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Among the releases of 1993 under the name Slaughter Productions, there is also Insanatorivm, a tape issued by Marco Corbelli under the name of Kranivm. This side project, conceived and completed in little more than a year, released other two tapes, Brighter The Edge Of Death and I - The Blood. This last one was finally reprinted in 1997 by the French label The Family Erzsebet with the title Chapter Blood, and a few tracks taken from the first two cassettes. Insanatorivm and Brighter The Edge …
New official full length studio album by Micheal Morley's Gate, joined here by Ninni Morgia and Silvia Kastel's Control Unit! Six hallucinatory tracks of free noise blast, abstract electronics and industrial landscapes. A radical new effort by two projects at the apex of their creative power. Cover Art is a painting by Morley's himself. Limited to 300 copies.
In the early '60s, Robert Craft's Columbia recordings of Varèse's works were important contributions to the catalog and hailed for giving this music greater exposure. The album includes Poème Electronique composed and recorded onto magnetic tape to be played from 400 loudspeakers, complimenting the parabolic and hyperbolic curves of Le Corbusier's pavillion at the Brussels World's Fair in 1958
itle of “Father of Electronic Music”. Varèse spent the early twenties as a starving composer in NYC, writing works like the percussionless “Octandre” and “Intégrales”, his first piece to use the term “spatial music”. Upon returning to Paris in 1928, he composed the celebrated “Ionisation”, the first piece ever written for an entirely percussion ensemble (13 percussionist playing 40 instruments). His 1936 piece, “Density 21.5”, written for solo flute for the premiere of George Barrère’s n…
Wildly surrealist experimental hip-hop group Curse Ov Dialect are back after a 6-year hiatus with their socially conscious, zonked-out new album "Twisted Strangers". Renowned for their non-conformist costumery and political ethos the enigmatic Australian group has garnered a strong worldwide cult following. This album includes an appearance from special guest Hemlock Ernst, Curse ov Dialect Japanese ambassador Kaigen, and Ramallah Underground rapper Stormtrap and more... Sonically Twisted Strang…
French artist Félicia Atkinson teams up with New York-based experimentalist Jefre Cantu-Ledesma for Comme Un Seul Narcisse, their first collaborative effort. Recorded between NYC and the Alps, Comme Un Seul Narcisse is an epistolary conversation of postmodern times between Cantu-Ledesma and Atkinson, who -- strangely enough -- met just once in person, in San Francisco in 2009. But the record is also a detour. Though it follows Cantu-Ledesma's haunting A Year With 13 Moons (Mexican Summer, 201…
For Mamiffer’s Faith Coloccia and Aaron Turner, music is a divine language, a code to be deciphered, a map riddled with clues. Their latest album, The World Unseen, is a conceptual and liminal document of numinous connection through an experience with loss. It is an exploration of subconscious and psychic bonds between the past and present, and the ways in which the musical devices of repetition and incantation create hands across the chasm that divide the human from the divine.
Through the use …
The material at hand is the second release in a series of sonic sculptures, these “Quellgeister”, that Stefan Fraunberger has been developing within his extensive travels through Transylvania. Fraunberger seeks out 300 year old organs in abandoned churches and refurbishes them, freeing them of their long-gone service to the institution. The region plays host to a number of small villages which lost the majority of their German population to migration after the fall of communism. In an area curre…
Owl Rave's debut is dark, melancholic and driven by honest simplicity. Owl Rave use David Lynch's „Twin Peaks“ as their main reference. The album's sonic setting, especially the sound scapes, are heavily influenced by the duality between a seemingly perfect world and deep abysses. They are set in and around the sinister places of Twin Peaks: dreams, visions, brothels and run-down bars. Straight melodies, layered atmospheres and simple beats are enveloped by shapeless drones. Horror jazz and hero…
Atsusaku is the collaborative output of Gareth Davis (Oiseaux Tempete, Scanner, Elliott Sharp, Machinefabriek etc) and Japanese noise mastermind Masami Akita aka Merzbow. A massive wall of sound over two tracks that moves from the shifting low-end structures and the ricochet of howling reeds to the blistering haze of dense white noise and rapid-fire electronic tones. The title Atsusaku, suggests pressure or mechanical compression and it was from this starting point, the idea of Davis' reed sound…
"Those lucky ducks at Three Lobed Recordings are living the dream. Everyone knows that being a record company is the single coolest thing anyone can do, and now they’ve taken that to a new level by assembling a box set of collaborative albums that seems to be more of a hypothetical wishlist come true.
