★Trost Records
Live in Europe 2022
Live recordings of heavy weigh Japanese saxophone wizard Akira Sakata Europen tour in 2022. In Greece together with Giovanni di Domenico: piano, Giotis Damianidis: electric guitar, Petros Damianidis: double bass, Stephanos Chytiris: drums; in Italy with di Domenico, Damianidis and Balázs Pándi on drums; and in Belgium with di Domenico, Damianidis and Aleksandar Škorić on drums.
Hidros 9 - Mirrors
Conducted by Mats Gustafsson for two 9 piece chamber ensembles, 4 soloists, tape machine, turntable. Recorded at the Avant Art festival, Warsaw, Poland, 2022. The monumental composition for 27 musicians by Swedish saxophonist, improviser and composer Mats Gustafsson is an in-depth exploration and continuation of the previous piece Hidros o.T. (2019), commissioned by NyMusikk Trondheim, inspired by the mirrored forms and visual structures of artist Mathias Pöschl. Controlling 3 different groups o…
Opus One
'The initial idea behind Ensemble E was to combine traditions of Contemporary Music, Noise, Improvised music, Free Jazz and other experimental music fields and traditions with the deeper music traditions. This is deeper research of traditional and non-traditional ways of expressing folk music of Scandinavia, Portugal, Poland, Ukraine and more. Much more. By putting them next to each other/ on top of each other/ inside of each other. Creating new ways. The instrumentation of Ensemble E is spectac…
Gomberg III-V - Airplay
Mind altering quartertone trumpet experiments from one of the world's most highly regarded and idiosyncratic players.
Why Do You Mourn
The End is near - after two albums on the now defunct UK label Rare Noise, the powerful project of Sofia Jernberg (vocals), Kjetil Møster (clarinet and tenor saxophone), Mats Gustafsson (flutes, baritone saxophone and electronics), Anders Hana (baritone and bass guitar) and Børge Fjordheim (drums) release their third album on Trost. They combine Avantrock, Jazz and a haunting beautiful voice to a seethe mix of emotions, noise, music - a sonic landscape, dynamic and captivating. This album is a t…
Das Orgien Mysterientheater - Musik Des 6-Tage-Spiels 2022
24 years after Hermann Nitsch's first realization of the six-day play (1998), his Gesamtkunstwerk once again took place in July 2022, shortly after the artist passed away in April. "The six-day play of the Orgien Mysterien Theater, is to become the greatest and most important festival of mankind (it is an aesthetic ritual of the glorification of existence). It is at the same time a popular festival and a mystery of existence brought to consciousness. The festival of the orgien mysterien theatre …
Gomberg III-V - Airplay
Big Tip! The alter ego, Gomberg, created by Austrian trumpeter Franz Hautzinger is a tool for him to "overcome his own limitations". Gomberg serves as a foil on which a second personality comes to life and does what he wants. The recordings on Gomberg III-V were made between 2006 and 2018, recorded in Vienna and Brest. Some of the tracks are occasion-related compositions or commissioned works, e.g. a signature for an art space or short works for films, some are the results of collaborations for …
Four Hands Piano Pieces
"Two grand pianos, quasi two orchestras, driven by two of the most distinguished personalities of contemporary jazz: Aki Takase and Alexander von Schlippenbach -- they are having a conversation within the medium of sound. But they complement one another in a way that makes any stylistic differentiation irrelevant. With all the transparency in the course of their playing the dialogical principle opens out into a holistic piano language. What counts is freedom and the responsibility to create some…
Naked Nudes
Recorded at ADA in Peter Brötzmann’s hometown Wuppertal as part of his 80th birthday concerts, Naked Nudes brings together two of his most unusual collaborators, Heather Leigh (pedal steel guitar) and Fred Lonberg-Holm (cello) for one of the most elegiac releases in his discography. The relationships between the players are tonally odd: woozy, mournful, almost baroque blues or even more chamber music in feel, the quality of the interplay is subtle and natural, like modern ballads. In the recordi…
The Less You Sleep
*In process of stocking* Austrian based collaborators of free jazz, improvisation and sound experiments releasing the long awaited debut album of Dry Thrust - the new project by the trio of German pianist and composer Georg Graewe, Martin Siewert (Radian, Trapist, Also) and Dieter Kern (DEK Trio, Bulbul, Fuckhead). Graewe, has since been leading a variety of ensembles since the early 80s - ranging from trio to chamber orchestra formats - which have involved some of the leading instrumentalists i…
Another Way Of The Heart
*2023 stock* "A few rare albums fit perfectly into your emotional state of mind and capture the fragility of our impermanent lives so beautifully as Another Way of the Heart by Norwegian reeds and trumpet player Torben Snekkestad and Danish pianist Søren Kjærgaard. Both Snekkestad and Kjærgaard were associated with the Danish label-musicians cooperative Ilk Music but, unfortunately, their discographies, especially in recent years, don't match their great creative potential.
