★VIS
Aslope
Tip! To get a good handle on ‘Aslope’ look no further than the intricate ‘Scattered sprinkle, no turn’, a 12+ minute collage of moonlit organ vamps, stifled voices and disembodied, robotic poems. Heaving from smeary abstraction to penetrable drama almost imperceptibly, featherlight rhythms are cut short by uncanny voices: “stop, turning, a page,” like some rogue navigation assistant, slicing into ticking clocks and xerox noise. It’s like listening to a film without access to the visuals - all th…
Last Index Of…
*123 copies limited edition!!* *cassette edition of sold out vinyl* Properly absorbing electronic enigmas from Zaheer Gulamhusein (Xvarr, Waswaas) and JustinTripp (Georgia), following their noses down the rabbit hole into aether-chamber interzonesadjacent to Coil, Conrad Schnitzler, Werkbund, and Jeff Mills’ deep space missions. A strong case of two artists transcending the sum of their parts, String present an immersiveexploration of the unknown, realising a “virtual vacation” from which they n…
Klein : Rot
** Edition of 300 individually numbered copies pressed on red vinyl ** Thorny, brittle, highly unusual electronic brilliance by Hamburg enigma Ulrich Rehberg aka Ditterich von Euler-Donnersperg, a covert operator who may or may not be behind Werkbund’s near-mythical output. If yr into anything from the maziest Bernard Parmegiani gear, Gerald Donald at his most inventive, or the proprioceptive concrète scapes of Marina Rosenfeld - this is compelling, essential listening. Since the early ’80s Uli’…
Max Brand Studie IV
Individually numbered edition of 300 copies, includes an A5 insert. Felix Kubin works with rare and stubborn analog synths for V I S on an abstract, extended portrait of the Hamburg docks riddled with field recordings. RIYL Daphne Oram, Romanian spectralists, Hafler Trio...Using the Max Brand synthesiser (a rare, modified Moog) on one side, and a Rob Hordijk modular system alongside sounds of the port of Hamburg on the other, the recordings render Kubin at his most explorative and experimental, …
Satan Im Sattel
Skulking hardware cranks from Hamburg’s Fallbeil duo, cooking up 90 minutes of K-holing, atonal digital noise recursion on tape along with two slices of grot on vinyl, especially for Nina’s V I S label down by the docks in Hamburg. After first appearing on Helena Hauff’s Return To Disorder label with Ultima Ratio in 2016, and turns for Boidae, Hafenschlamm and Mannequin in the meantime, the Fallbeil duo have made no concession to higher fidelities and remain resolutely grubby and visceral on all…