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Restock 2023. CD version. Chris Abrahams returns with Fluid To The Influence. Building upon the foundation of his previous three editions for Room40, Abrahams charts out a divergent course through lilting piano flows, distended organ passages, thunderous electronic eruptions, and focused concrète explorations. Fluid To The Influence spans a huge spectrum of sound, each movement calling forward to the next in a flowing motion that demonstrates Abrahams's commitment to and interest in the album as…
2023 Stock. New Rome, the latest project from Polish composer Tomasz Bednarczyk, presents Nowhere. In the late 2000s, Bednarczyk emerged with a trilogy of electronic records that set pastoral-tonality against grainy smears of pulse and rhythm. His previous Room40 editions Summer Feelings and Painting Sky Together were lilting, melancholic affairs, littered with a deeply personal approach to music making that felt as therapeutic as it did artistic. In hindsight, they were records that stamped out…
LP1 is the debut edition from London based artist Mirko Vogel. Recorded across almost three years, the record is a sprawling mass of ambient texture, remote harmony and uneasy pulse. Initially born out of extended periods of intense touring with Cut Copy, the earliest recordings were an antidote to the nature of repetition on the road. In the blur of travel, Mirko found a particular pleasure in an attempt to slow or pause time through sound. Moments of this hazy slowness have lingered and found …
2023 stock. Wilderness of Mirrors is the new album from Lawrence English. This album has been two years in the making and the first album created since the release of his 2011 ode to J.A. Baker's novel, The Peregrine. It is English's most tectonic auditory offering to date, an unrelenting passage of colliding waves of harmony and dynamic live instrumentation. The phrase, "wilderness of mirrors," draws its root from T.S. Eliot's elegant poem "Gerontion." During the Cold War, the phrase became ass…
Cruel Optimism is a record that considers power (present and absent). It meditates on how power consumes, augments and ultimately shapes two subsequent human conditions: obsession and fragility. This pyramid is an affective ecology of the (ever)present moment. This edition owes its title and its origins to the wonderful text of the same name by American theorist Lauren Berlant. I had the fortune to come across her writing almost a half-decade ago. In Cruel Optimism, I found a number of cri…
2023 stock. This is the second full-length album from U.S. sound installation artist Richard Chartier aka Pinkcourtesyphone. Pinkcourtesyphone is an echo of an unfamiliar voice. Pinkcourtesyphone remembers two things you hold up to your face as a conduit to forgotten love. Pinkcourtesyphone permeates like a syrup-y dream. Pinkcourtesyphone is many things from many places. Pinkcourtesyphone is elegant and detached. This is the second full-length call from the Pinkcourtesyphone-line; a loquacious …
From Lawrence English: "A few years ago, my dear friend and bandmate Jamie Stewart and I were talking about Swans. I started to mention how much I admired the utterly personal approach to guitar that Norman Westberg had developed on those early records and moreover how that had blossomed out so richly on this latest incarnation of the band. During the course of the conversation Jamie mentioned a CDR that Norman had passed to him, which collected a few pieces of solo work that Norman had been wor…
2023 Stock. Drawing deeply on the earliest recorded period of Japan’s history, the Kofun era, Chihei Hatakeyama’s Mirror meditates on the importance placed on reflection during this age. The mirror was a source of great inspiration, not only as a metaphor for the sun, but also for its ability to shift and reflect light from one location to another. This act of transplanting light, considered almost magical by many during that time.
Similarly, this idea of reflection spurred Hatakeyama to underta…
2023 stock. From Scanner, aka Robin Rimbaud: "There were three performers and one witness. I can remember this day well, even though it was some twenty-four years ago. Standing up before a mixing desk in a dark room in an apartment in South London, Jim O'Rourke, Robert Hampson, and myself, literally all hands-on deck as we each took responsibility for the faders on the desk. Introducing sounds to the mix, the accident reigned supreme. Sometimes the high frequency of cellular noise would pervade …
Incomparable bluesman Mike Cooper marks over 50 years of deadly cool and restless experimentation with a masterful melange of free jazz, Oceanic, and Hawaiian inspirations in his umpteenth hallucinatory collage
Intense, mind-bending, and spectral long-form drone works inspired by the way neural networks self-organise thru repetition, variation and reiteration. Features input of Lucio Capece and Judith Hamman.
