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‘On The Darkest Day, You took My Hand and Swore It Will Be Okay’ spawns out of reflections and realizations from the past year. The musical pieces themselves teeter between anger, anxiety, and hope, usually turning to distortion and noise. These were often an attempt to make sense of the happenings around the world. At times this process was a way to soothe my own frustrations with life at a standstill. A big influence on this album was watching events unfold online. Technology made it incredibl…
"What I remember … a car on fire alongside the highway in the middle of the night. Waking in someone else’s bed in London with an entire poem spilling into my head, and then recording it with Tim in the kitchen after breakfast. Seemingly endless car, bus and train rides full of the country side splintered and refracted through glass and fatigue, always the same, always different. The screaming woman at the airport who pulled the fire alarm, evacuating the terminal. Some guy in Brooklyn talking t…
Australian born, Sweden based artist John Chantler returns to Room40 with his fifth solo edition. Tomorrow Is Too Late was commissioned by INA GRM for their Présences Électronique festival in 2018 and sees Chantler significantly expand the horizons of his acoustic palette. Moving from subtle microtonal movements to passages of intense harmonic saturation, Tomorrow Is Too Late is his most dynamic work to date. A powerhouse of reductive intensity that bares witness to Chantler’s uncompromising son…
Array expresses the experience of a remote Antarctic research station through the convergence of sound, site and performance. The result is an immersive and affective experience of the spaces, protocols and conditions comprising the bracing polar environment. Array is a companion piece to Polar Force, a performance-installation work by Philip Samartzis and Eugene Ughetti, presented by Speak Percussion. Array features recordings of radar and scientific instrumentation used for upper atmospheric r…
Overview 'On Zone 7 New York artist Christina Giannone creates sound worlds that act as portals to the interiority of our lived experiences. These portals appear like shimmering nebula, distant but compelling, calling our attention and sparking us to reach out towards them. Through a series of drifting passages her record maps out a possible trajectory into the recesses of our often under explored subconscious. This is not a didactic music, rather it is invitational and maintains a constant flow…
Notes from Steve Roden on Oionos :'Oionos was created for the exhibition The Grand Promenade, in Athens, Greece. The exhibition took place in various archaeological and historical sites in central Athens, creating a situation for contemporary site specific works to be in dialogue with their historical surroundings. While it was not originally offered as a possible site, I pleaded with the curator to allow me to work with architect Dimitris Pikionis’s Church of St. Dimitris Loumbardiardis, abo…
From Mike Cooper ‘This is a soundtrack for an otherwise silent film. The title of the album, and of course the film, is borrowed from my late friend Fred Hardy’s book The Religious Culture of India - Power, Love and Wisdom, considered to be one of the most important books on the subject. In this book Fred wrote...“In 1835 the historian Macaulay investigated whether there was anything in the traditional Indian systems of learning and education that could be used in the training of native personne…
Melbourne based percussionist and composer Maria Moles charts out an electro-acoustic familial history with 'For Leolanda’. Drawing on family roots in The Philippines, she extrapolates rhythm and timbre from the diverse musics of that country and interweaves them with percussion, synthesizer and singing bowls. Her sonic meditations are open and generous, and they chart out the shape and pulse of memory; both real and imagined. Each piece tests for the relationships between frequency and harmony,…
Tip! Flare Blues reimagines two of Merzbow’s long out of print EPs from 1994, Flare Gun and White Blues. Revisiting the original pieces and adding previously unreleased materials recorded during these sessions, Flare Blues tethers together a set of Merzbow’s most exploratory work, creating a visceral linkage between a pair of vital works. Originally recorded in June 1994, Merzbow's Flare Gun is a pulsating and hammering collection of pieces that grinds ever forward with a sense of bludgeoning de…
Tip! Lawrence English teams up with Xiu Xiu's Jamie Stewart once again for another voyage into ambient music's punishing underworld. It’s their gloomiest slab to date - unfurling nightmarish Lynchian drones and seismic, overdriven rumbles that sound like a Thomas Köner and Wolf Eyes soundtrack to Dante's Inferno.
