★Streamline
OG23
Ever unpredictable, Kevin Drumm this time takes the fellow time-traveller through what sounds like an electronic field recording, a journey through an electronic soundscape of luminescent textures that invites immersive listening.
Into The Second Half
Icelandic artist and musician Sigtryggur Berg Sigmarsson is known for his work with Stilluppsteypa, numerous solo albums and collaborations with other artists, such as Swedish composer BJ Nilsen. Into The Second Half takes the listener into a mysterious, yet calming sound world, where carefully composed textures weave hypnotically in and out of each other, as subtle as the changes of light in the forbidden zone in Andrej Tarkovsky’s Stalker.
Extérieur-jour
Brunhild Ferrari returns to the scene with this new solo album. Extérieur Jour is comprised of two previously unreleased electroacoustic compositions – the first, a piece of cinéma pour l’oreille, a movie for the ears, and the second, a meditation on the loss and reappearance of memory and silence, recorded in various places across the globe over a period of 15 years.
Hen Ogledd
*2023 repress* Richard Dawson’s folk music has been hailed far and wide for its innovations; Rhodri Davies’ improvised harp playing is similarly regarded. Both have collaborated with a great many improvisers, composers and musicians, but they play together as only kindred spirits can and their music as Hen Ogledd stands in a field of its own.
Bronze
*2023 repress* A giant step from abrasive pastoral into amped-up avant-folk. Hypnotic interludes, ranging from archaic, electrified stomps to enraptured harp and guitar duets, industrial spaces and fragile, ghostly vocal choruses, represent important development as well as a singular musical expression from one of Britain’s most unusual outfits. Mastered for its CD debut by Jim O’Rourke.
Via / Solaia
This bundle includes the two Limpe Fuchs LPs released by Streamline, namely "Via" and "Solaia".* 300 copies, both LPs come with an extensive booklet * Limpe Fuchs’ first solo record came about by accident. Initially, Christoph Heemann invited the famous Anima duo to do a studio record in his home-town Aachen, but Paul Fuchs decided not to join in, so Limpe went on her own – and the recording sessions taking place in late 1986 and early 1987 turned out to become “via”, Limpe’s first solo-record a…
Over The Edges
*2022 stock* Andrew Chalk's Over the Edges was recorded in one day at Colin Potter's studio, using only two strings of an acoustic guitar played with an E-Bow. The results belie the simple sources, and the album is a rich drone texture which draws the listener into its sound world. All four tracks share a common language, a slightly buzzing, gently undulating drone in a lower register, often layered until the pitches grow together. But each track also has noticeable differences from the others. …
Via (LP)
Tip! * 300 copies, comes with an extensive booklet * Limpe Fuchs’ first solo record came about by accident. Initially, Christoph Heemann invited the famous Anima duo to do a studio record in his home-town Aachen, but Paul Fuchs decided not to join in, so Limpe went on her own – and the recording sessions taking place in late 1986 and early 1987 turned out to become “via”, Limpe’s first solo-record and the (visible) starting point of her ongoing exceptional career as an internationally performing…
Solaia (LP)
* 300 copies, comes with an extensive booklet * Limpe Fuchs’ first solo record came about by accident. Initially, Christoph Heemann invited the famous Anima duo to do a studio record in his home-town Aachen, but Paul Fuchs decided not to join in, so Limpe went on her own – and the recording sessions taking place in late 1986 and early 1987 turned out to become “via”, Limpe’s first solo-record and the (visible) starting point of her ongoing exceptional career as an internationally performing, ind…
Drifting My Folklore
Unleash your inner caffeine-addicted Zipper model in the privacy of your own abode, now given added lustre thanks to the premiere vinyl release of Oorutaichi's Drifting My Folklore on Streamline Records! Remember the time you tried to imagine your cat reversing a balloon landing so you could both escape? When you first realised that vaporwave and black MIDI had broken Trevor Horn's glasses on the cover of Adventures in Modern Recording? Recreate and synthesize all these experiences and mor…
From the Host of Late-Comers
"From the Host of Late-Comers represents the latest challenge manifested by Plastic Palace People, the duo of Jim O'Rourke and Christoph Heemann, who have been collaborating continuously (even though in a largely unnoticed fashion) since 1989. Previous Streamline releases from Mimir contain some of their earlier work; Plastic Palace People first saw release in 2011. After two releases in quick succession, it has been a long wait for more, and finally here is a recent piece of work from the…
