★Streamline
Saiten In Flammen
Saiten In Flammen, a new album by Charlemagne Palestine and Christoph Heemann follows their collaborative work on Palestine's heavy-metal-piano workout The Apocalypse Will Blossom with a more textural approach. As on The Apocalypse... the only sound source used throughout these two electro-acoustic explorations of the lower depths is the Bösendorfer Imperial Grand Piano, notorious for its unique resonant qualities. The title is a German translation of 'strings aflame.' ...looking directly at the…
Incoming
Long out of print, John Duncan's release Incoming continues his work exploring the inner qualities of electronic drones in conjunction with shortwave radio, itself an extension of his work in pirate media, including both radio and television. The title track builds from metallic scrapes, layered with intense electronics, garbled vocals, descending electronic whines reminiscent of the final section of Karlheinz Stockhausen's masterpiece Hymnen, shortwaves, white noise, and digital pops. It is one…
Eye Of The Storm
The second Mirror album Andrew Chalk and Christoph Heemann produced together in 1999, originally released as a limited edition vinyl LP, is now available on CD for the first time. Andrew Chalk and Christoph Heemann think that it is a very boring idea to try to find descriptions for their music (and most music in general). Why is the music there after all? If they wanted to make their artistic statements in language, they would work as writers. They like to say it in sound, so if you want to find…
Long Night
Long Night, a 2 hour electronic drone work produced by Jim O'Rourke in 1990 around the time of his graduation from music school had been buried in the archives along with several other electronic music pieces Jim had created before he went about to explore other musical territories. Unearthed, remastered and now released for the first time, its ageless qualities shine as brightly as ever.
Im Schatten Der Mohre
The long awaited CD issue of the long-deleted and sought after fourth H.N.A.S. album. A few months after the original LP version appeared on DOM in June 1987. Jon Carbon (Certain Music) wrote: 'Germany's most bizarre underground terrorists have struck again with an even more surprising blast of avant-weirdness. The group centered around Christoph Heemann and Andreas Martin have created a carefully crafted and most diverse, yet cohesive journey of soundscapes, drones and songs that reminds us of …
Nur Mar Mus
It is no exaggeration to say that Limpe Fuchs' musical creations really have a life of their own, whether the sounds are produced by conventional instruments, vocal chords, or even from objects she found or constructed specifically for that purpose. Her music is characterized, especially when she is playing the ballastring instruments, by the reverberating humming of the strings, rich in overtones, and by the mysterious echoes emanating from stones. For Limpe Fuchs, music means setting out on a …
Muusiccia (metal/stone)
the duo of Paul and Limpe Fuchs emerged onto the experimental/free improv scene in Munich in the late 1960s as Anima. Both worked with a number of both conventional and homemade instruments. “Muusiccia” was produced by Limpe and Christoph and released in 1993. Very rare, long deleted now