The Parallelogram 5LP collection takes five musical pairings and lets each one put together a full-length slab of vinyl. And the pairings that Three Lobed has managed to pull off are the cream of t…
Recorded by Ragnar Johnson, assisted by Jessica Mayer, in Papua New Guinea, April-August 1976. Tape-to-digital transfer by Dave Hunt at Dave Hunt Audio in London, July 2015. Mastered and cut by Rashad Becker at Dubplates & Mastering in Berlin, August 2015. Notes and photographs by Ragnar Johnson and Jessica Mayer. First combined release. Originally released as two distinct LPs on Quartz Publications (!QUARTZ 001 (1977) and !QUARTZ 002 (1979)) by David Toop with the assistance of Sue Steward, …
First vinyl edition of Andrew Pekler's Cue, originally released as a CD by Kranky in 2007. Reissued by the Kiev, Ukraine-based Muscut label (founded by Dmytro Nikolaienko) under exclusive license from Kranky, Ltd. Limited edition of 300. From Andrew Pekler: "Typically, library music albums were not available to the general public but were marketed directly to film, TV and commercial production companies. Judging by the information provided on the record sleeves, these consumers of library music …
A totally wonderful little soundtrack from the Italian golden era, originally released as 'Magia Erotica' in 1974 on Aguamanda Records, an Italian label active in the seventies, founded by Augusto Martelli / the style is a great mix of Italian and Brazilian, modes run from some of the cooler, larger arrangements you'd hear from Marcos Valle – especially in his early 70s years – to some moments that are a bit more spare, and mix in rootsy percussion, sweet keyboards, and jazzy touches on Fender …
The birth of a legend – the first seven albums by Os Mutantes, packaged together in a single collection – all with original cover art, pressed on very heavy vinyl – and together in this very limited slipcover box! The first three records are amazing – and really represent the group at their peak – stretching out in a very experimental way during the key Tropicalia years in Brazil, and forging incredibly fresh music that's still as important today as it was at the end of the 60s! The albums easil…
As most library music geeks know, some of the finest, oddest and most sought-after library music comes from Italy. But collecting it is an expensive business, and one full of risks – many library LPs are one trackers but will still set you back hundreds. The second Pheon Records LP release is a trip through the Cometa library music vaults. To buy the originals featured here would cost you thousands of pounds today. How mental is that! So, here we present a twelve tracker – twelve killer …
At the time of this release, Kevin Verwijmeren is a 23-year old science student, living in Delft, Holland. Since 2013, he has used musical patterns and melodies to create contemplative landscapes of sound. Inspired by the sound and emotion of Loscil, Tim Hecker, and Pan American, Verwijmeren constructs a musical cocoon in which to imagine a vision of a different world. Through his dark but beautiful soundscapes, he tries to break daily routine and accept the dark side of life. Those Glorious Hei…
Brussels-based group Razen present Endrhymes, a work of hardcore melodic minimalism and raw, dystopian deep listening. Exclusive artwork by Bryan Lewis Saunders. The four pieces on Endrhymes thrive on an almost compulsory focus and improvisation carefully developed during many concerts. As a trio, Razen erase the acoustic deep listening from their previous album to explore territory of raw, melodic, and psychedelic minimalism that refers to the massive works of Louis Andriessen. The first and la…
In most European cities you can find many canals that have been covered. Often though, underneath the cement and our frenetic lives, they still run. Constantly flowing water, unknown to us. Maybe we feel it. Maybe it influences us and we do not know it. It would be nice to lie down in between a 19th Century tram track among the windows of stores up for rent and wine bars offering refuge and put an ear to the cobblestones, like they used to do in the prairies to hear if a train was coming. I am s…