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2023 Repress American composer and multi-instrumentalist Alvin Curran has remained one of the great emblems of experimental music for the last half-century. In 1966, along with Frederic Rzewski and Richard Teitelbaum, Curran co-founded Musica Elettronica Viva, a seminal gesture in collective free improvisation. In the early '70s, his solo work would become a crucial bridge between minimalist traditions on both sides of the Atlantic. Canti E Vedute Del Giardino Magnetico, Curran's solo debut, was…
Phill Niblock’s riveting and rare work for Joseph Celli sees necessary and long-awaited reissue on the amazing Superior Viaduct, who continue to carefully and studiously unfold the history of avant-garde and experimental music before your ears.
It comes as no surprise that Andrei Tarkovsky, master of Soviet cinema, turned to composer Eduard Artemiev to score his two lyrical and haunting films, The Mirror (1975) and Stalker (1979), as he had done for Solaris (also available on Superior Viaduct). Artemiev’s magnificent soundtrack to The Mirror is the natural follow-up to Solaris. Dense, slow-moving, and often disorienting mood pieces with Baroque sensibilities resonate beyond the film’s dream-like images. For Stalker—Tarkovsky’s other sc…
Faust stand among the most influential creative forces to have emerged from Germany in the late '60s and early '70s. Along with Can, Agitation Free, Neu! and others, they rejected the Anglo-American norms of rock 'n' roll to start a back-to-basics and uniquely Teutonic revolution in sound – later dubbed by the UK press with the semi-derogatory term "krautrock." They would reach near-mythical status through a series of classic albums recorded between 1970 and 1973 at their secluded Wümme studio.A…
Following the release of lo-fi electronic masterpiece I Don't Remember Now / I Don't Want To Talk About It and his brilliant follow-up Plaster Falling, Cincinnati-based artist John Bender began assembling his third and last album, Pop Surgery, in late 1982. While all of Bender's work draws from intimate home recordings – featuring the artist alone with various keyboards, analogue sequencers and tape delays – Pop Surgery remains the one that perhaps best distills his arrant deconstruction of the …
In 1984, Spacemen 3 made their first-ever recording session and sold a few cassettes at now-legendary, incendiary gigs. Growing out of the dual guitar attack of Jason Pierce and Pete Kember, the band's three-piece line up with Natty Brooker on drums offered a liturgical take on '60s psychedelia, bare-knuckle blues and stunning feedback.This early glimpse into the Spacemen 3 cosmos – crafted by and for all the fucked-up children of this world – captures the band's unorthodox approach to rock 'n' …
Steve Reich's Drumming is regarded as one of the most important musical works of the last century. Distilled through his studies of African percussion in Ghana during 1970 and Balinese gamelan music, Reich revolutionized our understanding of polyrhythms, sculpting a new sonic territory to illuminate the radical potential of Minimalism.Divided into four sections, performed without pause, Drumming is written for eight small tuned drums, three marimbas, three glockenspiels, piccolo and voice. The s…
There is no figure in Italian music, nor within the country’s shimmering, expansive avant-garde, who demands the respect and awe offered to Franco Battiato. He is the beginning and the end. An artist whose output, stretching across six decades, is so diverse and singular, that it defies any concrete definition - darting from psychedelic Prog, definitive gestures in the history of Minimalism, to the heights of explicit Pop. Like many of his contemporaries, Battiato’s journey toward avant-garde an…
No band captures the DIY punk ethos better than The Mekons. As one critic wrote of the group, "Those who couldn't play tried to learn and those who could tried to forget."Their debut EP first appeared on Fast Product in 1978, featuring the collective's original six-piece lineup and delivering three startlingly original songs – "Never Been In A Riot," "32 Weeks" and "Heart And Soul" – that never appeared on any of their albums. Like fellow Leeds misfits Gang of Four and Delta 5, The Mekons form a…
No band captures the DIY punk ethos better than The Mekons. As one critic wrote of the group, "Those who couldn't play tried to learn and those who could tried to forget."The Mekons' second 7-inch stands as a lasting monument to the punk era. "Where Were You," an anthem with chiming guitars, military-style drums and snotty lyrics, may be one of the most epic songs written with just two chords. The angular spasms and up-front bass thump of "I'll Have To Dance Then (On My Own)" would become tenets…
