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Minneapolis guitarist, Matt Sowell, is another of the many great players we were first introduced to at the Thousand Incarnations of the Rose festival in Takoma Park, MD. Matt played a richly dark and brooding set at Rhizome, with a style deeply indebted to the American Primitive tradition. His set had the raw strength of Fred Gerlach, the precision of Peter Lang, showed a country/blues influence that seemed to reference Fahey, and possessed the raga-meets-ragtime eclecticism of Jack Rose. We we…
The whelming noise swells of Yellow Swans’ final album, or swansong if u allow, resurface on the legendary band’s new archival imprint, marking 10 years since the seminal Type release with a timely reminding of its oceanic might and eternal burn.
As anyone who survived the fecund ‘00s noise scene will attest, Gabriel Saloman and Pete Swanson’s Yellow Swans were among the most vital visionaries of new horizons for noise. Using obsolete electronics/guitars/FX pedals and playing countless shows, th…
**300 copies** Medical brings you a great release a long time in the making. Dallas analog synthesist Jake Schrock has been very active in the Texas music scene for many years with prior releases for S U R V I V E’s Holodeck label as well as performing in //TENSE//. With a literal arsenal of vintage equipment, Jake forges a wonderful, almost 80s soundtrack vibe with deep emotive washes and playful and gentle classic drum machine patterns and beats. Seven unreleased tracks meticulously chosen fro…
**200 copies** Operating Manual for Floating in Space is a project by Mylan Hoezen, researching the ecstasy of our existence through manually operating a sequence of bodily movements. A gorgeous, ambient and ecstatic sort of thing to listen to. Transmitted in wobbly synth, streaks of bright lights stream past my ears like I’m moving at speed. Something is building. There is a drumbeat, or stomping. People are clapping and then they’re not. Space-shuttle cupboards are being opened and closed and …
Much needed vinylization of an amazing live set, previously issued as a CDR in an edition of 100 by the fine Borley Rectory label. Finally, for the good of all mankind, the music from this great night, opening for Robyn Hitchcock at London's Betsey Trotwood in October 2018, is turntable ready. A Place to Hide begins with the album's one new original tune 'My Reflection Once Was Me.' The song brims with harmonium-iced vocals that cannot fail to bring a certain German-born chanteuse to mind. Built…
Recumbent Speech, Ezra Feinberg’s second album, opens with a lament. Named for the Robert Frost poem, “Acquainted with the Night” was written during one of the many devastating spectacles of injustice under our current regime. Repeating flutes and synths beam out of a low-end darkness, reflecting a collective sense of loss and alienation. Rising slowly, thickening with guitars and strings, “Acquainted with the Night” lifts off, and so too does the album from there. The second track, “Letter to …
Vestals is the avatar of Los Angeles based artist Lisa McGee, whose debut album Forever Falling Toward the Sky was released by Root Strata in 2012. She has also discreetly operated in U.S. underground music for the last decade as a member of the dream-drone duo Higuma with Evan Caminiti, while making vocal contributions to acclaimed albums by Jefre Cantu Ledesma and Sarah Davachi. McGee is the sole producer and performer on her sophomore effort, Holy Origin. Since her last offering she has evol…
Written and produced by Sam Shackleton and Waclaw Zimpel. Electronics, sequencing, and programming by Sam Shackleton. Alto clarinet, violin, harmonium, e-piano, organ, frame drum, percussions, lira, and monochord by Waclaw Zimpel
2020 Re-issue of Keith Kenniff's debut under his Goldmund moniker. Originally only released on CD in 2005 via John Twells' Type Recordings, this album of rare and unusual minimalist beauty is now presented as a vinyl edition for the first time. "Multi-instrumentalist Keith Kenniff is a busy man. He has appeared as Helios on a number of acclaimed releases, including Deaf Center’s ‘Neon City EP’, and released a debut album ‘Unomia’ on Merck records which has appeared on many best of 2004 lists. A…
Goat Music is the documentation for David Shrigley’s film, Laughterhouse, about goats whose cries sound like humans. Contrasting the limits of comedy to the unlimited appetite of goats, this artist’s edition is a prime example of Shrigley’s biting humor. Comprising a picture disc and an artist’s book, Goat Music includes recordings of the goats in the film as well as the soundtrack Shrigley composed to accompany the opening performance in Hydra. Shrigley’s project for Deste’s renovated former sl…