If the gaseous, clouded noise of 'Material Interstices' sounds as if it could be snatched from one of David Lynch's most unsettling dream sequences, we have to assume that's completely…
Magisterial, psilocybic stuff from Windy City electro-acoustic explorer Olivia Block, returning to Room40 with a filmic new album inspired by mushy trips during lockdown. "During the lockdown, unable to do anything in the world, I turned inward, adopting a regular practice of listening with intention while on psychedelic mushrooms. The mushrooms helped me to listen somatically, pulling my ears towards low tonal patterns and the warped sounds of a broken Mellotron I had recorded earlier. I starte…
* Matte laminated and embossed CD with insert card plus 32 page book featuring an in conversation between Marina Rosenfeld and Lawrence English, and archival photographs and other materials. * For over two decades, New York-based artist and composer Marina Rosenfeld has pioneered a specific language for turntable music, based on an ever-expanding collection of dub plates she creates.
The dubplate is a one-off, hand-cut record. Each dubplate can be made to contain any array of sounds decided on …
Tip! * Monochrome printed jacket, printed inner sleeve, black vinyl.* Teenage Lontano and roygbiv&b, from 2008 and 2011 respectively, comprise two key works by composer and artist Marina Rosenfeld. Both works are choral compositions imagined for and enacted by teenagers.
Premiered in New York’s immense Park Avenue Armory, Teenage Lontano is Rosenfeld’s groundbreaking "cover version" of Hungarian composer György Ligeti’s 1960s classic for orchestra. Teenage Lontano is reimagined as an immersive s…
Toshimaru Nakamura’s No Input Mixing Board instrument is without question one of the most personal and experimental explorations of its kind. Over 10 volumes, Nakamura has stretched the capacities of the mixing console in ways that both shock and delight. He maintains a tireless sense of curiosity, seeking to constantly expand the range of the instrument and subvert its pre- conceived role. On Culvert NIMB#10, Nakamura’s work takes on an incredibly dynamic and at times volcanic quality. Each pi…
* Matte laminated and embossed CD with insert card plus extensive book featuring an in conversation between Magda Mayas and Tina Douglas, plus scores, documentation and photographs. * ctive action has incorporated itself into an imagining of how we might reshape our understanding of community.” The translation of the visual into the acoustic is a powerfully esoteric practice. For Magda Mayas and Tina Douglas, this nexus of sensory curiosity has provided a perfect point from which they have maint…
* Matte laminate and embossed sleeve, printed in monochrome with a full colour artist edition fold out poster featuring the photographic work of Joel Westendorf * ctive action has incorporated itself into an imagining of how we might reshape our understanding of community.” Kristof Hahn is perhaps best know for his role in Swans, where his work on lapsteel guitar has provided a critical and unsteady sense of tonal variation and glissandi. On Six Pieces, Hahn draws upon the legacy of his time to…
* Matte laminate and embossed sleeve, printed in monochrome with a full colour artist edition fold out poster featuring the photographic work of Joel Westendorf * On Jubilee, Los Angeles based artist Robert Takahashi Crouch conjures a profoundly personal vibrational landscape. The edition, which is a mediation on, and suture for experiences of conflict and violence, Jubilee merges longform low-frequency drone work against a reductive sense of harmony. It is a record of hushed intensity, punctu…
* Matte laminate sleeve, insert card and artist book featuring essays and photographs from the Polar Force project. * From Eugene Ughetti: as Philip Samartzis was preparing to leave for his second Australian Antarctic Division residency, he invited me to lunch to discuss the possibility of collaborating on a new work. He recounted his first experience on the ice, where the surrounding landscapes seemed to articulate avant-garde percussion works of an epic scale. On this visit, he wanted his fiel…
n August of 2017, Ross Manning opened his first major survey exhibition, Dissonant Rhythms, at Brisbane's Institute of Modern Art. As part of the exhibition a monograph and LP edition, titled Reflex In Waves, were prepared to celebrate this milestone. Reflex In Waves brings together a series of sonic approaches Manning has been developing for over a decade. Specifically, Manning's work is concerned with waves and the impacts of their resulting vibration. Quietly producing audio works out of his …
* Matt laminate and embossed sleeve, insert card, CD and24-page book with text by David Toop, drawings by Akio Suzuki and photography by Lawrence English * In August 2013, David Toop and Akio Suzuki visited Australia. During a residency on Tamborine Mountain (an anglicized version of the Yugambeh word Jambreen), the pair were joined by Lawrence English for a series of site specific, environment-led improvisations created around the fringes of the Tamborine plateau. Embedded in place, these reco…