"Atmospheres and Disturbances registers the changes in high altitude ecologies caused by increasing global temperatures. The composition is based on field work undertaken at the High-Altitude Research Station at Jungfraujoch, Switzerland where for four weeks I deployed various recording devices around the station, and in the surrounding alpine environment to register natural, anthropogenic and geophysical forces. The project provides new encounters of an endangered alpine environment to enhance …
"I got a note from Stephen. As the consummate archiver he had inherited a tape of an interview with me in 1985 done with Kevin Concannon, in particular about my music production. He points out that in it I mention “a device called a digital delay” that I had been exploring. A Deltalab Effectron II Digital Delay, which let you make little short 1 second loops and manually inject other sounds among other things – nice kind of kluge aesthetic. We knew each other through Electronic Arts Intermix wh…
"Empty, Expanding, Collapsing was recorded in the months after the release of 2021’s No Lasting Form. Whilst No Lasting Form documented a return to the creative process after a long period away, Empty, Expanding, Collapsing comes from a more confident and assured place. At the heart of this record is an upright piano, loaned from a dear friend for safe keeping. Built in the 1898, the piano is heavy, laden with time, a resonant lead sound board and the carefully restored hammers and strings.
Thes…
Tip! A body is bounded. It operates within physical limitations and biological constraints. Whilst some see these physiological boundaries as a terminus, others such as Colin Stetson perceive them as a nexus of possibility, and perhaps even of expansion. It is in this zone of unsteady tension and promise that his new album Chimæra dwells. Collecting a series of extended drone works for saxophone, Chimæra charts an entirely new thread of work for Stetson. This thread simultaneously maintains stat…
This is the second Room 40 release of collaborations between Australian chamber ensemble Decibel, and French music concrète composer Lionel Marchetti, after ‘The Last Days of Reality’ in 2018. This release consists of two pieces: Inland Lake (le lac intérieur) (2019), and La Patience (2020). Working with Lionel is magical. Inland Lake was devised with the ensemble when Lionel visited Australia in 2019. As he sometimes does, he came with an ‘partition concrète’ that was part score, part ensembl…
‘Long Drove’, the title of Scott’s first edition for Room40, is a location in the Fens close to the home of British composer, multi-instrumentalist and mastering engineer Simon Scott. It is the connective pathway between two nature reserves, called Holme Fen and New Decoy, and both sites are part of a habit restoration project called The Great Fen Project and is close to where Scott grew up as a child. This area first became a location of compositional inspiration over a decade ago, when Scott c…
With Annular Silhouettes, Brad E. Rose traces an undulating pathway through ideas of place, memory, and intergenerational exchange. The edition is a mediation on how perspective is shaped, and reshaped, in time. More so it explores how change is simultaneously incremental and accumulative. This is reflected in the compositional strategies he deploys. Elements arrive and pass with an almost subconscious logic. Their pace is measured, but entirely fluid, creating a sense of breathing or perhaps ev…
"Coming from a background as a performer and clarinet player, the opportunity to record my own music opened up a whole new context to think about music. Sounds are freed from being confined to one place, one time, or even one perspective. I wanted the recording to have a right-up-in-your-ear kind of intimacy - so close, that you could hear the beating of a moth’s wing, but I also wanted the listener to experience the expansiveness of the recorded space, like the vast night sky. The microphones …
Nya Sverige - Nothing But The Truth is a recording made in the United States whilst CM von Hausswolff and Erik Pauser were undertaking an exhaustive tour in 1991 alongside Hafler Trio and Zbigniew Karkowski. This, now legendary, tour was both arduous and rewarding. Living in a van for many weeks at a time, travelling between cities with the most modest of means meant Phauss came to know a very particular vision of the United States, one that existed below plain view. Their’s was an experience ha…