** housed in reverse-board inner and outersleeve, including a 16 pages artist book/music score ** the full-length debut of Lisa Lerkenfeldt’s lowercase ambient drift marks the Aussie artist’s most significant release to date, slotting neatly into the roster of Félicia Atkinson & Bartolomé Sanson’s Shelter Press and gently caressing our earlobes with a sometimes barely-there palette of peach wood combs, contact microphones, piano, strings, and feedback that coalesce into tumultuous movements beyo…
New album by another favourite artist here at FD, whose work can traverse everywhere from avant-folk or otherworldly pop to minimalist electronics or some of the most fervent 'outer sounds' one can dredge from the deepest crevices of their doubtlessly life battle-scarred imagination. On Metal River, Richard Youngs offers four songs of deep space beamed curdled electronics not far removed from being akin to the contorted death caterwauls of a cyborg species reaching out in uttermost anguish. It's…
Wonderful lo-fi synthpop/collage LP by Marseillaise duo Jean-Marie Mercimek. Something has been brewing in France in recent years. Underground record shops, small venues, micro labels, and young musicians are creating a new vibe in various parts of the country. A broad range of styles and genres get randomly mixed into a melting pot with refreshing results. Jean Marie-Mercimek is one of those projects coming out of this new scene. The duo of Marion Molle and Ronan Riou revisits French lo-fi synt…
LP version. First pressing on color vinyl. From Mille Plateaux to Leaf, Staubgold, and Raster-Noton, ~scape, among others, or on his own label Ripatti, the Finnish artist Sasu Ripatti, aka Vladislav Delay, has been exploring various iterations of the "dub culture vs. electronica", since 1997. His sonic crafts and unique signature sound have been sought after by an eclectic range of bands and artists, ranging from Massive Attack, Hauschka, Black Dice, Autopoieses, Animal Collective, or AGF. Vladi…
Clear vinyl edition of 400 **A legendary yet long lost crown jewel from the early 80s Japanese Electronic and Jazz Rock scene - new powerful master, much appreciated by the artist, dbl.12″ in UV-glossy laminated gatefold sleeve with OBI+ includes A1 Poster 60x60cm and lyric shee** Mariah was a Japanese outfit in the field of art pop, way back in the very late 70s and early 80s with 5 albums up their score from 1980 to 1983. The album from 1979 entitled as “Mariah” was actually made before the ba…
Art & Vinyl is an exhilarating new look into the history of the vinyl record as a medium for modern and contemporary visual art. This beautifully designed and printed publication is the first book to focus in-depth on works of art created specifically for an album, composer or musician.
With reproductions of more than 200 LPs from the mid-20th century to the present, Art & Vinyl traces the trajectory of how the record album has been considered by artists as material for a work of art. The book b…
**400 copies** Bill Nace and Graham Lambkin first played together in Fall 2018, in Kentucky, behind plastic. In that performance, they sometimes played the same instrument at the same time. Time passed, then they recorded this album in Fall 2019, in London. I was told that an acoustic guitar, a cymbal and tapes were used in the recording and I have no reason to doubt that. There are also voices, birds, a room, the outside world...; a bow is used. Bill & Graham both deal in different kinds of ten…
Songs from the Bardo begins with a bell ringing out once, twice, three times, as a ritualistic chant emerges from the dense silence. The collaborative composition by avant-garde icon Laurie Anderson, Tibetan multi-instrumentalist Tenzin Choegyal, and composer and activist Jesse Paris Smith is a guided journey through the visionary text of the Tibetan Book of the Dead, unfolding in an 80-minute ebb and flow of sound and words. Songs from the Bardo is a transporting experience, meant to draw the l…
Tip - this is stunning! Since their launch in mid-2000s, the New York based imprint, Unseen Worlds, has continued to set an incredibly high bar through the earth-shaking quality of their releases. As dedicated to historical artists and works as they are to those emerging in the present, they’ve always taken their time, slipping things into the world with remarkable care, that leave humble tectonic shifts in their wake. After an absolutely incredible couple of years with brilliant albums from Lau…
Offering a unique window into modern Japanese music, Time Capsule's seventh release presents a group of artists who refuse to be bound by genre - mixing jazz, dub, psych, afrobeat, and indigenous styles into distinctly tropical fusions.180 gramms - OBI Strip only on 1st pressing
The music on this compilation features a range of modern Japanese musicians who have each sought to expand genre boundaries by fusing different styles. Hailing from different musical backgrounds they are united by a com…