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*300 copies limited edition* Without a doubt, To Rococo Rot are an exception within the German music landscape. From 1995 until they broke up in 2014, the group around Robert Lippok, Ronald Lippok and Stefan Schneider researched a unique sound between electronic music, ambient, post-melancholy and the further development of a new, free music like krautrock. Pitchfork described their sound as "unmistakably digital, yet 100% human". With releases on labels such as Kitty-Yo, City Slang and Mute Re…
For their second foray into the fringes of German pop, Bureau B delve deeper than before, raiding cassette culture, 7" obscurities and overlooked album cuts to further frame this free-thinking strain of sonic expression. Starting the count from punk’s year zero, this set sees a newly liberated generation get weird and wild with anything they could lay their hands on, delivering demented, detuned and disorienting tracks brimming with DIY spirit.
The German pioneer of electronic music Conrad Schnitzler (1937-2011) amassed a vast archive of sounds for use in combination with each other in live performances. In 2011 the idea came up of con-structing new compositions, not remixes, from this material. The Con-Struct series was born. This release features con-structions by Baal & Mortimer who writes about it in the linernotes: It was exciting to break open existing material, peeling something out of the past and thus transgressing it and open…
The Berlin project Sprung Aus Den Wolken was part of the "Geniale Dilletanten" movement in the early 1980s, along with Einstürzende Neubauten and Mechanik Destrüktiw Komandöh. The band first released an EP on ZickZack in 1981, followed by further releases on the band's own record label Faux Pas in 1982 and 1983, then on the French outlet Les Disques Du Soleil Et De L'Acier until 1991. The track Pas Attendre was part of the soundtrack of Wim Wender’s movie Der Himmel über Berlin and thus becam…
Krishna Goineau was born in Sri Lanka in 1963. He spent his youth in the 1970s in Barcelona, where he met Javier Hernando in 1978 to found the post-punk group Xeerox. In 1981 Goinau moved to Düsseldorf, where he met Christo Haas and Beate Bartel. He became the singer of the joint project Liaisons Dangereuses and lent his unmistakable voice to the band's big hit ("Los Niños Del Parque"). At the end of the 1980s Krishna Goineau lived in Brussels and became the singer and keyboardist of the groups…
Violet Vinyl Edition. 40th-anniversary edition. Korpses Katatonik was a musical solo project of Zoe DeWitt during the years 1982 and 1983. Unlike DeWitt's later project Zero Kama, the work of Korpses Katatonik remains entirely within the realm of electronic music and shows an uncompromising experimental style comparable to that of other industrial bands like Coil, Throbbing Gristle, SPK, or Cabaret Voltaire. Like many other exponents of industrial culture Korpses Katatonik was inspired by dark p…
Editions of 500. Queen of Siam, Lydia Lunch's solo debut, was originally recorded in 1980. Featuring the noted talents of guitarist Robert Quine (Lou Reed, the Voidoids), multi-instrumentalist Pat Irwin (B-52's, Eight Eyed Spy), and the big band sound orchestra of Billy VerPlack (of Flintstones theme fame), the work proved to be a slap in the face to those critics awaiting a new Teenage Jesus-type of album from Lunch. Dirty, sophisticated, literary and raw, the album is today seen as the jewel i…
Teenage Jesus and the Jerks began to formulate their visionary brand of aural catharsis sometime during the first half of 1977, amidst the sordid ruins of a then fully down-and-out Lower Manhattan. The mastermind behind this juggernaut of sonic libertinage was a barely pubescent but world-weary runaway who called herself Lydia Lunch. Influenced strongly by the Marquis de Sade and Henry Miller, Lunch shrewdly decided to graft the existential horror of her own writing onto harsh, atonal music afte…
Editions of 500. During the late 1970s, after No Wave pioneer Lydia Lunch met saxophonist James Chance, she began setting her angry and disjointed poetry to anti-music, founding her ground-breaking band Teenage Jesus and The Jerks with Lunch’s shouted lyrics matched by her non-conventional use of electric guitar. The group’s self-titled debut EP is a fast and furious affair, produced by Robert Quine of the Voidoids/Lou Reed, with future Nick Cave drummer Jim Sclavunos on bass and Bradley Field o…
