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Music for desert picnics. Tuareg guitarist Mdou Moctar delves into his more sensitive side with a minimal studio recording of dreamy ballads. Thumping calabash, droning guitars, and vocal overdubs evoke an imagined desert soundscape. All instruments and vocals performed by Mdou only, creating a very personal and auteur sessions. Emotive and introspective, exploring themes of religion, spirituality, and matters of the heart. After his underground success on the pirate mp3 networks of West Africa …
Death Waltz Recording Company is proud to present a much needed re-press of this legendary soundtrack, featuring updated and expanded artwork by Luke Insect. Jorge Grau directed this classic zombie film in 1974, predating Dario Argento’s Suspiria by three years; you can’t help but think Goblin was inspired by Giuliano Sorgini’s score to Manchester Morgue when recording the Argento classic. Giuliano Sorgini fills his score with psych driven breaks, lush strings, pulsing electronics and ter…
Death Waltz Recording Co. is ecstatic to whisk you far into the future to the end of the 20th century with the truly out of this world Ennio Morricone score to Spazio 1999, starring the late, great Martin Landau. Produced by the legendary Gerry and Sylvia Anderson, the feature was constructed out of three episodes of the revered Space: 1999 television show to introduce Italian audiences to Commander Koenig and his crew, and thrilled audiences with nuclear explosions, parallel universes, a…
Apart is a mini-album containing a set of cello improvisations, conceived during days of solemn recording in the basement of an unused industrial space outside of Bern, Switzerland. Svarte Greiner on the recording process. "In autumn 2015 I was invited to perform and stay for a week 'residency' at the -- as it turned out one off -- Rebirth Festival in Bern, Switzerland. I was staying at an abandoned farm in the hills, half an hour outside the city with the group of young people responsibl…
Miasmah present a reissue of Svarte Greiner's debut album Knive, originally released on Type in 2006. 11 years since its inception, the surreal and darkly romantic Knive still sounds like a mystery and something that's hard to pin down. Svarte Greiner's debut album feels like a trip into the forest at midnight, with all the sounds and impressions that comes with it. Spiritual, horrific, and fragile in essence, its melancholic core is hard to shake off, and feels as present today as it did ba…
Pan Sonic's Ilpo Väisänen, Dirk Dresselhaus (Schneider TM) and Oren Ambarchi break down to the soul of noise with a new album dedicated to Mika Vainio. If you’re into Vainio, KTL or Ilpo’s brilliant solo work under his own name or as Liima / Piiri, this one's a doozy. Collectively, die Angel model a complex physicality through raw, elemental inputs, exploring a flux of reactive feedback processes and mutating, unstructured sonic states generated from crackling fusions of electronics, drums, elec…
Brought together in 2005 for a performance at San Francisco's venerable The Luggage Store Gallery, Anla Courtis and Thomas Dimuzio are introduced through the raw power of amplified music. Brothers in arms the duo remained in contact and in time began a recording project from afar. With a nod to classic cassette culture the distant combo exchanged source recordings with each artist concretely preparing a long-form work. The two tracks contained herein are a result of this collaboration.
LP version. Stephen O'Malley on Elodie, the project of Andrew Chalk and Timo van Luijk, and their album Vieux Silence: "Having been entranced by both Andrew Chalk's work with Mirror (and back to his solo works as Ferial Confine, plus multiple collaborations with David Jackman, The New Blockaders, Daisuke Suzuki, etc.), and Timo van Luijk (as Af Ursin, In Camera, La Poupée Vivante, and collaborations with Kris Vanderstraeten and others) for many years, I was naturally intrigued to hear about and …
Originally released in 1973, Joao Gilberto aka The White Album, is as a timeless classic of the genre and one of Joao's definitive masterpieces. Featuring only the minimalist drumming of NY jazz drummer Sonny Carr (and the backing vocals of 'Miucha', Gilberto's second wife and sister of Chico Buarque on the final track), Joao spins a delicate web of sound that from the first notes of Tom Jobim's anthem 'Aguas De Marco' has the listener dreaming of Bahia, even though the album was recorded in a N…
This essential title is also available under the moniker of Sun Song (1956). Regardless of its name, this long player contains some of Sun Ra's most complex but most accessible efforts. Ra had been an active performer since the late 1940s, recording with his various combos or "Arkestra(s)," as he dubbed them. Since this was the first widely distributed platter that the artist cut, it is often erroneously referred to as his debut. The tracks were documented by then-unknown Tom Wilson. If the name…
