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An unusual self-portrait of Maurizio Bianchi in a minimal and introspective version, "a discreet" sonic self-portrait, elaborated with soft and nearly abstract electronic sketches, cyclical waves, tangles of intersected sounds, stratified, continuously changing, manipulated and molded through uses of effects, filters, reverbs, choruses, delay... Expanded paces, rarefied and "apparently quiet" atmospheres, but at the same time always full of a constant sense of gravity and heaviness, of vulnerabi…
Based on the Holy book of Leviticus, chapter 15, verses 19-33. NIDDAH: Plasmatic symphony for electronic particles, erythrocyte frequencies and menarchal viola. EMMHNA: Hemolytic decomposition for neurologic piano, coagulant clangs and leucocyte sonances. The NIDDAH blood represents the life and the life is God's property, and He saves our lives through the EMMHNA blood. This globular realization dedicated to all the ransomed mankind.
The bran new album by MAURZIO BIACHI is the first in a series on SILENTES. M.I. NHEEM ALYSM is a decompositive triad for reverbarating piano and osmosized keyboards, idealized and carried out between the autumn 2003 and the spring 2004. Dedicatated to all the people they proclaim the liberation of the modest minimalistic sound. A true manifesto. M.I. NHEEM ALYSM is the first cd in SILENTES MINIMAL EDITION serie... Silentes Minimal Editions Packaged in a folding cardboard sleeve with insert.