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Unlike Music for Films, the music for Apollo: Atmospheres and Soundtracks was entirely written for a specific film project—a documentary about the NASA Apollo lunar missions, by director Al Reinert. Additionally, by this time, Eno had found a sympathetic partner in Canadian Daniel Lanois, having already worked with Lanois on the 80 collaboration with Harold Budd, Ambient 2: The Plateaux of Mirror and the 82 release, Ambient 4: On Land. Lanois would bring an equally vivid imagination, and a more …
Ambient 4: On Land is even more about experience and less about conventional listening; music that is meant more to be felt than heard. Music that, through its combinations of found sounds processed and placed in well-considered places in the stereo image - this is a recording that is best listened to in headphones - evokes strong imagery of places real and imagined.Brian Eno even references earlier works, extracting bits and pieces and subsuming them into a new whole. Eno compares this process …