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**330 copies** Umor Rex presents Eleven Pieces for Synthesizer, a collection of synth instrumentals by German composer Carl Oesterhelt. Oesterhelt has been recording a mixture of straddling kosmische and classical traditions for years on his own reel…
Shunter, the new album by the Berlin-based duo Driftmachine, is their most ambitious work to date. Although instantly recognizable, featuring their trademark Kosmische and Avant-garde sounds, it also presents a new journey into abstract and hallucina…
Recorded during a vacation on the big island, Hawaiki Tapes is somewhat of an anomaly in the M. Geddes Gengras music - A series of short, improvised sequences voiced by a small plastic digital synthesizer, minimally processed in real time & jacked st…
"Exit Future Heart" is an LP of improvised sessions by the conjoined ensemble of Tokyo—based abstract pop duo Dustin Wong and Takako Minekawa and Chicago’s free music trio Good Willsmith. "Exit Future Heart" follows three Good Willsmith albums releas…
Byron Westbrook is an artist and musician based in Brooklyn, NY. His work focuses on dynamics of perception using sound, lighting and video to interact with architecture and landscape, often pursuing routes that involve social engagement. Confluence …
Kohl is the dub-based project of New York City artist and musician Nathaniel Young. With Kohl, Nathaniel focuses on enveloping melodies and sounds that are often contrasted with subtle and evolving minimal textures and the rhythmic patterns generated…
Hand-numbered cassette limited edition of 120 copies Leslie García and Paloma López (Mexico City) have been working for several years around the intersection of music, art-installation and science, with sound being the primary objective of their anal…
Umor Rex saddle up a session of dusty modular kosmische from Phantom Horse, paying homage to the original templates of Cluster/Harmonia and the rhythmelodic patterning of Moondog in five horizon-scanning variations. Best checked for the alien tone …
Recorded with a modest hardware setup in Geneva - one drum machine, a few synths, a sampler, plus effects - the ten miniatures on LEVELS’ debut S/T are nonetheless dense in atmosphere and mood, often immensely beautiful beyond their means. As sugg…
Hailing from Cologne, Mikrovolt is the nom de plume of music journalist and radio author Veit König. Recorded sporadically over the last six years, his first release I is the culmination of a hitherto undocumented musical journey. König has always…
“By restricting myself, I feel like I'm connecting with a larger arc of producers throughout time,” explains Leo Maymind. “People who were crammed into a corner of their bedroom with headphones on while the rest of the world was out gallivanting.”…
Damon Carruesco departed his decade on bass with Chicago’s minimalist fringe rockers Disappears in 2015, deciding experimental music more his thing and opting to pursue the bold sound of TüTH. Aiming to search out his own limits, potential, and ab…
A distillation of cultural memory through electronic process, James Place - the creative guise of New York native Phil Tortoroli, returns with his third release for Umor Rex. The sonic realization of love and loss, re-sculpted for the Post-Modern …
Thé Déluge is the new moniker of French musician Vincent Caylet. While Caylet’s previous outings as Cankun (released on Not Not Fun and Hands in the Dark) were blissful psychedelic sundrenched jam sessions, Forest Structures sees Caylet largely jetti…
Mukqs is the solo moniker of Max Allison from Chicago trio Good Willsmith. ダメ人間 ("dame ningen," which translates into "useless person" from Japanese) comes off the heels of Good Willsmith’s well received Things Our Bodies Used to Have (their third re…
Missing Organs is Tristan Bath, a British musician and writer based in Vienna, Austria. Old Speakers deploys a bottomless variety of instruments, beats, and techniques, all refined and rewritten —somewhat accidentally— into a document of the period o…
The fourth album of Driftmachine is not an album in the classical context, it´s a collection of new studio music, remixes of Shackleton and The Sight Below, and material previously available only in digital formats.LP limited edition of 350 copies …
Koen Holtkamp’s music is never quite what it seems. There are distinct textures, tones, structures, relationships, and references —the things that bring us back again and again, but the undercurrent remains elusive. For listeners unaware of Holtkamp’…
Berlin-based duo Driftmachine returns with another striking piece of music. "Colliding Contours" is a shape-shifting album made from kosmische, dub, Industrial and Avant-garde elements. It's all held together by tense grooves and a post-club, eerie e…
Things Our Bodies Used to Have”, the second LP by Chicago-based trio Good Willsmith, explores possible intersections of textural noise collage, cosmic synth meditation, and abstract music in a live suite of layered improvisations. Limited clear vinyl…