★Table of the Elements
Live at Federal Hall National Memorial, 1981
Arnold Dreyblatt is one of the most engaging of the second generation of New York minimalists. During a three decade career he has developed a distinctive -- and delightfully accessible -- approach to composition and performance. Employing modified and invented instruments and a unique tuning system, his music is a vigorously rhythmic and richly textured romp through the natural overtone series. This live CD celebrates the 25th anniversary of Dreyblatt's historic concert at Federal Hall in New Y…
Specimens
Melissa St. Pierre tosses classicism and post-classicism overboard, utilizing the prepared piano -- John Cage's notorious instrument of choice -- and electronic enhancement to sail resolutely in the direction of rock & roll. Peppering the strings, hammers, and dampers with a variety of objects, she transforms the piano's typical timbre: sparkling gamelans chatter; harrowing voodoo drums call out in the night. Specimens, St. Pierre's debut, features production and performances by Collections of C…
Metals
Percussionist Jon Mueller works with rhythms that come from gong frequencies, from vibrations of the bodies of bass drums, and the surprising sonorities that occur with the combination of these elements. Now he applies these techniques to his latest solo effort, to stunning effect: Metals is, as its name suggests, a bold, all-percussion foray into heavy metal. No theatrical silliness here; just sheer exhilaration; the fundamental power of loud, organized, precise rhythms; ringing, heavy anti-mel…
Bury The Square
From the vibrant Southern quasi-capital of Durham emerge Megafaun, wearing earnestness across the chest and abstraction along the sleeves. They pour forth dulcet harmonies, as seeking vocals tug banjo lines up the Appalachian mountains; redemptive noise soaks everything, like thick air wafting from the Atlantic. Clawhammer banjo and strummed acoustics lock and roll with electric guitars and electronic textures. They realize that folk implies deep, personal, intense expression, whether the instru…
Birds
Collections of Colonies of Bees sweep in grandly, in billowing swarms of sound, borne aloft on a thousand wings of minuscule, elegant detail. Guitars chime and soar, recalling the best campaigns of the guitar armies of both Glenn Branca and Rhys Chatham; deft yet intensely focused percussion propels towards an inevitable dawn; covering it all is a gossamer veil of subtly nuanced electronica. Their CD Birds is joyous, epic minimalism in exquisite registration, a sound that is dazzling -- and as s…
Two Gongs (1971)
The hour-long Two Gongs fills the entirety of [this] disc with its ethereal, droning psychedelia. While written in 1971, the '89 recording documented here features Chatham, along with fellow composer Yoshimase Wada coaxing heavy, overlapping tones out of a pair of Chinese gongs. The instruments buzz and hum, moving in waves from deafening rattles to soft, muted drones. The monstrous noise that Chatham concocts is far more akin to the seismic crashes of monstrously distorted guitar feedback than …
guitar trio is my life
Utilizing multiple electric guitars and a single chord, 1977's Guitar Trio is composer Rhys Chatham's signature work, and a euphoric, minimal-punk classic. Now, to celebrate the 30th anniversary of Guitar Trio on an epic scale, Chatham musters an all-star guitar army for the 3CD set, Guitar Trio Is My Life! The sprawling collection features members of Sonic Youth, Swans, Tortoise, Godspeed You! Black Emperor, Hüsker Dü, Modern Lovers, Silver Mt. Zion, Town and Country, Die Kreutzen, 90-Day Men, …
Jean of Arc
Tony Conrad is a founding father of 'minimalism' and a giant in the American soundscape. The indefatigable Conrad kept busy during the Revolution Summer of 1968. In addition to his reunion recordings with John Cale (documented in the Cale set New York in the 1960s), Conrad starred in Ira Cohen's legendary film The Invasion of Thunderbolt Pagoda and made extensive solo recordings, including 'Joan of Arc', available here for the first time. One of Conrad's personal favorites, it's a long piece for…
Fantastic glissando
It's 1969, and Tony Conrad wants to take you Higher. Celebrated for the thrilling roar of his amplified violin, Conrad is a founding father of 'minimalism' and a giant in the American soundscape. Now Conrad's own Audio ArtKive imprint presents the first in a series of releases that reveal the wild breadth of his 40-year career, including field recordings, piano compositions, film soundtracks and more. Fantastic Glissando (1969) is a series of (d)evolving electronic compositions created with sine…