Angels And Demons At Play was compiled from two different sessions, recorded four years apart (1956 and 1960), that reflect Sun Ra's evolution from hard Chicago bop towards exotic styles that transcended easy categorization. The album was released in 1965 with a distinctive sleeve design by Sun Ra, featuring an identical illustration on both sides, and no sleeve notes. Besides the leader, there's overlapping personnel at the two sessions, yet the two LP sides were somewhat incongruous, demonstra…
To coincide with the opening of his major forthcoming UK solo exhibition at BALTIC (17 March – 11 June 2017), The Vinyl Factory presents a new album of music by the acclaimed Canadian artist Rodney Graham and his band. Gondoliers will be released on vinyl and digitally by on 17 March, featuring nine new tracks of lyrical rock and roll. Gondoliers follows the release of Graham’s 2016 album, Good Hand, Bad Hand, also released by The Vinyl Factory and can be seen as the second half of a pairing. Ta…
"As a member of 70’s proggers Heldon, Georges Grünblatt made the unusual journey from psych rocker to full time psychiatrist. But not before his one and only 1980 album K-Priss bombed commercially. The solo offering was recorded in the autumn of 1977 for Polydor with his Heldon contemporaries; the influential guitarist Richard Pinhas, Francois Auger, Didier Batard and others, while Jean-Louis Rizet, one half of the one-off prog collaborative Besombes and Rizet who put out the spacey masterpiece …
Limited edition of 500 copies worldwide, each hand-signed and individually numbered by Michael Nyman. Cine Opera represents Michael Nyman at a creative peak, bringing together the old and the new, a powerful statement on the timeless nature of his work, his continuing relevance, and his enduring success in multiple artistic fields. La Traversée de Paris was first commissioned in 1989 to mark France’s bi-centennial celebrations. Nyman continued to use tracks from La Traversée de Paris in other pr…
First ever reissue of the sought after album Fourth Sensation, originally released in 1970. The band was formed by Ares Tavolazzi (I Giganti, Area) - who later was an active session musician as well as being a leading figure in the Italian jazz scene, accompanying Gil Evans, Steve Lacy, Max Roach, Lee Konitz, Phil Woods and many others - on guitar, Ellade Bandini on drums, keyboardist Vince Tempera - who, a few years later formed the progressive supergroup Il Volo with Mario Lavezzi and Al…
**ltd 100 on Red vinyl** One of the coolest 70s soundtracks from the great Stelvio Cipriani – served up here with a huge amount of bonus tracks too! The music here was scored for a Mario Bava horror film, but it often has a quality that's more lean and lovely overall – that current of sex that we always love in Ciprani's best work, and which made him a key force for transforming the Italian bossa and jazz soundtrack style of the 60s into something completely new for the 70s! There's a lo…
When you think of the BBC Radiophonic Workshop, we’d wager most of the time it’s in context of their seminal ‘60s and ’70-s output. However, The Soundhouse (1983) proves there was much to marvel at in their early ‘80s catalogue, too, summing up the great advances in technology between their Radiophonic Workshop - 21 collection and their acquisition of a Fairlight CMI - the first digital sampling synth - which is thoroughly, imaginatively demonstrated throughout. Horses for courses and all that b…
Hamburg’s Growing Bin go back to the roots of Trance, as in hypnotic electronic rhythms for dancing, with this Baldelli-favoured suite produced in Germany 1983-86. “If you’ve kept a keen ear to the underground, you may have noticed a trance revival creeping into the dance floors and darkrooms of late; a post ironic return to the 64 bar breakdowns and peak time key changes of your serotonin drenched youth. So what’s this then? Has Growing Bin gone from groundbreaker to copycat? Dig a little deepe…
**ltd 100 on Red vinyl** Demonic sounds, but surprisingly sweet as well – done with this easy-flowing style that's really wonderful – and much more similar to the seductive sound library work of Alessandro Alessandroni, than to some of the starker, darker horror of the time! There's definitely some spooky passages, but they're almost always warmed up in really nice ways – both with keyboards, and with these wordless vocals from the lovely Giulia De Mutiis, who drifts through the record like some…
**193 unreleased before recordings** Le Paradis Blanc was recorded in 1983, it is also the music of the movie titled Le Paradis Blanc and directed by Etant Donnés the same year. The film and music were part of a three days installation and performance of Etant Donnés in the ELAC (Espace Lyonnais d’Art Contemporain) at the Fifth Symposium of Art Performance in Lyon in 1983 : one day for the construction of the installation, one day with a performance and one day for the destruction. The film…