Snekkestad and Kjærga…
Chinmoku wa ishikure ni yadoru bouryoku
Tip! Inspired by Georg Trakl's "Nocturnal Song" and recorded in separate locations during lockdown 2021. The Japanese free music players Harutaka Mochizuki and Makoto Kawashima excite with their haunting play in the spirit of Kaoru Abe – beautiful and sad and violent at the same time. The French lapsteel guitarist Michel Henritzi mixes the pieces together, they float naturally into a melancholic but vibrant soundpoem, envocating their ghosts, their desires and feeling the mood of Trakls poem, th…
Hidros 8 Heal
Tip! For the 8th edition of Mats Gustafsson's NU Ensemble, Gustafsson focused on the current state of the world, „Hidros 8 Heal" is an attempt to rise and find the questions about the state of things. there is an extreme unbalance on local and global levels at the moment — from ideological, economical, cultural and political perspectives – and we need an equilibrium of some sorts very soon. can it heal ? what can make it all heal? and for how long can it heal?
Anna Högberg - alto and baritone sa…
Schwarzwaldfahrt
In the spring of 1977, two musicians – Han Bennink and Peter Brötzmann – disappeared into the depths of a German deity named Dark Forest…
Refracion Solo
An intimate solo set by Portuguese tenor saxophon player Rodrigo Amado, recorded at the Church of The Holy Ghost (Igreja do Espírito Santo), Caldas da Rainha (Portugal) on 4th July 2021. Amado is a key player of the current European jazz scene and has regular bandprojects with Joe McPhee, Chris Corsano, Hernani Faustino, Alexander Schlippenbach and leads his own groups Lisbon Freedom Unitand Motion Trio.
"The lockdown meant focusing on a different kind of dialogue, a conversation with the tenor …
An Eternal Reminder of Not Today
At the Moers Festival 2018, OXBOW got together with Peter Brötzmann to deliver a memorable performance, bringing out the best of two legends in their very own genres while playing old and new Oxbow songs together.
To Speak
Aaron Turner: guitar, tapes, effects
Turner is known as guitarist of legendary Isis and Sumac, among others. Today exploring with his solo work an abstraction of metal, avantgarde and noise. Brutal and beautiful at at the same time.
Weinviertel Sinfonie
Nitsch loved the countryside where he lived, the austrian „wine county“ – with this release he wanted to combine his music, his art and the landscape.
Recorded on 28th August 2021, Nitsch Museum, MistelbachConductor: Michael MautnerPerformers: Members of the Radio Symphony Orchestra Vienna (RSO Wien)Mix and Master by Christoph Amann, Vienna
Jazz in der Kammer 1974
The first concert of Brötzmann / Van Hove / Bennink in East Germany – 4.11.1974, Deutsches Theater, Berlin recorded by the Radio for the series "Jazz in der Kammer" Nr 71. Linernotes by Bert Noglik, Translation by Jep Bishop.
Le Temps
'There is a beguiling sense of simplicity in the complexity of le temps. In the scale of its orchestra - containing at least samulnori, clubs, bicycle bells, and bathtub plugs - that could be confused for just the kit. In the breadth of technique, in opening, closing, rubbing, and other gestures that confront the ear with a blown snare but could otherwise pass as traditional play. In the seemingly singular focus on one aspect of the kit in each vignette, the metal of rims and cymbals in “ouvertu…