** 300 copies ** First ever reissue of an influential and much sought-after norsk drone masterpiece originally self-released in 1996 in an edition of just 108 copies, tipped by all the people you ought to be taking tips from, most notably Jim O'Rourke and Oren Ambarchi. Deeper than deep, it's a durational masterwork that connects ley lines between Ramleh, Stephen O'Malley, My Bloody Valentine, Deathprod, When and Antena, taking unexpected turns and sounding better than ever on this new edition, …
First solo LP in a decade from long-time Pelt/Black Twigs/Eight Point Star leader, presenting a remarkable program of solo Hardanger and octave fiddle music. Evening Measures is a bold and unique statement, a direct and disarming individual expression of a musician’s inner thoughts and inspirations. Like some of Mike Gangloff’s work in other projects, this ricochets back and forth across the line between the most traditional and the most “out” music, blending drone, melody, and the pure tactile …
Cardinal Fuzz and Feeding Tube Records bring to you the much-anticipated vinyl pressing of Dark Country Magic from this wonderful Maine trio (Quinnisa making her first intentional effort with "Moo Hoo" on this release). Caleb Mukerin and Colleen Kinsella have been key personages of the Portland sonic underground as members of the cosmically-shifting Cerberus Shoals and the folkily psychedelic Fire on Fire before forming the more personal and hermetic Big Blood back in 2006. The band's multi-phas…
*Edition of 250 copies* Comes with printed innersleeve. 2018 repress, on splatter vinyl. "Our last Big Blood release was the idiosyncratic Ant Farm, Colleen and Caleb's collaboration with the late composer Elliott Schwartz, which presented music designed for a museum installation. With Operate Spaceship Earth Properly, Big Blood return to the vast universe of strangeness they explore inside their own skin. Now fully incorporating the vocals and guitar of their daughter Quinnisa (previously a 'se…
"Pangrams" evokes a wide range of emotional moods, sketched in a chamber atmosphere. The four pieces stress the immediate and deep understanding of Di Domenico and Moberg.’ - Eyal Hareuveni
*200 copies limited edition. Black Vinyl* Deep and beautiful ambient experimentalism from two true masters. “Roedelius / Hausswolff II”is this duo’s second album. The two met in Vienna in 2016 when Carl Michael Von Hausswolff invited Hans-Joachim Roedelius to participate in the collective sound-installation and concert””freq_out ”. Since H-J had been, and still is, organizing the festival “More Ohr Les“ in his home town Baden just outside Vienna it has been natural for him to invite CM to collab…
Another legendary one out @Superior Viaduct, the super rare (and amazing) debut by sax / flute player Byard Lancaster on Atlantic's subsidiary label Vortex dedicated to avant-garde jazz. Featuring Sonny Sharrock on guitar. Quoting the Andy Beta's brilliant review on Pitchfork "When John Coltrane succumbed to cancer in 1967, free jazz/fire music was sucked into a giant vacuum along with him. A patron of music and patron saint to so many of its players, there was a crossroads left in his wake. Ele…
An extraordinary piece of energy music that goes way beyond jazz. A legendary album produced by Herbie Mann and originally released in 1969 on the Atco subsidiary Vortex. Sonny Sharrock (and his wife Linda) recorded these tracks with a cast of New York free jazz all-stars including pianist Dave Burrell, drummer Milford Graves, trumpeter Teddy Daniel, and bassist Norris Jones among the others. A radical album with uncompromising blasts of atonal electric guitar, free-form sonic explorations, ecce…
* 2023 Repress in 180 gr. green and silver vinyl. Limited to 500 copies * A catalog such as Beat Records, with its roots in the '60s may have a difficult logistic. Beat Records changed many times head quarter up to moving to Via Filippo Nicolai 16 from the late '80s up to nowadays. Such a company catalog, sensibly grown during 55 years of life, was always needing more space and so, recently, the label decided to find a new place where to agglomerate various storages spread through Rome. What doe…
We have British Electric Foundation on the front of this month's Electronic Sound and an exclusive blue vinyl seven-inch boasting two previously unreleased Martyn Ware tracks to accompany the issue.
Tip! LP edition. The legendary Torso (1973), considered one of the precursors of the slasher genre, was directed by Sergio Martino following the success of All the Colors of the Dark (1972), featuring a stunning soundtrack composed by Guido & Maurizio De Angelis also known as Oliver Onions. In 1973 a 26 minutes-long stereo LP was prepared for RCS's promo SP series, but it got cancelled and the 45 rpm didn't see the light, neither. In 1999 BMG printed out a CD (OST 145) with the editing found in …