★The Grey Area
Earlier / Later (Unreleased Projects Anthology 74-89)
Selected from over seven hours of archive recordings, the majority of which has never before been available, Earlier/Later - Unreleased Projects Anthology 74/89 documents a fifteen-year period of private research and personal development by Richard H. Kirk. Committed to cassette and then forgotten, they have been transferred onto CD with a minimum postproduction. Throughout the two CD release is evidence of Kirk reinventing himself through the sparse dynamics of dance music and laying down the g…
The Crackdown
2022 Re-press on limited edition Curacao colour vinyl * Stone cold classic Cabaret Voltaire from 1983, resplendent in a new master, and framing the band getting electro-funky after the departure of Chris Watson - a huge influence on everyone from Ministry and NIN to Mark Fell and even early Goa types ‘The Crackdown’ marks the point, after Chris Watson’s departure, when the Sheffield legends bridged earlier experimental urges with a funkier steez owing heavily to Afro-American dance music. As th…
Micro-Phonies
* 2022 Re-press on limited edition Curacao colour vinyl * Remastered edition of the Cabs’ 1985 classic, newly cut in ’22 and coiled with template-setting sampler and machine funk that would spawn a wave of imitators. “Known for being the harder, more experimental album of their “Pop” period, ‘The Covenant, The Sword and The Arm of The Lord’ was originally released in 1985 and includes the classic ‘I Want You’. The album embodys Cabarets Voltaire’s industrial electro-funk sound and their punk et…
The Covenant, the Sword and the Arm of the Lord
* 2022 Re-press on limited edition white colour vinyl * Remastered (from original tapes) reissue of The Cabs' 7th studio album, originally released in 1985. ‘The Crackdown’ marks the point, after Chris Watson’s departure, when the Sheffield legends bridged earlier experimental urges with a funkier steez owing heavily to Afro-American dance music. As these things (still) go, the album would really strike a nerve with US industrial audiences, effectively reframing and selling back their own funk, …
The Covenant, the Sword and the Arm of the Lord
Remastered (from original tapes) reissue of The Cabs' 7th studio album, originally released in 1985. "Cabaret Voltaire, alongside Human League, Throbbing Gristle, Fad Gadget and The Normal, were at the forefront of the UK electronic movement of the late 70s. Way ahead of their time, Cabaret Voltaire’s blend of dance music, techno, dub, house and experimental made them, without a doubt, one of the most influential acts of the last 35 years.
1974-76
* 2LP, originally released on cassette by Industrial Records 1978. Comes with a download code * A selection of material recorded by Cabaret Voltaire during the earlier and formative years of their existence. All of the recordings were done in an attic 10 feet by 6, on a domestic reel to reel tape recorder. A number of the recordings here were part of those which made up the now legendary limited edition cassette released by the band in 1976. "The Cabs’ prescient volley of noisy recordings made i…
Journey Through A Body
Recorded in Roma in March 1981. It was recorded in five days, a day per body section. No tracks were re-recorded or added to after their day. Each was immediately after recording. No tracks were pre-planned, all tracks are invented directly onto the tape.
In The Shadow Of The Sun
In the Shadow of the Sun is an improvised "score" created by Throbbing Gristle for the Derek Jarman 1980 super-8 film bearing the same title. It is an example of what Throbbing Gristle founder Genesis P-Orridge called "Ambient video", used to "enhance or complete an environment."
D.o.A. The Third And Final Report
1991 CD reissue of the 2nd TG album, originally issued in 1978; digitally remastered by Chris Carter. Adds 2 bonus tracks from the legendary Sordide Sentimental 7" ("We Hate You (Little Girls)" & "Five Knuckle Shuffle". Breaking from the live sound of the previous Second Annual Report, D.O.A. finds the group assembling collages of computer noise, cassette tapes on fast forward, looped feedback and tape hiss, surreptitiously recorded conversation, threatening phone calls, and much more, all to a …
Red Mecca
It's a taught, dense, horrific slab lacking a lull. Dashes of Richard H. Kirk's synthesizer are welded to Chris Watson's tape effects for singed lashes of white noise, best heard on the lurching 'Sly Doubt' and the jolting 'Spread the Virus.' Throughout, Mallinder's sinister jibber jabbering punctuates the high-pitched menace. The record contains all the characteristics that have made the Sheffield group such an influential entity when it comes to electronic music.
Zamia Lehmanni (Songs Of Byzantine Flowers)
Everything else SPK did was either industrial grind or fluffy dance-pop. Zamia Lehmanni lies along the axis of Graeme Revell's other solo projects (see below) and is gorgeous throughout. Its cover is red, gold, and black and the liner notes quote decadent poets in the original French along with a description of copper-colored blossoms from "Against Nature." by J. K Huysmans. You can see the dew on the leaves in a garden enclosed by mold-covered stone walls. The music is urgent gamelan with sampl…