Originally self-released in 1984, A Beard Of Bees has been out of print for almost 25 years. Among This Kind Of Punishment's myriad recordings, A Beard Of Bees best outlines the collective vision of the Jefferies brothers. Their classic second album feels more meticulous than its predecessor, proffering a grey, near-Mancunian influence that serves as both touchstone and springboard for the proceedings. The unique maneuvering on "Trepidation" is a marvel: guitar sweetness shifting toward melancho…
In the fertile terrain of New Zealand's 1980s post-punk scene, few figures loom as large as the Jefferies brothers. Graeme Jefferies and Peter Jefferies – the primary forces behind This Kind of Punishment – wrote some of the best music to come out on Flying Nun, Xpressway or elsewhere. A dizzying mix of pastoral ballads and DIY experimentation, TKP's songwriting was at once classic and acutely raw. On their self-titled debut, the Jefferies brothers and Chris Matthews eschew the punk-informed mod…
Unwinding history - catching a glimpse of its truths, can be a near impossible task. There’s an understandable tendency to look in the obvious places, seeking generality and concise definition to guide the way. While this presents obvious paradoxes within the fields of avant-garde sound practice and experimental music - territories which, by their very nature, are resistant to genre, categorization, and definition, the impulse persists, allowing strange and singular free-standing efforts to slip…
CD Edition, temporary offer Philosopher, musician and anti-art activist, Henry Flynt has long foregone the academicism often associated with "serious music" in favor of a uniquely intuitive, emotional approach to composition. In the 1960s and 1970s he was a part of NYC's vibrant avant-garde scene, studying with Hindustani singer Pandit Pran Nath and developing his own proprietary technique on violin. You Are My Everlovin', Flynt's first published musical work, finds the composer in peak form at…
Pollution from 1972 is the captivating follow-up to Fetus. Like its predecessor, the album features Baroque textures, motorik rhythms, weird tape effects and Franco Battiato’s perfectly oblique vocals, with a minimalist sound mainly based on the use of a VCS3 synth, unusual lyrics, complex arrangements: upon hearing Pollution, Frank Zappa joyfully proclaimed it “genius.” While Battiato’s core group of collaborators remains largely the same as on his debut, this phenomenal band (joined by an eigh…
"Fetus is an album beyond all definition. It's a masterpiece of daring and wild risks that work every single time. Battiato takes us through eight uniquely super-detailed songs that tug at the heart strings as no other experimental record ever could." Jim O' Rourke. Franco Battiato is often heralded as Italy's answer to Brian Eno. A quizzical composer/lyricist, Battiato turned pop music upside down in the early '70s with three classic LPs – Fetus, Pollution and Sulle Corde Di Aries – that for…
CD version. Reissue issue of an album described by Byron Coley as “the best rock record ever recorded”. The Flesh Eaters is the name behind one Chris Desjardins a.k.a. Chris D. Taking his stage name from a 1964 cult film, Chris D. wrote for legendary fanzine Slash in the late ’70s and assembled the first of many Flesh Eaters lineups from heavyweights in the burgeoning L.A. punk scene. After releasing a ravenous EP and heart-ripping debut album, The Flesh Eaters unleashed their era-defining state…
DNA burst onto NYC's underground scene in the late '70s and recorded their lone single at Ultima Sound (the same studio where Suicide made their first album) in May 1978 just weeks prior to the pivotal No New York sessions with Brian Eno. Featuring the original lineup of Arto Lindsay (vocals/guitar), Robin Crutchfield (keyboards) and Ikue Mori (drums), You & You is DNA's indelible debut that perfectly captures the anti-movement of No Wave: clearly defined and purposely oblique with traditional r…
John Coltrane transformed the inner architecture of jazz throughout the mid-1950s and 1960s and long after his premature death at age 40 in 1967. No other American musician could be said to be at the spiritual center of the '60s musical universe as Trane influenced Albert Ayler, La Monte Young, Jimi Hendrix and everybody in between.Cosmic Music, originally self-released by Alice Coltrane in 1968 and later issued by Impulse!, features two tracks ("Manifestation" and "Rev. King") by John Coltrane'…