Bryant park Moratorium Rally
An October afternoon in 1969. Midtown Manhattan. A rally in Bryant Park against the Vietnam War. Down 42nd Street towards Times Square, Tony Conrad is adjusting microphones in his 5th floor loft, one directed at the TV set -- where it will pick up live local news coverage -- the other pointing out the window, where the echo of speeches and crowd noise mingles with the oceanic rush of crosstown traffic. As the event is about to begin, he rolls tape. Thirty-four years later, we hear what he heard.…
The expanding sea
Georgia natives San Agustin (David Daniell, guitar; Andrew Burnes, guitar; Bryan Fielden, drums) have performed with a multitude of notables from the improvised community, including Ken Vandermark, Thurston Moore, Loren MazzaCane and others, but this boxed set is the first truly representative document of their live presence. Haunting moments of introspection are enveloped in clouds of bluesy guitar notes, then swept away by great electric gales; drones rumble and shimmer in the aftermath. The E…
An angel moves too fast to see
By the late 1980s, Rhys Chatham was chafing against the logistical and financial constraints imposed upon him in the States; in his mind was a vast, unprecedented sound. Moving permanently from New York to Paris, Chatham began composing his masterpiece, a piece for one hundred electric guitars, electric bass and drums. The result, An Angel Moves Too Fast to See, is one of the most extraordinary works in the minimalist canon, one that demonstrates the majesty inherent in Chatham's amplified imagi…
Die Donnergötter
Rhys Chatham altered the DNA of rock. The New York-born composer began as a classically-trained prodigy, but by 1975, Chatham was fusing the overtone-drenched minimalism of John Cale and Tony Conrad with the relentless, elemental fury of the Ramones. It was an inspired amalgamation -- the textural intricacies of the avant-garde colliding with the visceral punch of electric guitar-slinging punk rock -- and with it Chatham created a new type of urban music. Raucous and ecstatic, this sound energiz…
February
Jonathan Kane; now why does that name sound familiar? Well, apart from co-founding no-wave group du jour Swans he also cemented his skin bashing prowess as rythem master for Rhys Chatham. So it is with some considerable experience that he takes his first solo forray on 'February', a loud & proud collison of artlilliary drumming and bluesy rock instrumentation. Opening with 'Curl', Kane has an adherence to strict rythms and serialistic intent that borders on the Neu! for repetative cohesion, with…
New York in the 1960s
These recordings are solo efforts on electronic organ - the awesome Vox Continental, guitar and viola as well as collaborations with saxophone player Terry Jennings, violinist Tony Conrad, Velvet Underground guitar player Sterling Morrison and the VU's original drummer Angus MacLise. Thanks to Tony Conrad, who was a co-member in La Monte Young's group The Dream Syndicate, these tapes are finally available to the public.
Détails Agrandis
This collection of three pieces is dedicated to artists and musicians whom Bernhard Günter admires. The collection's title translates to "Enlarged Details," an apt description of Günter's approach to composition. Musically all of them involve a limited vocabulary of sounds interacting with silence. "Four Grey Paintings" uses low rumbles hovering at the very edge of audibility, interrupted with high-pitched tones and metallic twangs. Dedicated to Jim O'Rourke (an early champion of Günter's music)…
Ordier
"Though the era of punk was widely regarded as a time of extremes, legendary group Wire and guitarist BC Gilbert provided the most problematic, visionary and ironic response to the music scene of the mid-'70s. The angular minimalism of their sound, the abstract, deadpan lyrics and a penchant for confrontation betrayed the art school origins and made Wire an idiosyncratic triumph. With bravery, integrity, absolute courage and energy -- and more ideas and concepts than any other musician of his er…
Early Minimalism vol. 1
Four CD box set with 96-page book and enhanced CD-ROM featuring interviews, performance footage and video scores. Includes the massive "Four Violins" (1964) -- one of the world's most important and space-inhaling pieces of music ever, which was only briefly available on LP. Mainline it as loud as you possibly can. Plus: "Early Minimalism: April, 1965" (for solo violin and string quartet) ; "Early Minimalism: May 1965" [performed here by Conrad, Alexandria Gelencser (cello) and Jim O'Rour…