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'It was on a night when sleep simply would not come, not matter how long I sprawled on the grass or how many pages of my book I leafed through. The black shaggy 'thing' expelled all the breath in its body. Phu phu phuu. And as it did so, something gl…
"Rumble // feedback // electricity. Only sound. The guitar is not dead. It is still humming and I believe in it. Copper wound is copper wound, today and yesterday. Magnets are magnetic, today and yesterday. Wood is wooden, today and yesterday. Electr…
David J. Smith (Guapo, Miasma & The Carousel Of Dead Horses) releases a second set of recordings as The Stargazer's Assistant. Following The Other Side of the Island on Aurora Borealis, Shivers and Voids is a union of instrument, voice and tape. A so…
The forsaken mother has birthed a godhead. A triune declaration of intent rich in the beliefs of the Tabula Smaragdina and Solomonic Magic. Asmodai-Sammael reigns as the king of impurity spreading his blackened sovereignty like so much tar upon the h…
Marcia Bassett (Double Leopards, Hototogisu) rears Zaimph's vile head once again on La Nuit Electrique. A raspy, delicate instrumental passage begins like a crippled music box. Elegant and soporose. Blackened guitar and amplification apprise the rest…
Nysa represents a compendium of turbulence and singularities. The sound for drunken states on mythic mountains. A studio reshaping of several live performances with custom computer programs, gestural input devices, and circuit-bent electronics. It wa…
Aphotic Leech is the first movement in a series of ever changing modes which make up what Half Makeshift has slowly become. A bath of heavy drone and bitter piano chords strewn over top of subtle glitch work and manipulated percussion, Aphotic Leech …
Klangmutationen are an mystery. More could be said about what their music isn't than what it is. Hailing from Kuala Lumpur, Malaysia, the underground experimentalists pierce the veils of Eastern and Western music. Recalling early sets on FMP as well …
Trembled has returned, triumphantly. Released by Utech Records (046) in the summer of 2006 on limited cdr. The principal live recordings from Toronto have been remixed-remastered and include a rare performance of Swans 'No Cure for the Lonely'. The c…
Jaime Fennelly-oscillators, bass drum, electronics. Chris Forsyth-guita. Shawn Edward Hansen-EMS synth, the brothers zoto. Chris Heenan-contrabass clarinet. Recorded at Improvised & Otherwise Festival, Brooklyn, NY, 5-7-06 by Seth Misterka (track 1),…
ames Plotkin began his musical career as the guitarist for metal band Old with vocalist Alan Dubin. The two would cross paths again under the guise of Khanate. In the interim Plotkin would become involved in projects ranging from guitar bent soundsca…
Runhild Gammelsæter (Thorr's Hammer, Sunn0))), Khlyst) releases her first solo recording. The purpose was to create something organic sound with and about life. A lonely thing, like life, arisen from void. Stillness and a microphone, vocal chords. A…
James Plotkin unveils his second solo release in as many years. Indirmek presents two distinct facets of his musical work. The first track, Afyon (opium) lies closest to Plotkin's trademark drift. In essence, a guitar track stretched to limitless pos…
Japanese vocalist and instrumentalist Sachiko (Overhang Party, Vava Kitora, Kosokuya) looses a second, white-hot solo release. Her brilliant debut You Never Atone For on There/Musik Atlack rode gilded wings straight to the heart of the psych sun. The…
The Year of the Skull. The Skull Defekts, represented by Henrik Rylander and Joachim Nordwall, were invited in late September 2006 by the Chicago non-profit organization Lampo to make their U.S. debut. With them they brought recorded sounds from thei…
Hailing from the land of the rising snow, Lasse Marhaug has become one of the most commanding and respected sound artists in Norway. As a musician and composer he has contributed to cd, vinyl and cassette releases for labels throughout Europe, Asia a…
First release from French guitarist Johannes Buff. An attempt to disect the methodology he explores with guitar. Using a single sound source and unprocessed field recordings Knell invoke rich beauty and obsessive melodics. A luminous patina reveals v…