Macchia Forest
An organic audio forest of analogue electronics, electro-acoustic sounds, sound-sculpture instruments plus singing and piano, even (outrageous!). "The guy from HNAS with the wonderful lady from Anima, plus one of Christoph Heeman's buddies from the project In Camera. Homemade marimba, voice, violin, hand drums, trumpet, autoharp, & electronics slip around each other quietly. Heeman knows how to be ominous, and Fuchs knows how to be squirrely, so they complement each other really well." Weirdorec…
Luz
From the very start the world around you is singing. There's a distant conversation spoken through the trees, but it stays unclear against the clarity of the songs of the forest. Within that life the forms of the heart open up, as if immediately transported to a city-wide window, with only the view of afternoon traffic below, the burning concrete, and the inside of a small apartment. Nothing more than a toy piano lifting its head over the plumes of steam from a cup of tea. Momentary narrat…
I, Anatomy
Celer combine the chapters of 'All At Once Is What Eternity Is' and 'The Die That's Caste' EPs with new side 'I, Anatomy' to form a sumptuous extended narrative. The new material comprises two play-thru sides expanding and contracting between string swept serenity, blooming drone, location recordings and back again making for a truly transportive, blissful experience. Much the same can be said of their two EPs which were originally issued on 3" CD in 2007. Again using strings, theremin, t…
Plastic Palace People Vol. 2
The departure from Volume 1 starts here! Found sounds, field recordings and and more, echoing to you from way back in 1992. Straight out of Achen! Second in this on-going series of collaborative works recorded in the early 90’s by christoph heemann & jim o’rourke, later conceptually aligned with the mythos of noel scott “walker” engel ... contrasting vol. 1’s “synth freakout” bluster entirely, this is instead a single, extended musique concrète piece (heavily reminiscent of luc ferrari’s later…
A Red Score In Tile
Composed way back in 1979, 'A Red Score In Tile' eventually surfaced as a vinyl-only edition in 2003. Made up of piano, this shows Basinski's patented tape-loop technique perfectly and still stands as one of his most affecting pieces of music. If you've heard 'Melancholia' you'll likely know what I'm talking about, piano notes are transformed into tones by the slowly disintegrating tape, and the loops become motifs all of their own. The beauty of Basinski's work is in its patience, and this earl…
Plastic Palace People Vol. 1
Jim O'Rourke and Christoph Heeman have been collaborating since 1991; that's before MP3s, before witch house, and before the release of Arachnophobia. Hell, that's back when also-ran comedian Michael Keaton was still Batman. The two musicians have now seen sense to offer up a collection of rare, unreleased recordings from their probably massive archives and this Scott Walker-referencing disc is the result. Those familiar with Heeman's work, or O'Rourke's more experimental side will no doubt be u…
Move Ground
This is based on the soundtrack of an audio video installation and basically has been constructed from field recordings of various locations around the city of Cologne. The theme is an exploration of space and acoustics with sounds of background noise mixed with new electronic sounds. It's fairly sparse and minimal and at various points I can hear the sound of my typing drowning out the record. There are certainly some interesting sounds though once things get going, particularly on side …
Bloomington, Indiana... Autumn
Recently reworked and remastered, this LP was recorded in the 1990s, uniting Lee Ranaldo and Jim O'Rourke (before the Sonic Youth years spent together, of course) with German tape music specialist (and H.N.A.S. member) Christoph Heemann. 'Bloomington, Indiana' is based upon a Lee Ranaldo spoken-word reading, and was originally recorded in the Netherlands during 1994. It features O'Rourke and Heemann manipulating Ranaldo's reading via magnetic tape, creating a morphing new soundscape from the SY …
Red Favorite
Red Favorite, a cycle of compositions for guitars, electronics and voices created by Jeremy Pisani was first released as a limited edition CD on Spirit of Orr and is now offered, as it was originally conceived to appear, on an LP. He moved closer and looked through the peephole. And he saw: the world stretched out before him, a quiet and gentle space with a broad expanse of grass that practically glistened in its greenness. A sparkling brook ran through the meadow in the middle distance, and now…