A promise, in sound, of the energetic force that has since come to mark them as one of the truly unique and visionary musical pairings from South East Asia. This project, The Prey And The Ruler, finds its root in the unsteady months of mid 2021. As t…
Approach
In 1985, Mangaka Yoshihisa Tagami penned Grey. Now, seemingly all but forgotten, it remains historic as it led the vanguard of manga translated and serialized in the west. Approach is Lawrence English's homage to the lasting impression the manga left on him as a 13-year-old. After rediscovering it in 2021, he was struck by how internalized some of the manga's themes had become and was compelled to create a soundtrack as a form of distorted mirror to its pages. What results is an intensely episod…
Na Margem Sul
Haunted ice-cold electric guitar minimalism, shimmered and expertly restrained, 'Na margem sul' is a recording of David Grubbs and Manuel Mota's first public performance as a duo. They've been working together for over a decade - 2018's "Lacrau" is a particular highlight - but it's taken them this long to actually play together in front of an audience. Grubbs admits that although they've met countless times, they rarely talk about playing. From David Grubbs: "This recording documents Manuel Mota…